“The Facts in the Case of M. Valdemar”
© 1845
by
Edgar Allan Poe
Of course I shall not
pretend to consider it any matter for wonder, that the extraordinary case of M.
Valdemar has excited discussion. It would have been a miracle had it
not-especially under the circumstances. Through the desire of all parties
concerned, to keep the affair from the public, at least for the present, or
until we had farther opportunities for investigation—through our endeavors to
effect this—a garbled or exaggerated account made its way into society, and
became the source of many unpleasant misrepresentations, and, very naturally,
of a great deal of disbelief.
It is now rendered
necessary that I give the facts—as far as I comprehend them myself. They are,
succinctly, these:
My attention, for the
last three years, had been repeatedly drawn to the subject of Mesmerism; and,
about nine months ago it occurred to me, quite suddenly, that in the series of
experiments made hitherto, there had been a very remarkable and most
unaccountable omission:—no person had as yet been mesmerized in articulo
mortis (1). It remained to be seen, first, whether, in such condition, there
existed in the patient any susceptibility to the magnetic influence (2); secondly,
whether, if any existed, it was impaired or increased by the condition;
thirdly, to what extent, or for how long a period, the encroachments of Death
might be arrested by the process. There were other points to be ascertained,
but these most excited my curiosity—the last in especial, from the immensely
important character of its consequences.
In looking around me
for some subject by whose means I might test these particulars, I was brought
to think of my friend, M. Ernest Valdemar, the well-known compiler of the
"Bibliotheca Forensica," and author (under the nom de plume of
Issachar Marx) of the Polish versions of "Wallenstein" and
"Gargantua." (3) M. Valdemar, who has resided principally at Harlaem,
N.Y., since the year 1839 (4), is (or was) particularly noticeable for the extreme
spareness of his person—his lower limbs much resembling those of John Randolph (5);
and, also, for the whiteness of his whiskers, in violent contrast to the
blackness of his hair—the latter, in consequence, being very generally mistaken
for a wig. His temperament was markedly nervous, and rendered him a good subject
for mesmeric experiment. On two or three occasions I had put him to sleep with
little difficulty, but was disappointed in other results which his peculiar
constitution had naturally led me to anticipate. His will was at no period
positively, or thoroughly, under my control, and in regard to clairvoyance, I
could accomplish with him nothing to be relied upon. I always attributed my
failure at these points to the disordered state of his health. For some months
previous to my becoming acquainted with him, his physicians had declared him in
a confirmed phthisis. It was his custom, indeed, to speak calmly of his
approaching dissolution, as of a matter neither to be avoided nor regretted.
When the ideas to
which I have alluded first occurred to me, it was of course very natural that I
should think of M. Valdemar. I knew the steady philosophy of the man too well
to apprehend any scruples from him; and he had no relatives in America who
would be likely to interfere. I spoke to him frankly upon the subject; and, to
my surprise, his interest seemed vividly excited. I say to my surprise, for,
although he had always yielded his person freely to my experiments, he had
never before given me any tokens of sympathy with what I did. His disease was
of that character which would admit of exact calculation in respect to the
epoch of its termination in death; and it was finally arranged between us that
he would send for me about twenty-four hours before the period announced by his
physicians as that of his decease.
It is now rather more
than seven months since I received, from M. Valdemar himself, the subjoined
note:
My DEAR P—- (6),You may as well come now. D—— and F—— are agreed that I cannot hold out beyond to-morrow midnight; and I think they have hit the time very nearly.VALDEMAR
I received this note
within half an hour after it was written, and in fifteen minutes more I was in
the dying man's chamber. I had not seen him for ten days, and was appalled by
the fearful alteration which the brief interval had wrought in him. His face
wore a leaden hue; the eyes were utterly lustreless; and the emaciation was so
extreme that the skin had been broken through by the cheek-bones. His
expectoration was excessive. The pulse was barely perceptible. He retained,
nevertheless, in a very remarkable manner, both his mental power and a certain
degree of physical strength. He spoke with distinctness—took some palliative
medicines without aid—and, when I entered the room, was occupied in penciling
memoranda in a pocket-book. He was propped up in the bed by pillows. Doctors
D—— and F—— were in attendance.
After pressing
Valdemar's hand, I took these gentlemen aside, and obtained from them a minute
account of the patient's condition. The left lung had been for eighteen months
in a semi-osseous or cartilaginous state, and was, of course, entirely useless
for all purposes of vitality. The right, in its upper portion, was also
partially, if not thoroughly, ossified, while the lower region was merely a
mass of purulent tubercles, running one into another. Several extensive
perforations existed; and, at one point, permanent adhesion to the ribs had
taken place. These appearances in the right lobe were of comparatively recent
date. The ossification had proceeded with very unusual rapidity; no sign of it
had been discovered a month before, and the adhesion had only been observed
during the three previous days. Independently of the phthisis, the patient was
suspected of aneurism of the aorta; but on this point the osseous symptoms
rendered an exact diagnosis impossible. It was the opinion of both physicians
that M. Valdemar would die about midnight on the morrow (Sunday). It was then
seven o'clock on Saturday evening (7).
On quitting the
invalid's bed-side to hold conversation with myself, Doctors D—— and F—— had
bidden him a final farewell. It had not been their intention to return; but, at
my request, they agreed to look in upon the patient about ten the next night.
When they had gone, I
spoke freely with M. Valdemar on the subject of his approaching dissolution, as
well as, more particularly, of the experiment proposed. He still professed
himself quite willing and even anxious to have it made, and urged me to
commence it at once. A male and a female nurse were in attendance; but I did
not feel myself altogether at liberty to engage in a task of this character
with no more reliable witnesses than these people, in case of sudden accident,
might prove. I therefore postponed operations until about eight the next night,
when the arrival of a medical student with whom I had some acquaintance, (Mr.
Theodore L—l,) relieved me from farther embarrassment. It had been my design,
originally, to wait for the physicians; but I was induced to proceed, first, by
the urgent entreaties of M. Valdemar, and secondly, by my conviction that I had
not a moment to lose, as he was evidently sinking fast.
Mr. L—l was so kind as
to accede to my desire that he would take notes of all that occurred, and it is
from his memoranda that what I now have to relate is, for the most part, either
condensed or copied verbatim.
It wanted about five
minutes of eight when, taking the patient's hand, I begged him to state, as
distinctly as he could, to Mr. L—l, whether he (M. Valdemar) was entirely
willing that I should make the experiment of mesmerizing him in his then
condition.
He replied feebly, yet
quite audibly, "Yes, I wish to be. I fear you have mesmerized"—adding
immediately afterwards, "deferred it too long."
While he spoke thus, I
commenced the passes which I had already found most effectual in subduing him.
He was evidently influenced with the first lateral stroke of my hand across his
forehead; but although I exerted all my powers, no further perceptible effect
was induced until some minutes after ten o'clock, when Doctors D— and F—
called, according to appointment. I explained to them, in a few words, what I
designed, and as they opposed no objection, saying that the patient was already
in the death agony, I proceeded without hesitation—exchanging, however, the
lateral passes for downward ones, and directing my gaze entirely into the right
eye of the sufferer.
By this time his pulse
was imperceptible and his breathing was stertorous, and at intervals of half a
minute.
This condition was
nearly unaltered for a quarter of an hour. At the expiration of this period,
however, a natural although a very deep sigh escaped the bosom of the dying
man, and the stertorous breathing ceased—that is to say, its stertorousness was
no longer apparent; the intervals were undiminished. The patient's extremities
were of an icy coldness.
At five minutes before
eleven I perceived unequivocal signs of the mesmeric influence. The glassy roll
of the eye was changed for that expression of uneasy inward examination which
is never seen except in cases of sleep-waking, and which it is quite impossible
to mistake. With a few rapid lateral passes I made the lids quiver, as in
incipient sleep, and with a few more I closed them altogether. I was not
satisfied, however, with this, but continued the manipulations vigorously, and
with the fullest exertion of the will, until I had completely stiffened the
limbs of the slumberer, after placing them in a seemingly easy position. The
legs were at full length; the arms were nearly so, and reposed on the bed at a
moderate distance from the loin. The head was very slightly elevated (8).
When I had
accomplished this, it was fully midnight, and I requested the gentlemen present
to examine M. Valdemar's condition. After a few experiments, they admitted him
to be an unusually perfect state of mesmeric trance. The curiosity of both the
physicians was greatly excited. Dr. D—— resolved at once to remain with the
patient all night, while Dr. F—— took leave with a promise to return at
daybreak. Mr. L—l and the nurses remained.
We left M. Valdemar
entirely undisturbed until about three o'clock in the morning, when I
approached him and found him in precisely the same condition as when Dr. F—went
away—that is to say, he lay in the same position; the pulse was imperceptible;
the breathing was gentle (scarcely noticeable, unless through the application
of a mirror to the lips); the eyes were closed naturally; and the limbs were as
rigid and as cold as marble. Still, the general appearance was certainly not
that of death.
As I approached M.
Valdemar I made a kind of half effort to influence his right arm into pursuit
of my own, as I passed the latter gently to and fro above his person. In such
experiments with this patient, I had never perfectly succeeded before, and
assuredly I had little thought of succeeding now; but to my astonishment, his
arm very readily, although feebly, followed every direction I assigned it with
mine. I determined to hazard a few words of conversation.
"M.
Valdemar," I said, "are you asleep?" He made no answer, but I
perceived a tremor about the lips, and was thus induced to repeat the question,
again and again. At its third repetition, his whole frame was agitated by a
very slight shivering; the eyelids unclosed themselves so far as to display a
white line of the ball; the lips moved sluggishly, and from between them, in a
barely audible whisper, issued the words:
"Yes;—asleep now.
Do not wake me!—let me die so!"
I here felt the limbs
and found them as rigid as ever. The right arm, as before, obeyed the direction
of my hand. I questioned the sleep-waker again:
"Do you still
feel pain in the breast, M. Valdemar?"
The answer now was
immediate, but even less audible than before: "No pain—I am dying."
I did not think it
advisable to disturb him farther just then, and nothing more was said or done
until the arrival of Dr. F—, who came a little before sunrise, and expressed
unbounded astonishment at finding the patient still alive. After feeling the
pulse and applying a mirror to the lips, he requested me to speak to the
sleep-waker again. I did so, saying:
"M. Valdemar, do
you still sleep?"
As before, some
minutes elapsed ere a reply was made; and during the interval the dying man
seemed to be collecting his energies to speak. At my fourth repetition of the
question, he said very faintly, almost inaudibly:
"Yes; still
asleep—dying."
It was now the
opinion, or rather the wish, of the physicians, that M. Valdemar should be
suffered to remain undisturbed in his present apparently tranquil condition,
until death should supervene—and this, it was generally agreed, must now take
place within a few minutes. I concluded, however, to speak to him once more,
and merely repeated my previous question.
While I spoke, there
came a marked change over the countenance of the sleep-waker. The eyes rolled
themselves slowly open, the pupils disappearing upwardly; the skin generally
assumed a cadaverous hue, resembling not so much parchment as white paper; and
the circular hectic spots which, hitherto, had been strongly defined in the
centre of each cheek, went out at once. I use this expression, because the
suddenness of their departure put me in mind of nothing so much as the
extinguishment of a candle by a puff of the breath. The upper lip, at the same
time, writhed itself away from the teeth, which it had previously covered
completely; while the lower jaw fell with an audible jerk, leaving the mouth
widely extended, and disclosing in full view the swollen and blackened tongue.
I presume that no member of the party then present had been unaccustomed to
death-bed horrors; but so hideous beyond conception was the appearance of M.
Valdemar at this moment, that there was a general shrinking back from the
region of the bed.
I now feel that I have
reached a point of this narrative at which every reader will be startled into
positive disbelief. It is my business, however, simply to proceed.
There was no longer
the faintest sign of vitality in M. Valdemar; and concluding him to be dead, we
were consigning him to the charge of the nurses, when a strong vibratory motion
was observable in the tongue. This continued for perhaps a minute. At the
expiration of this period, there issued from the distended and motionless jaws
a voice—such as it would be madness in me to attempt describing. There are,
indeed, two or three epithets which might be considered as applicable to it in
part; I might say, for example, that the sound was harsh, and broken and
hollow; but the hideous whole is indescribable, for the simple reason that no
similar sounds have ever jarred upon the ear of humanity. There were two
particulars, nevertheless, which I thought then, and still think, might fairly
be stated as characteristic of the intonation—as well adapted to convey some
idea of its unearthly peculiarity. In the first place, the voice seemed to
reach our ears—at least mine—from a vast distance, or from some deep cavern
within the earth. In the second place, it impressed me (I fear, indeed, that it
will be impossible to make myself comprehended) as gelatinous or glutinous
matters impress the sense of touch.
I have spoken both of
"sound" and of "voice." I mean to say that the sound was
one of distinct—of even wonderfully, thrillingly distinct—syllabification. M.
Valdemar spoke—obviously in reply to the question I had propounded to him a few
minutes before. I had asked him, it will be remembered, if he still slept. He
now said:
"Yes;—no;—I have
been sleeping—and now—now—I am dead."
No person present even
affected to deny, or attempted to repress, the unutterable, shuddering horror
which these few words, thus uttered, were so well calculated to convey. Mr. L—l
(the student) swooned. The nurses immediately left the chamber, and could not
be induced to return. My own impressions I would not pretend to render
intelligible to the reader. For nearly an hour, we busied ourselves,
silently—without the utterance of a word—in endeavors to revive Mr. L—l. When
he came to himself, we addressed ourselves again to an investigation of M.
Valdemar's condition.
It remained in all
respects as I have last described it, with the exception that the mirror no
longer afforded evidence of respiration. An attempt to draw blood from the arm
failed. I should mention, too, that this limb was no farther subject to my
will. I endeavored in vain to make it follow the direction of my hand. The only
real indication, indeed, of the mesmeric influence, was now found in the
vibratory movement of the tongue, whenever I addressed M. Valdemar a question.
He seemed to be making an effort to reply, but had no longer sufficient
volition. To queries put to him by any other person than myself he seemed
utterly insensible—although I endeavored to place each member of the company in
mesmeric rapport with him. I believe that I have now related all that is
necessary to an understanding of the sleep-waker's state at this epoch. Other
nurses were procured; and at ten o'clock I left the house in company with the
two physicians and Mr. L—l.
In the afternoon we
all called again to see the patient. His condition remained precisely the same.
We had now some discussion as to the propriety and feasibility of awakening
him; but we had little difficulty in agreeing that no good purpose would be
served by so doing. It was evident that, so far, death (or what is usually
termed death) had been arrested by the mesmeric process. It seemed clear to us
all that to awaken M. Valdemar would be merely to insure his instant, or at
least his speedy dissolution.
From this period until
the close of last week—an interval of nearly seven months—we continued to make
daily calls at M. Valdemar's house, accompanied, now and then, by medical and
other friends. All this time the sleeper-waker remained exactly as I have last
described him. The nurses' attentions were continual.
It was on Friday last
that we finally resolved to make the experiment of awakening or attempting to
awaken him; and it is the (perhaps) unfortunate result of this latter
experiment which has given rise to so much discussion in private circles—to so
much of what I cannot help thinking unwarranted popular feeling.
For the purpose of
relieving M. Valdemar from the mesmeric trance, I made use of the customary
passes. These, for a time, were unsuccessful. The first indication of revival
was afforded by a partial descent of the iris. It was observed, as especially
remarkable, that this lowering of the pupil was accompanied by the profuse
out-flowing of a yellowish ichor (from beneath the lids) of a pungent and
highly offensive odor.
It was now suggested
that I should attempt to influence the patient's arm, as heretofore. I made the
attempt and failed. Dr. F—then intimated a desire to have me put a question. I
did so, as follows:
"M. Valdemar, can
you explain to us what are your feelings or wishes now?"
There was an instant
return of the hectic circles on the cheeks; the tongue quivered, or rather
rolled violently in the mouth (although the jaws and lips remained rigid as
before;) and at length the same hideous voice which I have already described,
broke forth:
"For God's
sake!—quick!—quick!—put me to sleep—or, quick!—waken me!—quick!—I say to you
that I am dead!"
I was thoroughly
unnerved, and for an instant remained undecided what to do. At first I made an
endeavor to re-compose the patient; but, failing in this through total abeyance
of the will, I retraced my steps and as earnestly struggled to awaken him. In
this attempt I soon saw that I should be successful—or at least I soon fancied
that my success would be complete—and I am sure that all in the room were
prepared to see the patient awaken.
For what really
occurred, however, it is quite impossible that any human being could have been
prepared.
As I rapidly made the
mesmeric passes, amid ejaculations of "dead! dead!" absolutely
bursting from the tongue and not from the lips of the sufferer, his whole frame
at once—within the space of a single minute, or even less,
shrunk—crumbled—absolutely rotted away beneath my hands. Upon the bed, before
that whole company, there lay a nearly liquid mass of loathsome—of detestable
putridity.
END.
===
NOTES
(2) - "Magnetic influence" - It was generally believed that hypnotism had something to do with magnetism. It was not until the late 19th century that anyone grasped that hypnotism worked by accessing the subconscious, and not until the late 20th that it was understood that it worked, essentially, by tricking the subject's own job control system into accepting the hypnotist's commands as originating from within the subject's own brain instead of from an outside source.
(3) - This is an early example of building verisimilitude through the combination of real and imaginary facts. Both "M. Ernest Valdemar" and his nom-de-plume "Issachar Marx" are of course imaginary. Wallenstein (1799) is a trilogy of plays by Friedrich Schiller about the 17th-century mercenary Albrech von Wallenstein. Gargantua (mid 16th century) is composed of five connected short satirical science-fiction novels about the titular and other giants, written by Francois Rabelais. The Bibliotheca Forensica is fictional, but would presumably from its title be a bibliography of legal texts.
Poe employed this technique here as a deliberate and mischievous literary hoax (he managed to convince a lot of people that the experiment described in this story had been real). His spiritual successor H. P. Lovecraft would make extensive use of this technique to increase the verisimilitude of many stories in the Cthulhu Mythos.
(4) - "Haarlem, NY" is the place today known as "Harlem," now a neighborhood of New York City, NY. At the time Poe was writing, this was still an independent and small town, though one rapidly growing due to its recent (1831) rail linkage with New York City proper.
(5) - John Randolph - A prominent classical-liberal (and antislavery) Democrat of the Early Republic.
(6) - My DEAR P— - The implication is that Edgar Allan Poe, the author of this tale, is also the narrator (and also the possessor of supernal mesmeric powers). Lovecraft and those of his circle would often employ a variant of this technique, by inventing main characters (such as Randolph Carter) very obviously based on themselves. Another literary joke popular among Lovecraft's circle was to base supposed historical or mythical authors on themselves or each other, such as the supposedly French "Comte d'Erlette" (August Derleth) Egyptian "Luvah-Keraph" (H. P. Lovecraft) and Atlantean "Klarkash-ton" (Clark Ashton Smith).
(7) - Translating from early 19th century medical terminology, this sounds like tuberculosis leading to a failing heart. Though I'm not really a scholar of obsolete medical terminology, so I'm not completely certain of that. One advantage of this illness from Poe's point of view is that it would be certainly -- but not quickly -- fatal.
(8) - This detailed description of the manual "passes" employed by the mesmerist would have seemed relevant to Poe (and his audience) because of the aforementioned assumption that hypnosis was somehow based upon magnetism. Many people were familiar with the sensations of electrical shocks and magnetic fields, because this was a popular subject for public demonstrations. If one considers what passing one's arms through a magnetic field feels like (on the arm hairs) one can see why the concept of hypnotic "passes" seemed so reasonable, even though from a modern understanding of the process, it's patently absurd showmanship.
===
COMMENTS: This story qualifies as reasonably-hard science fiction for the 1840's, because back then most scientists (of those who believed in mesmerism at all) assumed that it worked by means of a magnetic process. Furthermore, the capabilities and limitations of hypnotism had not yet been much-explored, nor were the biochemical and electrical mechanisms of life and death understood, so the notion of being able to hypnotize a dying person's soul to remain in his body, and hence retard death and decomposition, seemed plausible.
As I mentioned, Poe originally ran this story as a hoax. It seemed so plausible that the hoax worked: many of his readers assumed that he had actually witnessed such an experiment. Such are the virtues of verisimilitude, and it emphasizes the extent to which Poe's theory was reasonable, given the scientific understanding of the day.
Lovecraft was not only impressed by Poe's technique in this tale, he even wrote his own version of the work itself, in which a man at the point of death has deliberately used preservative chemicals and cold temperatures on himself to avoid dying. That story is, of course, "Cool Air" (1928), which I may eventually run on Fantastic Worlds. (Lovecraft named Arthur Machen's "The Novel of the White Powder" as his primary inspiration, but since "M. Valdemar" was Lovecraft's second favorite Poe story, right after "The Fall of the House of Usher," I find the notion that this did not strongly influence Lovecraft in writing "Cool Air" close to inconceivable).
Poe was deeply preoccupied with the borderline condition between life and death: in which a person was almost or just dead, or seemed as such. He was terrified at the prospect of a premature burial: at least two of his tales -- "The Fall of the House of Usher" and "The Premature Burial" -- dealt with this prospect. Given the relatively primitive ability of early 19th century doctors to tell apart coma from death, this was not an entirely unreasonable fear.
Lovecraft was not only impressed by Poe's technique in this tale, he even wrote his own version of the work itself, in which a man at the point of death has deliberately used preservative chemicals and cold temperatures on himself to avoid dying. That story is, of course, "Cool Air" (1928), which I may eventually run on Fantastic Worlds. (Lovecraft named Arthur Machen's "The Novel of the White Powder" as his primary inspiration, but since "M. Valdemar" was Lovecraft's second favorite Poe story, right after "The Fall of the House of Usher," I find the notion that this did not strongly influence Lovecraft in writing "Cool Air" close to inconceivable).
Poe was deeply preoccupied with the borderline condition between life and death: in which a person was almost or just dead, or seemed as such. He was terrified at the prospect of a premature burial: at least two of his tales -- "The Fall of the House of Usher" and "The Premature Burial" -- dealt with this prospect. Given the relatively primitive ability of early 19th century doctors to tell apart coma from death, this was not an entirely unreasonable fear.
He was also obsessed with the notion of a beloved who either lay in a state that mimicked death or had actually just died (so that there had as yet been no visible decomposition), as a dramatic theme either of romance or of horror (depending on whether the woman was actually dead) -- to put it plainly he liked extremely passive and rather submissive women, but he was repulsed by the concpet of actual necrophilia. In "M. Valdemar," the fact that this torturous suspension between life and death is being inflicted on Valdemar by his friend is more than a little bit creepy.
Finally, Poe -- like many thinkers of his day -- was fascinated by the fundamental questions of life, death, waking and sleeping. Science had advanced just far enough that scientists were becoming aware that there were mysteries of human consciousness, and that there were basic causes of life and death, but not far enough that the answers were even beginning to become apparent. "The Facts in the Case of M. Valdemar" addresses this question, and offers a possible solution: that human consciousness as an act of will maintains life and fights against death. The answer is untrue -- at least in the form that it is presented here -- but the reasons why were not known in 1845, and it was brave of Poe to even try to address the question.
END.
I recall seeing this as a movie with Vincent Price as Valdemar.
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