Sunday, August 11, 2013

Retro Review of "The Lake of Light" (1931) by Jack Williamson

"Retro Review
of
'The Lake of Light'

 © 1931

by

Jack Williamson"

 © 2013

by

Jordan S. Bassior



(The story may be found here)

 

Point of View:  First-person limited, un-named narrator.

 

Synopsis:  The  narrator (whom we may choose to call "Jack," as he shares key elements of Jack Williamson's own biography), is an old friend of the other protagonist, Ray Summers.  They are making an exploration flight over Antarctica when they see a strangely-glowing conical mountain peak.

 

Suddenly, one of their propeller blades comes off.  (They don't know it yet, but they have been hit by an energy beam from the mountain).  They are forced to make a crash landing.

 

Far from the coast, with only a week's provisions, and with no other obvious plan of action, Ray proposes that they make for the shining mountain.  Jack consents -- at least they may see something interesting before they perish.  Ray insists that they bring their single rifle (1).

 

After 10 days march, during which they expend all their supplies and Jack considers suicide but is dissuaded by Ray (2), they discover the wreck of a Harley biplane -- the aircraft Major Meriden and his wife Mildred (herself a noted pilot) were when they vanished (3).  The Major and his wife are not in the wreckage.


Later that day they reach the shining mountain.  It is obviously artificial


The shining mountain rose before us like a great cone of fire. It must have been three thousand feet high, and about that in diameter at the bottom. Its walls were as smooth and straight as though turned from milky rock crystal in a gigantic lathe. It shone with a steady, brilliantly white radiance.

 and is surrounded by a strange wall,

 

We approached the curious wall. It was of a white metal, apparently aluminum, or a silvery alloy of that metal. In places it was twenty-five feet high, but more usually the snow and ice was banked high against it. The smooth white wall of the gleaming mountain stood several hundred yards back from the wall.
 behind which is the Lake of Fire.

Indeed, a lake of liquid fire lay before us. The white aluminum wall was hardly a foot thick. It formed a great circular tank, nearly a mile across, with the cone of white fire rising in the center. And the tank was filled, to within a foot of the top, with shimmeringly brilliant white fluid, bright and luminous as the cone—liquid light!
 The liquid light is cold to the touch and would obviously be of immense industrial value back in civilization.

Realizing that someone or something must be making the liquid light, and that they are probably living in or under the artificial mountain, our heroes search for the entrance.  They find one

,,, a square metal tower, ten feet on a side, that rose just outside the silvery wall, to a level with its top. The ice was low here; the tower rose twenty feet above its unequal surface. We found metal flanges riveted to its side, like the steps of a ladder. They were most inconveniently placed, nearly four feet apart; but we were able to climb them, and to look down the shaft.

It was a straight-sided pit, evidently some hundreds of feet deep. We could see a tiny square of light at the bottom, very far away. The flanges ran down the side forming the rungs of a ladder that gave access to whatever lay at the bottom.

Ray realizes that this structure was not built by human beings, for human beings would never have built a ladder so difficult for the human anatomy to negotiate.  Ray taking the lead, they climb down the ladder.  At the bottom they find a gigantic cave.

We stood on the bare stone floor of a huge cavern. It must have been of volcanic origin. The walls glistened with the sparkling smoothness of volcanic glass. It was a huge space. The black roof was a hundred feet high, or more; the cave was some hundreds of feet wide. And it sloped away from us into dim distance as though leading into huger cavities below.

The light that shone upon us came from an amazing thing—a fall of liquid fire. From the roof plunged a sheer torrent of white brilliantly luminous fluid, falling a hundred feet into a shimmering pool of moon-flame. Shining opalescent mists swirled about it, and the ceaseless roar of it filled the cave with sound. It seemed that a stream of the phosphorescent stuff ran off down the cave from the pool, to light the lower caverns.

Following the trail upriver, they are confronted by one of the inhabitants of the shining mountain.

It was far larger than a man; its body was heavy as a horse's, but nearer the ground. In form it suggested a huge crab, though it was not very much like any crustacean I had ever seen. It was mostly red in color, and covered with a huge scarlet shell. It had five pairs of limbs. The two forward pairs had pinchers, seemingly used as hands; it scraped along on the other three pairs. Yard-long antennae, slender and luminously green, wavered above a grotesque head. The many facets of compound eyes stood on the end of foot-long stalks.

The amazing crab-thing wore a metal harness. Bands of silvery aluminum were fastened about its shell, with little cases of white metal dangling to them. In one of its uplifted claws it carried what seemed to be an aluminum bar, two feet long and an inch thick.

It scraped lumberingly past, between us and the racing stream of white fire. It passed less than a dozen feet from us. The curious fishy smell of it was overpowering, disgusting ... The monster emanated power, sinister, malevolent power, power intelligent, alien and hostile to man.

 Ray tosses a rock to land far away, on the other side of the creature, and the protagonists learn what downed their airplane.

Then the knobbed limbs snapped the white metal tube to a level position. A metallic click came from it.

And a ray of red light, vivid and intense, burst from the tube. It flashed across the river of fire. With a dull, thudding burst it struck the rocks where the stone had fallen. It must have been a ray of concentrated heat. Rocks beneath it flashed into sudden incandescence, splintered and cracked, flowed in molten streams.

 They evade the creature and continue upstream, where they discover the source of the glowing liquid.

 

At our feet the glistening river of fire plunged down again in a magnificent flaming fall. Below, its luminous liquid was spread out in rivers and lakes and canals, over all the vast plain. The channels ran through an amazing jungle. It was a forest of fungus, of mushroom things with great fleshy stalks and spreading circular tops. But they were not the sickly white and yellow of ordinary mushrooms, but were of brilliant colors, bright green, flaming scarlet, gold and purple-blue. Huge brilliant yellow stalks, fringed with crimson and black, lifted mauve tops thirty feet or more. It was a veritable forest of flame-bright fungus.
In the center of this weirdly forested subterranean plain was a great lake, filled, not with the flaming liquid, but with dark crystal water. And on the bottom of that lake, clearly visible from the elevation upon which we stood, was a city!
A city below the water! The buildings were upright cylinders in groups of two or three, of dozens, even of hundreds. For miles, the bottom of the great lake was covered with them. They were all of crystal, azure-blue, brilliant as cylinders turned from immense sapphires. They were vividly visible beneath the transparent water. Not one of them broke the surface.
Through the clear black water we saw moving hundreds, thousands of the giant crabs. The crawled over the hard, pebbled bottom of the lake, or swam between the crystal cylinders of the city. They were huge as the one we had seen, with red shells, great ominous looking stalked eyes, luminous green tentacular antennae and knobbed claws on forelimbs.

Entering the fungus forest in quest of food, they encounter a human girl.

My first impression was that she was very beautiful—and that impression I was never called upon to revise. About her lithe young body she had the merest scrap of some curious green fabric—ample in the warm air of the great cavern. Luxuriant brown hair fell loose about her white shoulders. She was not quite twenty years old, I supposed; her body was superbly formed, with the graceful curves and the free, smooth movements of a wild thing.

...

Her beauty burst upon us like a great light. Smoothly white, her skin was, perfect. Wide blue eyes, now appealing, even piteous, looked from beneath a wealth of golden brown hair. White teeth, straight and even, flashed behind the natural crimson of her lips.

She stood staring at Ray, in a sort of enchantment of wonder. An eager light of incredible joy flamed in her amazing eyes; red lips were parted in an unconscious smile of joy. She looked like the troubled princess in the fairy tale, when the prince of her dreams appeared in the flesh.

 

===

NOTES:

 

(1) - A decision that proves key to their survival.  One wonders why Ray decided to bring the rifle.  He's described as being a tough Westerner, so this would be his default in wilderness, but on the other hand he knows there are supposed to be no large animals in the Antarctic interior.  Did he suspect that they had been shot down?


(2) - It is interesting that Jack Williamson makes his Author Avatar the emotionally-weaker of the two main characters.  This seems to be a device for verisimilitude:  Williamson may not have considered himself capable of bearing up under the extreme psychological stress of the characters' situtation, but could create another character (Ray) who would have enough courage for both of them.

(3) - This is mildly coincidental, given the extent of the terrain around the mountain.  A single aircraft would be but a speck in that vast waste.  On the other hand, the biplane was coming from the same direction, was presumably attracted by the shining mountain,  and shot down the same way, so it's not totally surprising that it would come down along the track from where the protagonists later would make their own crash-landing.  

 

The early Williamson used a lot of coincidence in his stories, as we've seen in "Prince of Space" where the protagonists land -- with no particular intent -- right next to where the only other human to ever come to Mars landed, enabling them to find his corpse complete with useful journal.  This was to some extent common to early-20th-century pulp fiction, but Williamson seemed to do so more than most writers.

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