Tuesday, April 2, 2013

On the Other Hand ... (regarding Adventure Time 515) ...

Since posting my review, it’s occurred to me that I could have completely missed the point.  This could all be a huge Mind Screw by Pen & Company, deliberately writing the episode as if it were a bad fan-fiction to cover up the implications of Simon’s behavior Out of Character.

Very frequently, OOC Is Serious Business – and the Ice King was acting more than a bit OOC in “A Glitch Is A Glitch.”  Specifically, he was acting like an Omnicidal Maniac.

And who do we know in the series who is an Omnicidal Maniac?

….?

What if he’s been possessed, or (more likely, given the power of the Ice Crown) tricked … by the Lich?

The notion of deleting the Universe is very much OOC for Simon Petrikov, who even as the Ice King puts limits on his own actions.  Even the Ice Crown wants to freeze – not destroy – the Earth (and given the preservative qualities of the default ice it generates, it might be argued that   But destroying all life is the specific goal of the Lich King – as it is not of any other villain in the series (for instance, Hunson Abadeer wants to harvest souls, the Fire King wants to burn up the world and colonize it with his own fire elementals).  Thinking about it, I find it more than a little bit suspicious that the Ice King attempted a plan which would have achieved the Lich King’s goals.

Furthermore, the Ice King has never shown any capability to alter the fundamentals of space and time.  At most, he’s aware of and able to peer into other dimensions with his “wizard eyes,” but not to change them.  (We know this because he couldn’t even force the spirits haunting his castle back into the Spirit World on his own – he had to recruit Finn to help him).

The Lich, on the other hand, knew how the Crowns and the Enchiridion might be used to reach Prismo and edit the Universe by wishing.  When we last saw him, he was outside of our spacetime, in the middle of the multiverse, a place from which he might have reached anywhere.

And he just might understand the dimensional connections well enough to move to a position dimensionally-adjacent to the Ice King’s castle.  From there, he might have whispered his lies into Simon’s confused mind, moving him to do something profoundly OOC by using Simon’s known weaknesses (loneliness, and attraction to Princess Bubblegum).

If the Ice King’s plan had worked, the ones to suffer the most would have been the Ice King and Princess Bubblegum, who would have been trapped, alone with each other, in an eternal Void.  As the Lich would surely have known, Bubblegum would have hated the Ice King for destroying everything (including her friends and her people).  Given their respective natures (empowered by the Ice Crown and a sapient biomass of bubblegum) they could have fought for a very long time without conclusion, and then the victor would have died alone in the Void – a truly terrible fate, far worse than mere deletion.

Would the Lich have had a special reason to wish such a fate upon Bubblegum and the Ice King?  Yes – he has a personal score to settle with them.  Bubblegum was one of his gaolers after Billy captured him, and the Ice King defeated the Lich when he possessed Bubblegum.

But the Lich King failed completely.

Or did he?

If we take this episode seriously, the Ice King has just shown himself (in the eyes of Bubblegum, Finn, Jake and pretty much anyone who realizes what just almost happened) to be incredibly untrustworthy and dangerous.  And this, after several previous episodes in which they were coming to trust and like him more.

The Lich is Genre Savvy.  He learns from his defeats.  When Billy defeated him with the Gauntlet, the Lich first destroyed the Gauntlet and then destroyed Billy, to ensure that he might never be defeated in this manner again.  Recently, he’s been defeated three times:  twice by Finn and the Ice King, and once by Finn and Jake.

Between Finn, Jake and the Ice King, who’s the weakest link?  Weakest from the viewpoint of being the easiest to detach from the alliance?

Why, the Ice King.  Whom Finn and Jake now distrust, and Bubblegum probably hates, at present.

Also notice that this would drive a further wedge between Bubblegum and Marceline.

I’m suggesting that this was a Xanatos Gambit – the Lich set things up so that, no matter who won, the Lich would get something.  Either the Universe would be destroyed, or his enemies would be divided – just so long as said enemies never realized who was really behind it all.

And from where I’m sitting, it looks like the Xanatos Gambit worked.

Oh … one last thing.

A glitch is a glitch.

And a Lich is a Lich.

"A Glitch Is A Glitch" (s5 e15) Is the Worst Episode of Adventure Time

Introduction

Adventure Time is one of my all-time favorite animated TV shows.  It's about the adventures of a heroic human boy named Finn and his adoptive brother, a superpowered sapient dog named Jake, in a world a thousand years after an atomic war in which The Magic Returned, with disastrous consequences to Mankind (Finn may be the last, and is certainly one of the last surviving humans).  Among the major recurring characters are Princess Bubblegum, a sapient humanoid being made of living candy biomass; Marceline the Vampire Queen, an immortal half-demon half-human vampire girl born before the war; and (Simon Petrikov, though he rarely remembers that name) the Ice King, who was a normal human Adventurer Archaeologist Antiquarian before the Mushroom War but was empowered, transformed, and ultimately driven mad by the power of the Ice Crown, the Artifact of Doom he discovered.

It's had some great episodes, and unlike many shows of its type (Thundarr the Barbarian particularly comes to mind) has had real character development.  Of particular relevance here is that the Ice King started as a fairly standard villain (his obsession was with capturing Princesses in the hopes that they would come to love him), quickly-revealed a pitiful and eventually a sympathetic side, and as of "Simon and Marcy," the episode immediately before this one, had essentially become an (annoying) friend of Finn and Jake.  This was due largely to the fact that Marceline loves him for sacrificing his own sanity by using the Ice Crown to keep her (at that time a little girl) alive in the chaotic and dangerous conditions right after the Mushroom War.

This episode, "A Glitch Is A Glitch," was the worst episode of the show that I've ever seen, and here's why.

Synopsis

Someone throws a brick with a disk on it through Finn's window.  Finn runs the contents of the disk and it first shows a raven-haired woman with long hair (who looks vaguely like Marceline) eating her own hair.  The computer then glitches -- it was a dangeorus virus -- and then starts physically morphing.  The virus has somehow accessed the fundamental nature of reality and is warping and deleting real objects.

It turns out that the Ice King, hearing Princess Bubblegum say "I wouldn't date you unless you were the last man in Ooo" mis-heard this as "I would date you if, and only if, you were the last man in Ooo."  So he has decided to delete everything in the world save for himself and Bubblegum.  This approach predictably fails:  Bubblegum just beats him up, which however doesn't solve the more fundamental problem.

Finn and Jake travel to the fundamental level of reality, through the glitch, and fight the malevolent virus.  They eventually get it to cough up all the reality it's been consuming and everything is set right again, save for the Ice King who finds himself splined into an object with a monster Jake accidentally created attacking him.  Finn and Jake get a victory hug from Bubblegum.  THE END.

 Flaws

I honestly don't know where to begin here.

The first thing is that the Ice King is behaving greatly and Bubblegum slightly Out Of Character.  Bubblegum is OOC in that she would normally deal with a situation like this by doing something "science-y" -- she logically should have been the one making the portal for Finn and Jake to travel to the fundamental level of reality, if she could do it (and she's the most likely character in that universe to be able to do it.

As for the Ice King, it's been established throughout the series that the reason he's a (mostly) Harmless Villain is that he actually doesn't want to hurt anyone.  His original personality, Simon Petrikov, is a profoundly good man, and he's kept the Ice Crown in rein for centuries. The Ice Crown wants to cover the world with eternal ice:  any time that Simon wanted to destroy the world, all he would need to do is give the Crown what it wants.  Instead, the Ice King has covered just one land with ice, where he reigns over penguins whom he loves like his pets and occasionally kidnaps some princesses to (mostly) just bore them with his insane fanfics and other social diversions, until they either escape or someone (both Finn and Marceline have played this role at times) rescues them.  (Yes, I do know about the several times we know of before this that he did something worse, but it was never on the scale of mass murder.  Or even murder).

To suddenly cast him as an Omnicidal Maniac is just plain wrong.  That's not his character motivation.

There's another problem, which is that it's never been established that the Ice King has the power to do anything of this sort.  His powers are all centered on cold and ice and derivations thereof (such as flying by summoning ice winds and using his prehensile beard as an airfoil).  True, he's part of a Wizarding subculture that trades magic items (which is presumably how he got a Charm Person cursed ring to use on Old Lady Princess in one episode) but I don't see how he could get anything of a sufficient level of power to destroy the world.  Aside from the one item he already has which has that power, the Ice Crown.

Dramatically, this totally went against the theme of the character arc they've been doing with the Ice King, namely that he's been becoming saner since Marceline's resumed her friendship with him.  The Ice King commits his worst crimes out of loneliness, so the less lonely he is, the more nicely he behaves.  That's been his character since the beginning.  If he currently has an obsession, it's with making Fionna and Cake (the gender-flipped versions of Finn and Jake) become "really real" and in love with him; if he was going to do something wicked, it should have been pursuit of that obsession.

What I greatly fear is this:

Rebecca Sugar, one of the best writers/storyboarders for that show, did her last episode with "Simon and Marcy."  She has always done the best epsiodes with the Ice King and Marceline the Vampire Queen, and it was largely her writing which established the characters of Simon Petrikov and Marceline Abadeer as people (rather than mere antagonists or allies).

Maybe they're doing a Take That to Rebecca Sugar.  And if they are, I hope it doesn't ruin the series.

Conclusion

"A Glitch Is A Glitch" sucked.  It really really really REALLY sucked.  I hope this is an aberration, rather than some new and sucky direction for the whole series.

Sunday, March 24, 2013

Diversity in Science Fiction

Introduction

I have recently, repeatedly heard the argument that there is not enough "diversity" -- racial, ethnic, sexual, etc. -- amongst science fiction characters, and that in consequence there should be more.  I have also heard that there needs to be more diversity among science fiction writers and fans.  Let us examine these issues.

I. History of Diversity in the Genre

Early Science Fiction

The genre we today call science-fiction evolved from the adventurous travel tale:  the story of a hero or heroes who journeyed beyond known lands and seas to find strange and unusual lands and peoples abroad.  One very common sort was social criticism or satire by comparison:  the hero would

Thursday, March 7, 2013

"Review of Dead Sea (2007) by Brian Keene" (Jordan Bassior)

 

 

“Review of


Dead Sea


© 2007

by

Brian Keene”

© 2013

by

Jordan S. Bassior”


Introduction:  Zombie apocalypses straddle the ground between fantasy horror and science fiction horror, depending on the reason given for the apocalypse.  The tendency is for zombie apocalypses set on the near-future Earth to be science fiction horror, because that allows authors to exploit our fear of epidemic disease, which is an obvious rationale for the zombie apocalypse.  Dead Sea is no exception.

Synopsis:  A zombie apocalypse has spread around the world.  Lamar Reed, a gay black man living in Baltimore, is forced to flee the dubious safety of his apartment when the city catches on fire.  He makes it the harbor, making and bringing with him a few friends on the way, and is fortunate enough to leap onto a museum-piece Coast Guard cutter, the Spratling, which a Coast Guard veteran and some other survivors have managed to get running.  They flee offshore, trying to find a safe haven.

Spoiler-Free Analysis:  A lot of the scenario in a zombie apocalypse is set by the nature of the chosen apocalypse:  specifically, the rules under which the zombies operate and spread their curse.  Keene chose one of the nastiest possible zombie apocalypses compatible with science-fiction rather than fantasy assumptions.

This zombie apocalypse is caused by a plague -- and specifically a zoonotic plague – one which can leap some species barriers.  This is seriously bad news, because it means that one has to beware not only of zombie humans but also of zombie animals.  The plague in Dead Sea, in fact, is called “Hamelin’s Revenge” because it first manifests with a swarm of zombie rats in the New York City subway system.  At the start of the novel, it has already shown the ability to infect humans, apes, cats, rats and dogs, among the list of vulnerable creatures.

Now, you might think that the reason this makes it especially dangerous is because it can infect large animals – and indeed it does:  we see zombie lions and tigers, for instance, escaped from the zoo.  But actually the larger problem is that it is infecting small animals:  if one is heavily armed, one need not fear zombie lions, and there are not in any case very many lions to infect.  Zombie rats, on the other hand, are very difficult to avoid; they can get into places which zombie humans cannot, and there are lots and lots of rats living in any human city.

What makes matters worse is that this is one of the most contagious zombie plagues in zombie-apocalypse fiction.  Hamelin’s Revenge can be spread not only by bites and scratches, but even by bits of flesh, blood and other bodily fluids spattering onto a person’s mucous membranes, such as the eyes, nostrils, and mouth; or onto any open wound.  The plague is 100% contagious and 100% lethal, provided that one is exposed.  Death occurs within hours; transformation within seconds to minutes of death.  A Hamelin’s Plague zombie is slow, clumsy and almost mindless, but it takes serious damage to the brain to put one of them down for good.

This is a disease that I can truly believe not even our military might could stop.  One problem I’ve had with a lot of proposed zombie apocalypses is that modern military forces could easily bring down zombies faster than the plague could spread:  the reason why writers miss this is that most of them don’t appreciate the full resources and tactical flexibility of a modern military organization.  To take one obvious example, there is very little that any number of zombies could do to overwhelm a main battle tank, and there are obvious body armor configurations that would render the wearer close to invulnerable to human zombies, even ones which could spread the infection by their own bloodsplatters.

But a zombie plague that affects rats?  That can spread to new victims in less than a day?  The sheer speed at which something like this could spread would prevent the issuing (and in some cases design) of the necessary military equipment , let alone the development of tactics to use it effectively.  Before the world’s armed forces could react, it would be too late, provided that it got out of the city in which it first appeared.  Really, the only hope would be immediate and repeated saturation atomic bombardment of the area – and who’s going to order that sort of strike on one of their own cities, until they realize the magnitude of the threat?  And by the time they’ve realized it … it’s already too late.

And it gets worse

TOTAL SPOILERS for Dead Sea
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Continued Synopsis:  The survivors attempt to make it to someplace the zombies can’t function in or reach, such as Antarctica.  Their immediate problem is that they’ve taken a museum-piece ship with only limited supplies, certainly not enough to travel almost halfway around the planet.

They attempt to get supplies from various bases and stations, but find them all overrun by zombies.  In the process, they lose some of their number.  In the meantime, their supplies are running out, so they supplement them by fishing, which they believe to be safe because Hamelin’s Revenge hasn’t spread to sea life.

Unfortunately, the disease does.  They land a zombie tuna before realizing what they’ve caught, and it infects one of them.  What’s worse, they don’t realize the man is infected.  Hamelin’s Revenge breaks out on the Spratling, and in the resultant fighting most die and the ship is fatally damaged by explosions.

Lamar and a few survivors manage to launch a motorboat before the Spratling sinks.  Now they have no prospect of reaching Antarctica.  They instead make for the oil rig at which they were hoping to refuel.  This is difficult and dangerous, for now the marine life is infected, and in a small open boat they are vulnerable to everything down to the size of sharks and dolphins.

Just as they reach the oil rig and scramble aboard, a zombie whale smashes their boat, killing the Coast Guard noncom on whom they were relying for nautical experience.  Now they are trapped on the oil rig.  On the positive side, there is only one zombie on the oil rig (a human) and it turns out to be easy to destroy.  Also, there are few of the survivors left, and the oil rig has lots of supplies.

As the story ends they are waiting on the oil rig, hoping against hope that the zombie plague will burn itself out (the only good thing about Hamelin’s Revenge as a zombie plague is that it does not much retard decomposition of the corpses).  They are supplementing their supplies by baiting and trapping seagulls …

… and then Hamelin’s Revenge jumps to the seagulls.  The survivors are lucky enough to realize this quickly enough to avoid infection.  But now, they must remain within the oil rig’s superstructure, indoors, while the sea and skies around them are filled with death.  And what will they do when their supplies run out?

On this note, the story ends.

Further Analysis:  This is a very grim situation.  Most of their possible means of survival have been rendered impractical by the spread to birds, fish and sea mammals.  For instance, cold mountaintops may no longer be sanctuaries, since zombie birds might be able to attack before being frozen by the air temperatures; likewise Antarctica may be no haven since flying and marine creatures can readily reach its shores.

On the other hand, there may still be hope – possibly even for the protagonists.  Since infected creatures decay, after a certain time there will be very few zombies of any particular species in any condition to attack anyone.  The disease can thus survive more than a few months to a year by zoonotic transfer and by individual zombies happening to be preserved and then released from their preservation.

One thing that occurred to me when I read this is that there might be groups of humans able to avoid contact with the plague.  People in fully-enclosed shelters with plenty of supplies, for instance, could last for as long as their supplies did (unless zombie rats managed to chew their way in) and this would give them time to improvise protective gear which would keep them safe from any but the largest zombies.  Likewise, nuclear submarines might be able to survive (as long as they managed to avoid too much damage from really large zombie marine life, and remember that the ocean is mostly a desert); they likewise could improvise protective gear to make forays on land to acquire supplies (and they normally carry a year or more supplies onboard anyway).

Thus groups of survivors could outlast the plague, eventually make contact with each other by radio or scouting parties, and repopulate the Earth, rebuilding civilization.

Unless …

… just how widely will the plague spread, anyway?  The zombies are after all dangerous even to creatures they can’t infect, since they are hungry and attack all living things they can sense.  Any species (other than Man) to which the plague can spread is probably doomed; and this implies that a lot of the ecosystem is being destroyed.  When the plague’s burned itself out, the sea-algae and other plankton will still mostly be intact, as will most plants and bacteria, but there sure won’t be a lot of animals left behind above the level of insects.

With everything but mini- and micro- fauna cut out of the Web of Life, what’s left behind is bound to be unstable.  There will be huge population crashes even among surviving species, and large local extirpations, and it could be centuries before the remaining species settle down into a new stability.  It’s quite possible, even probable, that the post-apocalyptic Earth will be much less fertile than the pre-apocalyptic one.

This probably doesn’t spell total doom for human survivors.  But it does mean an additional problem.  As the years pass, avoiding the (now few) remaining pockets of Hamelin’s Revenge will be overtaken by the problem of finding food, especially as existing stores of canned or otherwise foodstuffs become useless.

Recovery would be a matter of centuries – to millennia.  During this time, it might be possible to retain a roughly 19th to early 20th century level of technology, but in the early centuries there will simply be too few people in existence to support the complex web of informational transaction needed for anything like sustained scientific and technological progress, or even a return to early-21st century levels of technology.

And there’s another problem …

A ‘Screwfly Solution’?


I can’t help noticing what an awfully convenient plague this was, from the point of view of eliminating the human race.  One would think that a zombie plague would start off far less able to spread this effectively against all the human resources which could be turned to combating it.  Hamelin’s Revenge is, after all, zoonotic and able to spread by any fluid-to-mucous-membrane contact.

Indeed, every time I hear of a zombie plague, I have this in mind:  that it sounds like something designed to kill us.  Not a natural disease, in short, but a biological weapon.

Something like this would be far beyond our own capacities of genetic engineering.  But it might not be beyond the capacities of others – others who might want to claim our Earth, without the bother of having to first eliminate our military, especially since in the final fight we (though doomed) might damage the Earth far more severely than could the plague.

They might be immune to the plague:  they would after all be products of an evolutionary history alien to our Earth.  Alternatively, they might have immunized themselves, since they would have designed it in the first place and would know its characteristics and weaknesses.  Even if they weren’t immune, all they would need to do would be to wait a few years, and the plague would burn itself out.  A few decades, and the existing weapons of mass destruction in the hands of missile-silo crews and nuclear submarines would have degraded to harmlessness.

They wouldn’t have to wait that long, if they didn’t care to wait.  Destroying a whole civilized species from orbit, without badly degrading the habitability of the planet, would be a protracted and difficult operation – though sure of success in the end.  By contrast, destroying a few pockets of survivors would be easy.  The survivors might even give away their locations with their desperate radio transmissions.  And they wouldn’t have to get all the survivors anyway:  only those with access to functional nuclear weapons and possessing the skills to use them.

So it might be that the survivors of the Zombie Apocalpyse might breathe a sigh of relief, and venture outside – only to be vaporized by orbital laser batteries.  Or alternately, be waiting in their shelters, glad to be secure – and never even know that an antimatter-tipped missile was streaking down toward them through the skies we no longer owned.

Congratulations.  I’ve just thought of something even more depressing than the Zombie Apocalpyse.  J

Conclusion:  This is an excellent Zombie Apocalypse book, and I heartily recommend it.


Tuesday, March 5, 2013

"The Night Wire" (1926) by H. F. Arnold

"The Night Wire"

 

© 1926

 

by

 
H. F. Arnold
 
 
"New York, September 30 CP FLASH
 
"Ambassador Holliwell died here today.  The end came
suddenly as the ambassador was alone in his study...."

There is something ungodly about these night wire jobs. You sit up here on the top floor of a skyscraper and listen in to the whispers of a civilization. New York, London, Calcutta, Bombay, Singapore -- they're your next-door neighbors after the streetlights go dim and the world has gone to sleep.
 
Alone in the quiet hours between two and four, the receiving operators doze over their sounders and the news comes in. Fires and disasters and suicides. Murders, crowds, catastrophes. Sometimes an earthquake with a casualty list as long as your arm. The night wire man takes it down almost in his sleep, picking it off on his typewriter with one finger.
 
Once in a long time you prick up your ears and listen. You've heard of some one you knew in Singapore, Halifax or Paris, long ago. Maybe they've been promoted, but more probably they've been murdered or drowned. Perhaps they just decided to quit and took some bizarre way out. Made it interesting enough to get in the news.
 
But that doesn't happen often. Most of the time you sit and doze and tap, tap on your typewriter and wish you were home in bed.
 
Sometimes, though, queer things happen. One did the other night, and I haven't got over it yet. I wish I could.
 
You see, I handle the night manager's desk in a western seaport town; what the name is, doesn't matter.
 
There is, or rather was, only one night operator on my staff, a fellow named John Morgan, about forty years of age, I should say, and a sober, hard-working sort.
 
He was one of the best operators I ever knew, what is known as a "double" man. That means he could handle two instruments at once and type the stories on different typewriters at the same time. He was one of the three men I ever knew who could do it consistently, hour after hour, and never make a mistake.
 
Generally, we used only one wire at night, but sometimes, when it was late and the news was coming fast, the Chicago and Denver stations would open a second wire, and then Morgan would do his stuff. He was a wizard, a mechanical automatic wizard which functioned marvelously but was without imagination.
 
On the night of the sixteenth he complained of feeling tired. It was the first and last time I had ever heard him say a word about himself, and I had known him for three years.
 
It was just three o'clock and we were running only one wire. I was nodding over the reports at my desk and not paying much attention to him, when he spoke.
 
"Jim," he said, "does it feel close in here to you?"
 
"Why, no, John," I answered, "but I'll open a window if you like."
 
"Never mind," he said. "I reckon I'm just a little tired."
 
That was all that was said, and I went on working. Every ten minutes or so I would walk over and take a pile of copy that had stacked up neatly beside the typewriter as the messages were printed out in triplicate.
 
It must have been twenty minutes after he spoke that I noticed he had opened up the other wire and was using both typewriters. I thought it was a little unusual, as there was nothing very "hot" coming in. On my next trip I picked up the copy from both machines and took it back to my desk to sort out the duplicates.
 
The first wire was running out the usual sort of stuff and I just looked over it hurridly. Then I turned to the second pile of copy. I remembered it particularly because the story was from a town I had never heard of: "Xebico." Here is the dispatch. I saved a duplicate of it from our files:
 
"Xebico, Sept 16 CP BULLETIN
 
"The heaviest mist in the history of the city settled over
the town at 4 o'clock yesterday afternoon.  All traffic has
stopped and the mist hangs like a pall over everything.  Lights
of ordinary intensity fail to pierce the fog, which is
constantly growing heavier.

"Scientists here are unable to agree as to the cause, and
the local weather bureau states that the like has never occurred
before in the history of the city.

"At 7 P.M. last night the municipal authorities...

(more)
 
That was all there was. Nothing out of the ordinary at a bureau headquarters, but, as I say, I noticed the story because of the name of the town.


 
It must have been fifteen minutes later that I went over for another batch of copy.
 
Morgan was slumped down in his chair and had switched his green electric light shade so that the gleam missed his eyes and hit only the top of the two typewriters.
 
Only the usual stuff was in the righthand pile, but the lefthand batch carried another story from Xebico. All press dispatches come in "takes," meaning that parts of many different stories are strung along together, perhaps with but a few paragraphs of each coming through at a time. This second story was marked "add fog." Here is the copy:
 
"At 7 P.M. the fog had increased noticeably.  All lights 
were now invisible and the town was shrouded in pitch darkness.
 
"As a peculiarity of the phenomenon, the fog is accompanied
by a sickly odor, comparable to nothing yet experienced
here."
 
Below that in customary press fashion was the hour, 3:27, and the initials of the operator, JM.
 
There was only one other story in the pile from the second wire. Here it is:
 
"2nd add Xebico Fog.
 
"Accounts as to the origin of the mist differ greatly. 
Among the most unusual is that of the sexton of the local
church, who groped his way to headquarters in a hysterical
condition and declared that the fog originated in the village
churchyard.

"'It was first visible as a soft gray blanket clinging to
the earth above the graves,' he stated.  'Then it began to rise,
higher and higher.  A subterranean breeze seemed to blow it in
billows, which split up and then joined together again.

"'Fog phantoms, writhing in anguish, twisted the mist into
queer forms and figures.  And then, in the very thick midst of
the mass, something moved.

"'I turned and ran from the accursed spot.  Behind me I
heard screams coming from the houses bordering on the
graveyard.'

"Although the sexton's story is generally discredited, a
party has left to investigate.  Immediately after telling his
story, the sexton collapsed and is now in a local hospital,
unconscious."
 
Queer story, wasn't it. Not that we aren't used to it, for a lot of unusual stories come in over the wire. But for some reason or other, perhaps because it was so quiet that night, the report of the fog made a great impression on me.
 
It was almost with dread that I went over to the waiting piles of copy. Morgan did not move, and the only sound in the room was the tap-tap of the sounders. It was ominous, nerve- racking.
 
There was another story from Xebico in the pile of copy. I seized on it anxiously.
 
"New Lead Xebico Fog CP
 
"The rescue party which went out at 11 P.M. to investigate
a weird story of the origin of a fog which, since late
yesterday, has shrouded the city in darkness has failed to
return.  Another and larger party has been dispatched.

"Meanwhile, the fog has, if possible, grown heavier.  It
seeps through the cracks in the doors and fills the atmosphere
with a depressing odor of decay.  It is oppressive, terrifying,
bearing with it a subtle impression of things long dead.

"Residents of the city have left their homes and gathered
in the local church, where the priests are holding services of
prayer.  The scene is beyond description.  Grown folk and
children are alike terrified and many are almost beside
themselves with fear.

"Amid the whisps of vapor which partly veil the church
auditorium, an old priest is praying for the welfare of his
flock.  They alternately wail and cross themselves.

"From the outskirts of the city may be heard cries of
unknown voices.  They echo through the fog in queer uncadenced
minor keys.  The sounds resemble nothing so much as wind
whistling through a gigantic tunnel.  But the night is calm and
there is no wind.  The second rescue party... (more)"



I am a calm man and never in a dozen years spent with the wires, have I been known to become excited, but despite myself I rose from my chair and walked to the window.

Could I be mistaken, or far down in the canyons of the city beneath me did I see a faint trace of fog? Pshaw! It was all imagination.
 
In the pressroom the click of the sounders seemed to have raised the tempo of their tune. Morgan alone had not stirred from his chair. His head sunk between his shoulders, he tapped the dispatches out on the typewriters with one finger of each hand.
 
He looked asleep, but no; endlessly, efficiently, the two machines rattled off line after line, as relentlessly and effortlessly as death itself. There was something about the monotonous movement of the typewriter keys that fascinated me. I walked over and stood behind his chair, reading over his shoulder the type as it came into being, word by word.
 
Ah, here was another:
 
"Flash Xebico CP
 
"There will be no more bulletins from this office.  The
impossible has happened.  No messages have come into this room
for twenty minutes.  We are cut off from the outside and even
the streets below us.

"I will stay with the wire until the end.

"It is the end, indeed.  Since 4 P.M. yesterday the fog has
hung over the city.  Following reports from the sexton of the
local church, two rescue parties were sent out to investigate
conditions on the outskirts of the city.  Neither party has ever
returned nor was any word received from them.  It is quite
certain now that they will never return.

"From my instrument I can gaze down on the city beneath me. 
From the position of this room on the thirteenth floor, nearly
the entire city can be seen.  Now I can see only a thick blanket
of blackness where customarily are lights and life.

"I fear greatly that the wailing cries heard constantly
from the outskirts of the city are the death cries of the
inhabitants.  They are constantly increasing in volume and are
approaching the center of the city.

"The fog yet hangs over everything.  If possible, it is
even heavier than before, but the conditions have changed. 
Instead of an opaque, impenetrable wall of odorous vapor, there
now swirls and writhes a shapeless mass in contortions of almost
human agony.  Now and again the mass parts and I catch a brief
glimpse of the streets below.

"People are running to and fro, screaming in despair.  A
vast bedlam of sound flies up to my window, and above all is the
immense whistling of unseen and unfelt winds.

"The fog has again swept over the city and the whistling is
coming closer and closer.

"It is now directly beneath me.

"God!  An instant ago the mist opened and I caught a
glimpse of the streets below.

"The fog is not simply vapor -- it lives!  By the side of
each moaning and weeping human is a companion figure, an aura of
strange and vari-colored hues.  How the shapes cling!  Each to a
living thing!

"The men and women are down.  Flat on their faces.  The fog
figures caress them lovingly.  They are kneeling beside them. 
They are -- but I dare not tell it.

"The prone and writhing bodies have been stripped of their
clothing.  They are being consumed -- piecemeal.

"A merciful wall of hot, steaming vapor has swept over the
whole scene.  I can see no more.

"Beneath me the wall of vapor is changing colors.  It seems
to be lighted by internal fires.  No, it isn't.  I have made a
mistake.  The colors are from above, reflections from the sky.

"Look up!  Look up!  The whole sky is in flames.  Colors as
yet unseen by man or demon.  The flames are moving; they have
started to intermix; the colors are rearranging themselves. 
They are so brilliant that my eyes burn, they they are a long
way off.

"Now they have begun to swirl, to circle in and out,
twisting in intricate designs and patterns.  The lights are
racing each with each, a kaleidoscope of unearthly brilliance.

"I have made a discovery.  There is nothing harmful in the
lights.  They radiate force and friendliness, almost cheeriness.
But by their very strength, they hurt.

"As I look, they are swinging closer and closer, a million
miles at each jump.  Millions of miles with the speed of light. 
Aye, it is light of quintessence of all light.  Beneath it the
fog melts into a jeweled mist radiant, rainbow-colored of a
thousand varied spectra.

"I can see the streets.  Why, they are filled with people! 
The lights are coming closer.  They are all around me.  I am
enveloped.  I..."


 
The message stopped abruptly. The wire to Xebico was dead. Beneath my eyes in the narrow circle of light from under the green lamp-shade, the black printing no longer spun itself, letter by letter, across the page.
 
The room seemed filled with a solemn quiet, a silence vaguely impressive, powerful.
I looked down at Morgan. His hands had dropped nervelessly at his sides, while his body had hunched over peculiarly. I turned the lamp-shade back, throwing light squarely in his face. His eyes were staring, fixed.


 
Filled with a sudden foreboding, I stepped beside him and called Chicago on the wire. After a second the sounder clicked its answer.
 
Why? But there was something wrong. Chicago was reporting that Wire Two had not been used throughout the evening.
 
"Morgan!" I shouted. "Morgan! Wake up, it isn't true. Some one has been hoaxing us. Why..." In my eagerness I grasped him by the shoulder.
 
His body was quite cold. Morgan had been dead for hours. Could it be that his sensitized brain and automatic fingers had continued to record impressions even after the end?

I shall never know, for I shall never again handle the night shift. Search in a world atlas discloses no town of Xebico. Whatever it was that killed John Morgan will forever remain a mystery.

END.