Showing posts with label science fiction horror. Show all posts
Showing posts with label science fiction horror. Show all posts

Friday, December 5, 2014

"Ooze" (1923) by Anthony M. Rud, with Notes and Review

"Ooze"

© 1923

by
Anthony M. Rud


In the heart of a second-growth piney-woods jungle of southern Alabama, a region sparsely settled by backwoods blacks and Cajans  — that queer, half-wild people descended from Acadian exiles of the middle eighteenth century (1) — stands a strange, enormous ruin.

Interminable trailers of Cherokee rose, white-laden during a single month of spring, have climbed the heights of its three remaining walls. Palmetto fans rise knee high above the base. A dozen scattered live oaks, now belying their nomenclature because of choking tufts of gray, Spanish moss and two-foot circlets of mistletoe parasite which have stripped bare of foliage the gnarled, knotted limbs, lean fantastic beards against the crumbling brick.

Immediately beyond, where the ground becomes soggier and lower — dropping away hopelessly into the tangle of dogwood, holly, poison sumac and pitcher plants that is Moccasin Swamp — undergrowth of ti-ti and annis has formed a protecting wall impenetrable to all save the furtive ones. Some few outcasts utilize the stinking depths of that sinister swamp, distilling “shinny” of “pure cawn” liquor for illicit trade (2).

Tradition states that this is the case, at least — a tradition which antedates that of the premature ruin by many decades. I believe it, for during evenings intervening between investigations of the awesome spot I often was approached as a possible customer by woodbillies who could not fathom how anyone dared venture near without plenteous fortification of liquid courage.

I know “shinny,” therefore I did not purchase it for personal consumption. A dozen times I bought a quart or two, merely to establish credit among the Cajans, pouring away the vile stuff immediately into the sodden ground. It seemed then that only through filtration and condensation of their dozens of weird tales regarding “Daid House” could I arrive at understanding of the mystery and weight of horror hanging about the place.

Certain it is that out of all the superstitious cautioning, head-wagging and whispered nonsensities I obtained only two indisputable facts. The first was that no money, and no supporting battery of ten-gauge shotguns loaded with chilled shot, could induce either Cajan or darky of the region to approach within five hundred yards of that flowering wall! The second fact I shall dwell upon later.

Perhaps it would be as well, as I am only a mouthpiece in this chronicle, to relate in brief why I came to Alabama on this mission (3).

I am a scribbler of general fact articles, no fiction writer as was Lee Cranmer — though doubtless the confession is superfluous. Lee was my roommate during college days. I knew his family well, admiring John Corliss Cranmer even more that I admired the son and friend — and almost as much as Peggy Breede whom Lee married. Peggy liked me, but that was all. I cherish sanctified memory of her for just that much, as no other woman before or since has granted this gangling dyspeptic even a hint of joyous and sorrowful intimacy.

Work kept me to the city. Lee, on the other hand, coming of wealthy family — and, from the first, earning from his short stories and novel royalties more than I wrested from editorial coffers — needed no anchorage. He and Peggy honeymooned a four-month trip to Alaska, visited Honolulu the next winter, fished for salmon on Cain's River, New Brunswick, and generally enjoyed the outdoors at all seasons.

They kept an apartment in Wilmette, near Chicago, yet, during the few spring and fall seasons they were “home,” both preferred to rent a suite at one of the country clubs to which Lee belonged. I suppose they spent thrice or five times the amount Lee actually earned, yet for my part I only honored that the two should find such great happiness in life and still accomplish artistic triumph.

They were honest, zestful young Americans, the type — and pretty nearly the only type — two million dollars cannot spoil. John Corliss Cranmer, father of Lee, though as different from his boy as a microscope is different from a painting by Remington, was even further from being dollar-conscious. He lived in a world bounded only by the widening horizon of biological science — and his love for the two who would carry on that Cranmer name.

Many a time I used to wonder how it could be that as gentle, clean-souled and lovable a gentleman as John Corliss Cranmer could have ventured so far into scientific research without attaining small-caliber atheism. Few do. He believed both in God and humankind. To accuse him of murdering his boy and the girl wife who had come to be loved as the mother of baby Elsie — as well as blood and flesh of his own family — was a gruesome, terrible absurdity! Yes, even when John Corliss Cranmer was declared unmistakably insane!

Lacking a relative in the world, baby Elsie was given to me — and the middle-aged couple who had accompanied the three as servants about half of the known world. Elsie would be Peggy over again. I worshiped her, knowing that if my stewardship of her interests could make of her a woman of Peggy's loveliness and worth I should not have lived in vain. And at four Elsie stretched out her arms to me after a vain attempt to jerk out the bobbed tail of Lord Dick, my tolerant old Airedale — and called me “papa.”

I felt a deep-down choking… yes, those strangely long black lashes some day might droop in fun or coquetry, but now baby Elsie held a wistful, trusting seriousness in depths of ultramarine eyes — that same seriousness which only Lee had brought to Peggy.

Responsibility in one instant become double. That she might come to love me as more than foster parent was my dearest wish. Still, through selfishness I could not rob her of rightful heritage; she must know in after years. And the tale that I would tell her must not be the horrible suspicion which had been bandied about in common talk!

I went to Alabama, leaving Elsie in the competent hands of Mrs. Daniels and her husband, who had helped care for her since birth.

In my possession, prior to the trip, were the scant facts known to authorities at the time of John Corliss Cranmer's escape and disappearance. They were incredible enough.

For conducting biological research upon forms of protozoan life, John Corliss Cranmer had hit upon this region of Alabama. Near a great swamp teeming with microscopic organisms, and situated in a semitropical belt where freezing weather rarely intruded to harden the bogs, the spot seemed ideal for his purpose.

Through Mobile he could secure supplies daily by truck. The isolation suited him. With only an octoroon man to act as chef, houseman and valet for the times he entertained visitors, he brought down scientific apparatus, occupying temporary quarters in the village of Burdett's Corners while his woods house was in process of construction.

By all accounts the Lodge, as he termed it, was a substantial affair of eight or nine rooms, built of logs and planed lumber bought at Oak Grove. Lee and Peggy were expected to spend a portion of each year with him; quail, wild turkey and deer abounded, which fact made such a vacation certain to please the pair. At other times all save four rooms were closed.

This was in 1907, the year of Lee's marriage. Six years later when I came down, no sign of a house remained except certain mangled and rotting timbers projecting from viscid soil — or what seemed like soil. And a twelve-foot wall of brick had been built to enclose the house completely! One partion of this had fallen inward!


II

I wasted weeks of time first, interviewing officials of the police department at Mobile, the town marshals and county sheriffs of Washington and Mobile counties, and officials of the psychopathic hospital from which Cranmer made his escape.

In substance the story was one of baseless homicidal mania. Cranmer the elder had been away until late fall, attending two scientific conferences in the North, and then going abroad to compare certain of his findings with those of a Dr. Gemmler of Prague University. Unfortunately, Gemmler was assassinated by a religious fanatic shortly afterward. The fanatic voiced virulent objection to all Mendelian research as blasphemous. This was his only defense. He was hanged.

Search of Gemmler's notes and effects revealed nothing save an immense amount of laboratory data on karyokinesis — the process of chromosome arrangement occurring in first growing cells of higher animal embryos. Apparently Cranmer had hoped to develop some similarities, or point out differences between hereditary factors occurring in lower forms of life and those half-demonstrated in the cat and monkey. The authorities had found nothing that helped me. Cranmer had gone crazy; was that not sufficient explanation?

Perhaps it was for them, but not for me — and Elsie.

But to the slim basis of fact I was able to unearth:

No one wondered when a fortnight passed without appearance of any person from the Lodge. Why should anyone worry? A provision salesman in Mobile called up twice, but tailed to complete the connection. He merely shrugged. The Cranmers had gone away somewhere on a trip. In a week, a month, a year they would be back. Meanwhile he lost commissions, but what of it? He had no responsibility for those queer nuts up there in the piney-woods. Crazy? Of course! Why should any guy with millions to spend shut himself up among the Cajans and draw microscope-enlarged notebook pictures of — what the salesman called — “germs”?

A stir was aroused at the end of the fortnight, but the commotion confined itself to building circles. Twenty carloads of building brick, fifty bricklayers, and a quarter-acre of fine-meshed wire — the sort used for screening off pens of rodents and small marsupials in a zoological garden — were ordered, damn expense, hurry! by an unshaved, tattered man who identified himself with difficulty as John Corliss Cranmer.

He looked strange, even then. A certified check for the total amount, given in advance, and another check of absurd size slung toward a labor entrepreneur, silenced objection, however. These millionaires were apt to be flighty. When they wanted something they wanted it at tap of the bell. Well, why not drag down the big profits? A poorer man would have been jacked up in a day. Cranmer's fluid gold bathed him in immunity to criticism.

The encircling wall was built, and roofed with wire netting which drooped about the squat-pitch of the Lodge. Curious inquiries of workmen went unanswered until the final day.

Then Cranmer, a strange, intense apparition who showed himself more shabby than a quay derelict, assembled every man jack of the workmen. In one hand he grasped a wad of blue slips — fifty-six of them. In the other he held a Luger automatic.

“I offer each man a thousand dollars for silence!” he announced. “As an alternative — death! You know little. Will all of you consent to swear upon your honor that nothing which has occurred here will be mentioned elsewhere? By this I mean absolute silence! You will not come back here to investigate anything. You will not tell your wives. You will not open your mouths even upon the witness stand in case you are called! My price is one thousand apiece.

“In case one of you betrays me I give you my word that this man shall die! I am rich. I can hire men to do murder. Well, what do you say?” (4)

The men glanced apprehensively about. The threatening Luger decided them. To a man they accepted the blue slips — and, save for one witness who lost all sense of fear and morality in drink, none of the fifty-six has broken his pledge, as far as I know. That one bricklayer died later in delirium tremens.


III

They found him the first time, mouthing meaningless phrases concerning an amoeba — one of the tiny forms of protoplasmic life he was known to have studied. Also he leaped into a hysteria of self-accusation. He had murdered two innocent people! The tragedy was his crime. He had drowned them in ooze! Ah, God!

Unfortunately for all concerned, Cranmer, dazed and indubitably stark insane, chose to perform a strange travesty on fishing four miles to the west of his lodge — on the further border of Moccasin Swamp. His clothing had been torn to shreds, his hat was gone, and he was coated from head to foot with gluey mire. It was far from strange that the good folk of Shanksville, who never had glimpsed the eccentric millionaire, failed to associate him with Cranmer.

They took him in, searched his pockets — finding no sign save an inordinate sum of money — and then put him under medical care. Two precious weeks elapsed before Dr. Quirk reluctantly acknowledged that he could do nothing more for this patient, and notified the proper authorities.

Then much more time was wasted. Hot April and half of still hotter May passed by before the loose ends were connected. Then it did little good to know that this raving unfortunate was Cranmer, or that the two persons of whom he shouted in disconnected delirium actually had disappeared. Alienists absolved him of responsibility. He was confined in a cell reserved for the violent.

Meanwhile, strange things occurred back at the Lodge — which now, for good and sufficient reason, was becoming known to dwellers of the woods as Dead House. Until one of the walls fell in, however, there had been no chance to see — unless one possessed the temerity to climb either one of the tall live oaks, or mount the barrier itself. No doors or opening of any sort had been placed in that hastily contructed wall!

By the time the western side of the wall fell, not a native for miles around but feared the spot far more than even the bottomless, snake-infested bogs which lay to west and north.

The single statement was all John Corliss Cranmer ever gave to the world. It proved sufficient. An immediate search was instituted. It showed that less than three weeks before the day of initial reckoning, his son and Peggy had come to visit him for the second time that winter — leaving Elsie in company of the Daniels pair. They had rented a pair of Gordons for quail hunting, and had gone out. That was the last anyone had seen of them.

The backwoods Negro who glimpsed them stalking a covey behind their two pointing dogs had known no more — even when sweated through twelve hours of third degree. Certain suspicious circumstances (having to do only with his regular pursuit of “shinny” transportation) had caused him to fall under suspicion at first. He was dropped (5).

Two days later the scientist himself was apprehended — a gibbering idiot who sloughed his pole — holding on to the baited hook — into a marsh where nothing save moccasins, an errant alligator, or amphibian life could have been snared.

His mind was three-quarters dead. Cranmer then was in the state of the dope fiend who rouses to a sitting position to ask seriously how many Bolshevists were killed by Julius Caesar before he was stabbed by Brutus, or why it was that Roller canaries sang only on Wednesday evenings. He knew that tragedy of the most sinister sort had stalked through his life — but little more, at first.

Later the police obtained that one statement that he had murdered two human beings, but never could means or motive be established. Official guess as to the means was no more than wild conjecture; it mentioned enticing the victims to the noisome depths of Moccasin Swamp, there to let them flounder and sink.

The two were his son and daughter-in-law, Lee and Peggy! (6)


IV

By feigning coma — then awakening with suddenness to assault three attendants with incredible ferocity and strength — John Corliss Cranmer escaped from Elizabeth Ritter Hospital.

How he hid, how he managed to traverse sixty-odd intervening miles and still balk detection, remains a minor mystery to be explained only by the assumption that maniacal cunning sufficed to outwit saner intellects.

Traverse those miles he did, though until I was fortunate enough to uncover evidence to this effect, it was supposed generally that he had made his escape as stowaway on one of the banana boats, or had buried himself in some portion of the nearer woods where he was unknown. The truth ought to be welcome to householders of Shanksville, Burdett's Corners and vicinage — those excusably prudent ones who to this day keep loaded shotguns handy and barricade their doors at nightfall.

The first ten days of my investigation may be touched upon in brief. I made headquarters in Burdett's Corners, and drove out each morning, carrying lunch and returning for my grits and piney-woods pork or mutton before nightfall. My first plan had been to camp out at the edge of the swamp, for opportunity to enjoy the outdoors comes rarely in my direction. Yet after one cursory examination of the premises, I abandoned the idea. I did not want to camp alone there. And I am less superstitious than a real estate agent.

It was, perhaps, psychic warning: more probably the queer, faint, salt odor as of fish left to decay, which hung about the ruin, made too unpleasant an impression upon my olfactory sense (7). I experienced a distinct chill every time the lengthening shadows caught me near Dead House.

The smell impressed me. In newspaper reports of the case one ingenious explanation had been worked out. To the rear of the spot where Dead House had stood — inside the wall — was a swampy hollow circular in shape. Only a little real mud lay in the bottom of the bowl-like depression now, but one reporter on the staff of The Mobile Register guessed that during the tenancy of the lodge it had been a fishpool. Drying up of the water had killed the fish, who now permeated the remnant of mud with this foul odor.

The possibility that Cranmer had needed to keep fresh fish at hand for some of his experiments silenced the natural objection that in a country where every stream holds gar, pike, bass, catfish and many other edible varieties, no one would dream of stocking a stagnant puddle.

After tramping about the enclosure, testing the queerly brittle, desiccated top stratum of earth within and speculating concerning the possible purpose of the wall, I cut off a long limb of chinaberry and probed the mud. One fragment of fish spine would confirm the guess of that imaginative reporter.

I found nothing resembling a piscal skeleton, but established several facts. First, this mud crater had definite bottom only three or four feet below the surface of remaining ooze. Second, the fishy stench become stronger as I stirred. Third, at one time the mud, water, or whatever had comprised the balance of content, had reached the rim of the bowl. The last showed by certain marks plain enough when the crusty, two-inch stratum of upper coating was broken away. It was puzzling.

The nature of that thin, desiccated effluvium which seemed to cover everything even to the lower foot or two of brick, came in for next inspection. It was strange stuff, unlike any earth I ever had seen, though undoubtedly some form of scum drained in from the swamp at the time of river floods or cloudbursts (which in this section are common enough in spring and fall). It crumbled beneath the fingers. When I walked over it, the stuff crunched hollowly. In fainter degree it possesed the fishy odor also.

I took some samples where it lay thickest upon the ground, and also a few where there seemed to be no more than a depth of a sheet of paper. Later I would have a laboratory analysis made.

Apart from any possible bearing the stuff might have upon the disappearance of my three friends, I felt the tug of article interest — that wonder over anything strange or seemingly inexplicable which lends the hunt for fact a certain glamor and romance all its own. To myself I was going to have to explain sooner or later just why this lay er covered the entire space within the walls and was not perceptible anywhere outside! The enigma could wait, however — or so I decided.

Far more interesting were the traces of violence apparent on wall and what once had been a house. The latter seemed to have been ripped from its foundations by a giant hand, crushed out of semblance to a dwelling, and then cast in fragments about the base of wall — mainly on the south side, where heaps of twisted, broken timbers lay in profusion. On the opposite side there had been such heaps once, but now only charred sticks, coated with that gray-black, omnipresent coat of desiccation, remained. These piles of charcoal had been sifted and examined most carefully by the authorities, as one theory had been advanced that Cranmer had burned the bodies of his victims. Yet no sign whatever of human remains was discovered.

The fire, however, pointed out one odd fact which controverted the reconstructions made by detectives months before. The latter, suggesting the dried scum to have drained in from the swamp, believed that the house timbers had floated out to the sides of the wall—there to arrange themselves in a series of piles! The absurdity of such a theory showed even more plainly in the fact that if the scum had filtered through in such a flood, the timbers most certainly had been dragged into piles previously! Some had burned — and the scum coated their charred surfaces! What had been the force which had torn the lodge to bits as if in spiteful fury? Why had the parts of the wreckage been burned, the rest to escape?

Right here I felt was the keynote to the mystery, yet I could imagine no explanation. That John Corliss Cranmer himself — physically sound, yet a man who for decades had led a sedentary life — could have accomplished such a destruction, unaided, was difficult to believe.


V

I turned my attention to the wall, hoping for evidence which might suggest another theory.

That wall had been an example of the worst snide construction. Though little more than a year old, the parts left standing showed evidence that they had begun to decay the day the last brick was laid. The mortar had fallen from the interstices. Here and there a brick had cracked and dropped out. Fibrils of the climbing vines had penetrated crevices, working for early destruction.

And one side already had fallen.

It was here that the first glimmering suspicion of the terrible truth was forced upon me. The scattered bricks, even those which had rolled inward toward the gaping foundation ledge, had not been coated with scum! This was curious, yet it could be explained by surmise that the flood itself had undermined this weakest portion of the wall. I cleared away a mass of brick from the spot on which the structure had stood; to my surprise I found it exceptionally firm! Hard red clay lay beneath! The flood conception was faulty; only some great force, exerted from inside or outside, could have wreaked such destruction.

When careful measurement, analysis and deduction convinced me — mainly from the fact that the lowermost layers of brick all had fallen outward, while the upper portions toppled in — I began to link up this mysterious and horrific force with the one which had rent the Lodge asunder. It looked as though a typhoon or gigantic centrifuge had needed elbow room in ripping down the wooden structure.

But I got nowhere with the theory, though in ordinary affairs I am called a man of too great imaginative tendencies. No less than three editors have cautioned me on this point. Perhaps it was the narrowing influence of great personal sympathy — yes, and love. I make no excuses, though beyond a dim understanding that some terrific, implacable force must have made spot his playground, I ended my ninth day of note-taking and investigation almost as much in the dark as I had been while a thousand miles away in Chicago.

Then I started among the darkies and Cajans. A whole day I listened to yarns of the days which preceded Cranmer's escape from Elizabeth Ritter Hospital — days in which furtive men sniffed poisoned air for miles around Dead House, finding the odor intolerable. Days in which it seemed none possessed nerve enough to approach close. Days when the most fanciful tales of medieval superstitions were spun. These tales I shall not give; the truth is incredible enough.

At noon upon the eleventh day I chanced upon Rori Pailleron, a Cajan — and one of the least prepossessing of all with whom I had come in contact. “Chanced” perhaps is a bad word. I had listed every dweller of the woods within a five-mile radius. Rori was sixteenth on my list. I went to him only after interviewing all four of the Crabiers and two whole families of Pichons. And Rori regarded me with the utmost suspicion until I made him a present of the two quarts of “shinny” purchased of the Pichons.

Because long practice has perfected me in the technique of seeming to drink another man's awful liquor — no, I'm not an absolute prohibitionist; fine wine or twelve-year-in-cask Bourbon whiskey arouses my definite interest — I fooled Pailleron from the start. I shall omit preliminaries, and leap to the first admission from him that he knew more concerning Dead House and its former inmates than any of the other darkies or Cajans roundabout.

“…But I ain't talkin'. Sacre! If I should open my gab, what might fly out? It is for keeping silent, y'r damn right!…”

I agreed. He was a wise man — educated to some extent in the queer schools and churches maintained exclusively by Cajans in the depths of the woods, yet naive withal.

We drank. And I never had to ask another leading question. The made him want to interest me; and the only extraordinary in this whole neck of the woods was the Dead House.

Three-quarters of a pint of acrid, nauseous fluid, and he hinted darkly.

A pint, and he told me something I scarcely could believe. Another half-pint… But I shall give his confession in condensed form (8).

He had known Joe Sibley, the octoroon chef, houseman and valet who served Cranmer. Through Joe, Rori had furnished certain indispensables in way of food to the Cranmer household. At first, these salable articles had been exclusively vegetable — white and yellow turnip, sweet potatoes, corn and beans — but later, meat!

Yes, meat especially — whole lambs, slaughtered and quartered, the coarsest variety of piney-woods pork and beef, all in immense quantity!


VI

In December of the fatal winter, Lee and his wife stopped down at the Lodge for ten days or thereabouts.

They were en route to Cuba at the time, intending to be away five or six weeks. Their original plan had been only to wait over a day or so in the piney-woods, but something caused an amendment to the scheme.

The two dallied. Lee seemed to have become vastly absorbed in something — so much absorbed that it was only when Peggy insisted upon continuing their trip that he could tear himself away.

It was during those ten days that he began buying meat. Meager bits of it at first — a rabbit, a pair of squirrels, or perhaps a few quail beyond the number he and Peggy shot. Rori furnished the game, thinking nothing of it except that Lee paid double prices — and insisted upon keeping the purchases secret from other members of the household.

“I'm putting it across on the Governor, Rori!” he said once with a wink. "Going to give him the shock of his life. So you mustn't let on, even to Joe, about what I want you to do. Maybe it won't work out, but if it does…! Dad'll have the scientific world at his feet! He doesn't blow his own horn anywhere near enough, you know.”

Rori didn't know. Hadn't a suspicion what Lee was talking about. Still, if this rich, young idiot wanted to pay him a half dollar in good silver coin for a quail that anyone — himself included — could knock down with a five-cent shell, Rori was well satisfied to keep his mouth shut. Each evening he brought some of the small game. And each day Lee Cranmer seemed to have use for an additional quail or so...

When he was ready to leave for Cuba (9), Lee came forward with the strangest of propositions. He fairly whispered his vehemence and desire for secrecy! He would tell Rori, and would pay the Cajan five hundred dollars — half in advance, and half at the end of five weeks when Lee himself would return from Cuba — provided Rori agreed to adhere absolutely to a certain secret program! The money was more than a fortune to Rori; it was undreamt of affluence. The Cajan acceded.

“He wuz tellin' me then how the ol' man had raised some kind of pet,” Rori confided, “an' wanted to get shet of it. So he give it to Lee, tellin' him to kill it, but Lee was sot on foolin' him. W'at I ask yer is, w'at kind of a pet is it w'at lives down in a mud sink an' eats a couple hawgs every night?(10)

I couldn't imagine, so I pressed him for further details. Here at last was something which sounded like a clue!
He really knew too little. The agreement with Lee provided that if Rori carried out the provisions exactly, he should be paid extra and at his exorbitant scale of all additional outlay, when Lee returned.

The young man gave him a daily schedule which Rori showed. Each evening he was to procure, slaughter and cut up a definite — and growing — amount of meat. Every item was checked, and I saw that they ran from five pounds up to forty!

“What in heaven's name did you do with it?” I demanded, excited now and pouring him an additional drink for fear caution might return to him.

“Took it through the bushes in back an' slung it in the mud sink there! An' suthin' come up an' drug it down!”

“A gator?”

Diable! How should I know? It was dark. I wouldn't go close.” He shuddered, and the fingers which lifted his glass shook as with sudden chill. “Mebbe you'd of done it, huh? Not me, though! The young fellah tole me to sling it in, an' I slung it.

“A couple times I come around in the light, but there wasn't nuthin' there you could see. Jes' mud, an' some water. Mebbe the thing didn't come out in daytimes…”

“Perhaps not,” I agreed, straining every mental resource to imagine what Lee's sinister pet could have been. “But you said something about two hogs a day? What did you mean by that? This paper, proof enough that you're telling the truth so far, states that on the thirty-fifth day you were to throw forty pounds of meat — any kind — into the sink. Two hogs, even the piney-woods variety, weigh a lot more than forty pounds!”

“Them was after — after he come back!”

From this point onward, Rori's tale became more and more enmeshed in the vagaries induced by bad liquor. His tongue thickened. I shall give his story without attempt to reproduce further verbal barbarities, or the occasional prodding I had to give in order to keep him from maundering into foolish jargon.

Lee had paid munificently. His only objection to the manner in which Rori had carried out his orders was that the orders themselves had been deficient. The pet, he said, had grown enormously. It was hungry; ravenous. Lee himself had supplemented the fare with huge pails of scraps from the kitchen.

From that day Lee purchased from Rori whole sheep and hogs! The Cajan continued to bring the carcasses at nightfall, but no longer did Lee permit him to approach the pool. The young man appeared chronically excited. He had a tremendous secret — one the extent of which even his father did not guess, and one which would astonish the world! Only a week or two more and he would spring it. First he would have to arrange certain data.

Then came the day when everyone disappeared from Dead House. Rori came around several times, but concluded that all of the occupants had folded tents and departed — doubtless taking their mysterious “pet” along. Only when he saw from a distance Joe, the octoroon servant, returning along the road on foot toward the Lodge, did his slow mental processes begin to ferment. That afternoon Rori visited the strange place for the next to last time.

He did not go to the Lodge himself — and there were reasons. While still some hundreds of yards away from the place a terrible, sustained screaming reached his ears! It was faint, yet unmistakably the voice of Joe! Throwing a pair of number two shells into the breech of his shotgun, Rori hurried on, taking his usual path through the brush at the back.

He saw — and as he told me, even “shinny” drunkenness fled his chattering tones — Joe, the octoroon. Aye, he stood in the yard, far from the pool into which Rori had thrown the carcasses — and Joe could not move!

Rori failed to explain in full, but something, a slimy, amorphous something, which glistened in the sunlight, already engulfed the man to his shoulders! Breath was cut off. Joe's contorted face writhed with horror and beginning suffocation. One hand — all that was free of the rest of him! — beat feebly upon the rubbery, translucent thing that was engulfing his body!

Then Joe sank from sight…


VII

Five days of liquored indulgence passed before Rori, along in his shaky cabin, convinced himself that he had seen a phantasy born of alcohol. He came back the last time — to find a high wall of brick surrounding the Lodge, and including the pool of mud into which he had thrown the meat!

While he hesitated, circling the place without discovering an opening — which he would not have dared to use, even had he found it — a crashing, tearing of timbers, and persistent sound of awesome destruction came from within. He swung himself into one of the oaks near the wall. And he was just in time to see the last supporting stanchions of the Lodge give way outward!

The whole structure came apart. The roof fell in — yet seemed to move after it had fallen! Logs of wall deserted layers of plywood in the grasp of the shearing machine!

That was all. Soddenly intoxicated now, Rori mumbled more phrases, giving me the idea that on another day when he became sober once more, he might add to his statements, but I — numbed to the soul — scarcely cared. If that which he related was true, what nightmare of madness must have been consummated here!

I could vision some things now which concerned Lee and Peggy, horrible things. Only remembrance of Elsie kept me faced forward in the search — for now it seemed almost that the handiwork of a madman must be preferred to what Rori claimed to have seen! What had been that sinister translucent thing? That glistening thing which jumped upward about a man, smothering, engulfing?

Queerly enough, though such a theory as came most easily to mind now would have outraged reason in me if suggested concerning total strangers, I asked myself only what details of Rori's revelation had been exaggerated by fright and fumes of liquor. And as I sat on the creaking bench in his cabin, staring unseeing as he lurched down to the floor, fumbling with a lock box of green tin which lay under his cot, and muttering, the answer to all my questions lay within reach!


It was not until next day, however, that I made the discovery. Heavy of heart I had reexamined the spot where the Lodge had stood, then made my way to the Cajan's cabin again, seeking sober confirmation of what he had told me during intoxication.

In imagining that such a spree for Rori would be ended by a single night, however, I was mistaken. He lay sprawled almost as I had left him. Only two factors were changed. No “shinny” was left — and lying open, with its miscellaneous contents strewed about, was the tin box. Rori somehow had managed to open it with the tiny key still clutched in his hand.

Concern for his safety alone was what made me notice the box. It was a receptacle for small fishing tackle of the sort carried here and there by any sportsman. Tangles of Dowagiac minnows, spool hooks ranging in size to silver-backed number eights; three reels still carrying line of different weights, spinners, casting plus, wobblers, floating baits, were spilled out upon the rough plank flooring where they might snag Rori badly if he rolled. I gathered them, intending to save him an accident.

With the miscellaneous assortment in my hands, however, I stopped dead. Something had caught my eye — something lying flush with the bottom of the lock box! I stared, and then swiftly tossed the hooks and other impediments upon the table. What I had glimpsed there in the box was a loose-leaf notebook of the sort used for recording laboratory data! And Rori scarcely could read, let alone write!

Feverishly, a riot of recognition, surmise, hope and fear bubbling in my brain, I grabbed the book and threw it open. At once I knew that this was the end. The pages were scribbled in pencil, but the handwriting was that precise chirography I knew as belonging to John Corliss Cranmer, the scientist!

Could he not have obeyed my instructions! Oh, God! This…

These were the words at top of the first page which met my eye.

Because knowledge of the circumstances, the relation of which I pried out of the reluctant Rori only some days later when I had him in Mobile as a police witness for the sake of my friend's vindication, is necessary to understanding, I shall interpolate.

Rori had not told me everything. On his late visit to the vicinage of Dead House he saw more. A crouching figure, seated Turk fashion on top of the wall, appeared to be writing industriously. Rori recognized the man as Cranmer, yet did not hail him. He had no opportunity.

Just as the Cajan came near, Cranmer rose, thrust the notebook, which had rested across his knees, into the box. Then he turned, tossed outside the wall both the locked box and a ribbon to which was attached the key.

Then his arms raised toward heavens. For five seconds he seemed to invoke the mercy of Power beyond all of man's scientific prying. And finally he leaped, inside…!

Rori did not climb to investigate. He knew that directly below this portion of wall lay the mud sink into which he had thrown the chunks of meat!



VIII

This is a true transcription of the statement I inscribed, telling the sequence of actual events at Dead House. The original of the statement now lies in the archives of the detective department.

Cranmer's notebook, though written in a precise hand, yet betrayed the man's insanity by incoherence and frequent repetitions. My statement has been accepted now, both by alienists and by detectives who had entertained different theories in respect to the case. It quashes the noisome hints and suspicions regarding three of the finest Americans who ever lived – and also one queer supposition dealing with supposed criminal tendencies in poor Joe, the octoroon.

John Corliss Cranmer went insane for sufficient cause!


As readers of popular fiction know well, Lee Cranmer's forte was the writing of what is called — among fellows in the craft — pseudo-scientific story. In plain words, this means a yarn, based upon solid fact in the field of astronomy, chemistry, anthropology or what-not, which carries to logical conclusion improved theories of men who devote their lives to searching out further nadirs of fact (11).

In certain fashion these men are allies of science. Often they visualize something which has not been imagined even by the best of men from whom they secure data, thus opening new horizons of possibility. In a large way Jules Verne was one of these men in his day; Lee Cranmer bade fair to carry on the work in worthy fashion — work taken up for a period by an Englishman named Wells, but abandoned for stories of a different — and, in my humble opinion, less absorbing — type (12).

Lee wrote three novels, all published, which dealt with such subjects — two of the three secured from his own father's labors, and the other speculating upon the discovery and possible uses of inter-atomic energy. Upon John Corliss Cranmer's return from Prague that fatal winter, the father informed Lee that a greater subject than any with which the young man had dealt now could be tapped.

Cranmer, senior, had devised a way in which the limiting factors in protozoic life and growth, could be nullified; in time, and with cooperation of biologists who specialized upon karyokinesis and embryology of higher forms, he hoped — to put the theory in pragmatic terms — to be able to grow swine the size of elephants, quail or woodcock with breasts from which a hundredweight of white meat could be cut away, and steers whose dehorned heads might butt at the third story of a skyscraper!

Such result would revolutionize the methods of food supply, of course. It also would hold out hope for all undersized specimens of humanity — provided only that if factors inhibiting growth could be deleted, some methods of stopping gianthood also could be developed.

Cranmer the elder, through use of an undescribed (in the notebook) growth medium of which one constituent was agar-agar, and the use of radium emanations, had succeeded in bringing about apparently unrestricted growth in the paramoecium protozoan, certain of the vegetable growths (among which were bacteria), and in the amorphous cell of protoplasm known as the amoeba — the last a single cell containing only nucleolus, nucleus, and a space known as the contractile vacuole which somehow aided in throwing off particles impossible to assimilate directly. This point may be remembered in respect to the piles of lumber left near the outside walls surrounding Dead House!

When Lee Cranmer and his wife came south to visit, John Corliss Cranmer showed his son an amoeba — normally an organism visible under low-power microscope — which he had absolved from natural growth inhibitions. This amoeba, a rubbery, amorphous mass of protoplasm, was of the size then of a large beef liver. It could have been held in two cupped hands, placed side by side.

“How large could it grow?” asked Lee, wide-eyed and interested.

“So far as I know,” answered his father, “there is no limit now! It might, if it got food enough, grow to be as big as the Masonic Temple!

“But take it out and kill it. Destroy the organism utterly — burning the fragments — else there is no telling what might happen. The amoeba, as I have explained, reproduces by simple division. Any fragment remaining might be dangerous.”

Lee took the rubbery, translucent giant cell — but he did not obey orders. Instead of destroying it as his father had directed, Lee thought out a plan. Suppose he should grow this organism to tremendous size? Suppose, when the tale of his father's accomplishment were spread, an amoeba of many tons weight could be shown in evidence? Lee, of somewhat sensational cast of mind, determined instantly to keep secret the fact that he was not destroying the organism, but encouraging its further growth. Thought of possible peril never crossed his mind (13).

He arranged to have the thing fed — allowing for normal increase of size in an abnormal thing. It fooled him only by growing much more rapidly. When he came back from Cuba the amoeba practically filled the whole of the mud sink hollow. He had to give it much greater supplies…

The giant cell came to absorb as much as two hogs in a single day. During daylight, while hunger still was appeased, it never emerged, however. That remained for the time that it could secure no more food near at hand to satisfy its ravenous and increasing appetite.

Only instinct for the sensational kept Lee from telling Peggy, his wife, all about the matter. Lee hoped to spring a coup which would immortalize his father, and surprise his wife terrifically. Therefore, he kept his own counsel — and made bargains with the Cajan, Rori, who supplied food daily for the shapeless monster of the pool.

The tragedy itself came suddenly and unexpectedly. Peggy, feeding the two Gordon setters that Lee and she used for quail hunting, was in the Lodge yard before sunset. She romped alone, as Lee himself was dressing.
Of a sudden her screams cut the still air! Without her knowledge, ten foot pseudopods — those flowing tentacles of protoplasm sent forth by the sinister occupant of the pool — slid out and around her putteed ankles.

For a moment at first she did not understand. Then, the horrid suspicion of truth, her cries rent the air. Lee, at that time struggling to lace a pair of high shoes, straightened, paled, and grabbed a revolver as he dashed out.

In another room a scientist, absorbed in his note-taking, glanced up, frowned, and then — recognizing the voice — shed his white gown and came out. He was too late to do aught but gasp with horror.

In the yard Peggy was half engulfed in a squamous, rubbery something which at first he could not analyze.

Lee, his boy, was fighting with the sticky folds, and slowly, surely, losing his own grip upon the earth!


IX

John Corliss Cranmer was by no means a coward; he stared, cried aloud, then ran indoors, seizing the first two weapons which came to hand — a shotgun and hunting knife which lay in sheath in a cartridged belt across hook of the hall-tree. The knife was ten inches in length and razor-keen.

Cranmer rushed out again. He saw an indecent fluid something which as yet he had not had time to classify — lumped into a six-foot-high center before his very eyes! It looked like one of the micro-organisms he had studied! One grown to frightful dimensions. An amoeba!

There, some minutes suffocated in the rubbery folds — yet still apparent beneath the glistening ooze of this monster — were two bodies.

They were dead. He knew it. Nevertheless he attacked the flowing, senseless monster with his knife. Shot would do no good. And he found that even the deep, terrific slashes made by his knife closed together in a moment and healed. The monster was invulnerable to ordinary attack!

A pair of pseudopods sought out his ankles, attempting to bring him low. Both of these he severed — and escaped. Why did he try? He did not know. The two whom he had sought to rescue were dead, buried under folds of this horrid thing he knew to be his own discovery and fabrication.

Then it was that revulsion and insanity came upon him.

There ended the story of John Corliss Cranmer, save for one hastily scribbled paragraph — evidently written at the time Rori had seen him atop the wall.

May we not supply with assurance the intervening steps?

Cranmer was known to have purchased a whole pen of hogs a day or two following the tragedy. These animals were never seen again. During the time the wall was being constructed is it not reasonable to assume that he fed the giant organism within — to keep it quiet? His scientist brain must have visualized clearly the havoc and horror which could be wrought by the loathsome thing if it ever were driven by hunger to flow away from the Lodge and prey upon the country-side!

With the wall once in place, he evidently figured that starvation or some other means which he could supply would kill the thing. One of the means had been made by setting fire to several piles of the disgorged timbers; probably this had no effect whatever.

The amoeba was to accomplish still more destruction. In the throes of hunger it threw its gigantic, formless strength against the walls from the inside; then every edible morsel within was house assimilated, the logs, rafters and other fragments being worked out through the contractile vacuole.

During some of its last struggles, undoubtedly, the side wall of brick was weakened — not to collapse, however, until the giant amoeba no longer could take advantage of the breach. In final death lassitude, the amoeba stretched itself out in a thin layer over the ground. There it succumbed, though there is no means of estimating how long a time intervened.

The last paragph in Cramer's notebook, scrawled so badly that it is possible some words I have not deciphered correctly, reads as follows:

In my work I have found the means of creating a monster. The unnatural thing, in turn, has destroyed my work and those whom I held dear. It is in vain that I assure myself of innocence of spirit. Mine is the crime of presumption. Now, as expedition — worthless though that may be — I give myself…

It is better not to think of that last leap, and the struggle of an insane man in the grip of the dying monster.

END.


NOTES

(1) - Variant spelling of "Cajuns," whose derivation is indeed as Mr. Rud explains. H. P. Lovecraft would famously use this same setting in part of The Call of Cthulhu (written 1926, published 1928).  It is fairly likely that Lovecraft read "Ooze," so this may have been one of his inspirations.

(2) - A reminder that this story was written during Prohibition, though of course the avoidance of taxes by moonshine-makers happened before and continued to happen after Prohibition — it continues into the present day.  However, there was a lot more money in it during the Prohibition Era.

(3) - The Cajun ethnic culture is actually more common in Louisiana than in Alabama, though there's no particular reason why some Cajuns couldn't have migrated to Alabama at some point in history.

(4) - This is seriously insane behavior even by the standards of over a century ago, though at that time rich eccentrics really could reasonably expect to get away with murder, in back-country areas such as the one described.  Remember, this was also the time when labor disputes not infrequently led to pitched battles with dozens of casualties on a side.

(5) - This is pretty brutal treatment meted out to the black man — and, sadly, all too plausible for a black suspect with known criminal tendencies in the South c. 1910.  The police were in general brutal by modern standards, a century ago, and the South extremely racist.  He was actually fortunate not to be lynched.

(6) - In comparison, Corliss is rich, obviously crazy, and confessing — brutality to him would be totally counter-productive.  The problem is that his confession is so incoherent that the police can't figure out what actually happened; if they presented it as given he could not be convicted upon it, and any competent defense attorney (which his friends and relatives would provide for him) could throw the complete confession back at them and tear it full of holes as the obvious rantings of a lunatic.

(7) - This would have stuck in Lovecraft's mind if he ever read this; he hated seafood, a dislike we see expressed in The Call of Cthulhu and The Shadow Over Innsmouth.

(8) - This may have been the scene that inspired Lovecraft to write the similar liquor-based interrogation of Zadok Allen by Robert Olmstead in The Shadow Over Innsmouth.

(9) - This was, of course, when Cuba was still relatively free and prosperous, having recently (1898) been liberated from Spanish rule by the United States of America.  Fidel Castro would not afflict that unfortunate island nation for over half a century.

(10) - The sequence with the growing demand for raw meat may have inspired Lovecraft to plant the similar clue regarding the growth of Wilbur Whateley's Twin in The Dunwich Horror.  In fact this story -- especially its use of layered revelation and interviews with persons speaking in fully-rendered rural dialects -- strikes me as very Lovecraftian in tone.  So Lovecraftian, in fact, that it makes me wonder if this wasn't actually an early example of Lovecraft doing a ghost-rewrite, as he frequently did in his later career.

(11) - This story was written before the term "science fiction" had been coined to describe this sort of tale.

(12) - H. G. Wells stopped writing much science fiction after the early 1900's, preferring instead to write science fact, speculative essays, and social novels.  By the late 1910's and 1920's he had pretty much abandoned science fiction, though he was to return to it in the 1930's with The Shape of Things To Come -- both the book and the (more famous) movie.

(13) - To be fair to Lee, this was before the concept of attacks by scientifically-created, artificially-enlarged creatures was common.  Indeed, this story may have been the first, or one of the first, uses of this trope.


REVIEW

This is a remarkably-powerful, creepy and well-presented science fiction horror tale.  It contains numerous Lovecraftian touches, at a time before H. P. Lovecraft was a well-known horror writer, including the celibate hero, the revelation of the horror one layer at a time, the rustic informants with dialogue rendered in phonetic dialect, the revulsion against anything smelling of the sea, and the amorphous creature.  In fact it is so Lovecraftian that I strongly suspect, having finished it, that Lovecraft either helped Rud write this, or was inspired to parts of some of his later works, notably The Call of Cthulhu, The Dunwich Horror, The Shadow Over Innsmouth and At the Mountains of Madness, by elements of this fiction.

I have never seen this story reprinted anywhere, even though it is very obviously ancestral to later several amorphous-horror stories, including one I've reprinted here, Charles Willard Diffin's Spawn of the Stars.  This story deserves much wider distribution -- I'm honored to have had the chance to run it on my zine.  I hope you all enjoyed it as much as did I.

END.

Friday, November 8, 2013

"From An Amber Block" (1930) by Tom Curry




“From An Amber Block”

© 1930

by

Tom Curry



"These should prove especially valuable and interesting without a doubt, Marable," said the tall, slightly stooped man. He waved a long hand toward the masses of yellow brown which filled the floor of the spacious workrooms, towering almost to the skylights, high above their heads (1).

"Is that coal in the biggest one with the dark center?" asked an attractive young woman who stood beside the elder of the men.

"I am inclined to believe it will prove to be some sort of black liquid," said Marable, a big man of thirty-five.

There were other people about the immense rooms, the laboratories of the famous Museum of Natural History (2). Light streamed in from the skylights and windows; fossils of all kinds, some immense in size, were distributed about. Skilled specialists were chipping away at matrices other artists were reconstructing, doing a thousand things necessary to the work.

A hum of low talking, accompanied by the irregular tapping of chisels on stone, came to their ears, though they took no heed of this, since they worked here day after day, and it was but the usual sound of the paleontologists' laboratory (3).

Marable threw back his blond head. He glanced again toward the dark haired, blue eyed young woman, but when he caught her eye, he looked away and spoke to her father, Professor Young (4) (5).

"I think that big one will turn out to be the largest single piece of amber ever mined," he said.

"There were many difficulties in getting it out, for the workmen seemed afraid of it, did not want to handle it for some silly reason or other."

Professor Young, curator, was an expert in his line, but young Marable had charge of these particular fossil blocks, the amber being pure because it was mixed with lignite. The particular block which held the interest of the three was a huge yellow brown mass of irregular shape.

Vaguely, through the outer shell of impure amber, could be seen the heart of ink. The chunk weighed many tons, and its crate had just been removed by some workmen and was being taken away, piece by piece.

The three gazed at the immense mass, which filled the greater part of one end of the laboratory and towered almost to the skylights. It was a small mountain, compared to the size of the room, and in this case the mountain had come to man (6).

"Miss Betty, I think we had better begin by drawing a rough sketch of the block," said Marable.

Betty Young, daughter of the curator, nodded. She was working as assistant and secretary to Marable.

"Well—what do you think of them?"

The voice behind them caused them to turn, and they looked into the face of Andrew Leffler, the millionaire paleontologist, whose wealth and interest in the museum had made it possible for the institution to acquire the amber.

Leffler, a keen, quick moving little man, whose chin was decorated with a white Van Dyke beard, was very proud of the new acquisition (7).

"Everybody is talking about the big one," he continued, putting his hand on Marable's shoulder. "Orling is coming to see, and many others. As I told you, the workmen who handled it feared the big one. There were rumors about some unknown devil which lay hidden in the inklike substance, caught there like the proverbial fly in the amber. Well, let us hope there is something good in there, something that will make worth while all our effort."

Leffler wandered away, to speak to others who inspected the amber blocks.

"Superstition is curious, isn't it?" said Marable. "How can anyone think that a fossil creature, penned in such a cell for thousands and thousands of years, could do any harm?" (8)

Professor Young shrugged. "It is just as you say. Superstition is not reasonable. These amber blocks were mined in the Manchurian lignite deposits by Chinese coolies under Japanese masters. They believe anything, the coolies. I remember working once with a crew of them that thought—" (9)

The professor stopped suddenly, for his daughter had uttered a little cry of alarm. He felt her hand upon his arm, and turned toward her.

"What is it, dear?" he asked.

She was pointing toward the biggest amber block, and her eyes were wide open and showed she had seen something, or imagined that she had seen something, that frightened her (10).

Professor Young followed the direction of her finger. He saw that she was staring at the black heart of the amber block; but when he looked he could see nothing but the vague, irregular outline of the inky substance.

"What is it, dear?" asked Young again.

"I—I thought I saw it looking out, eyes that stared at us—"

The girl broke off, laughed shortly, and added, "I suppose it was Mr. Leffler's talking. There's nothing there now."

"Probably the Manchurian devil shows itself only to you," said her father jokingly. "Well, be careful, dear. If it takes a notion to jump out at you, call me and I'll exorcise it for you."

Betty blushed and laughed again. She looked at Marable, expecting to see a smile of derision on the young man's face, but his expression was grave.

The light from above was diminishing; outside sounded the roar of home-going traffic.

"Well, we must go home," said Professor Young. "There's a hard and interesting day ahead of us to-morrow, and I want to read Orling's new work on matrices before we begin chipping at the amber."

Young turned on his heel and strode toward the locker at the end of the room where he kept his coat and hat. Betty, about to follow him, was aware of a hand on her arm, and she turned to find Marable staring at her.

"I saw them, too," he whispered. "Could it have been just imagination? Was it some refraction of the light?"

The girl paled. "I—I don't know," she replied, in a low voice. "I thought I saw two terrible eyes glaring at me from the inky heart. But when father laughed at me, I was ashamed of myself and thought it was just my fancy."

"The center is liquid, I'm sure," said Marable. "We will find that out soon enough, when we get started."

"Anyway, you must be careful, and so must father," declared the girl.

She looked at the block again, as it towered there above them, as though she expected it to open and the monster of the coolies' imagination leap out.

"Come along, Betty," called her father.

She realized then that Marable was holding her hand. She pulled away and went to join her father (10).


It was slow work, chipping away the matrix. Only a bit at a time could be cut into, for they came upon many insects imbedded in the amber. These small creatures proved intensely interesting to the paleontologists, for some were new to science and had to be carefully preserved for study later on.

Marable and her father labored all day. Betty, aiding them, was obviously nervous. She kept begging her father to take care, and finally, when he stopped work and asked her what ailed her, she could not tell him.

"Be careful," she said, again and again.

Her father realized that she was afraid of the amber block, and he poked fun at her ceaselessly. Marable said nothing.

"It's getting much softer, now the outside shell is pierced," said Young, late in the day.

"Yes," said Marable, pausing in his work of chipping away a portion of matrix. "Soon we will strike the heart, and then we will find out whether we are right about it being liquid. We must make some preparations for catching it, if it proves to be so." (12)

The light was fading. Outside, it was cold, but the laboratories were well heated by steam. Close by where they worked was a radiator, so that they had been kept warm all day.

Most of the workers in the room were making ready to leave. Young and Marable, loath to leave such interesting material, put down their chisels last of all. Throughout the day various scientific visitors had interrupted them to inspect the immense amber block, and hear the history of it.

All day, Betty Young had stared fascinatedly at the inky center.

"I think it must have been imagination," she whispered to Marable, when Young had gone to don his coat and hat. "I saw nothing to-day."

"Nor did I," confessed Marable. "But I thought I heard dull scrapings inside the block. My brain tells me I'm an imaginative fool, that nothing could be alive inside there, but just the same, I keep thinking about those eyes we thought we saw. It shows how far the imagination will take one."
"It's getting dark, Betty," said her father. "Better not stay here in the shadows or the devil will get you. I wonder if it will be Chinese or up-to-date American!"

The girl laughed, said good night to Marable, and followed her father from the laboratory. As they crossed the threshold a stout, red-faced man in a gray uniform, a watchman's clock hanging at his side, raised his hat and smiled at the young woman and her father.

"Hello, Rooney," cried Betty .

"How d'ye do, Miss Young! Stayin' late this evenin'?" (13)

"No, we're leaving now, Rooney. Good night."

"G' night, Miss Young. Sleep happy."

"Thanks, Rooney."

The old night watchman was a jolly fellow, and everybody liked him. He was very fond of Betty, and the young woman always passed a pleasant word with him (14).

Rooney entered the room where the amber blocks were. The girl walked with her father down the long corridor. She heard Marable's step behind them.

"Wait for me a moment, father," she said.

She went back, smiling at Marable as she passed him, and entered the door, but remained in the portal and called to Rooney, who was down the laboratory.

He came hurrying to her side at her nervous hail.

"What is it, ma'am?" asked Rooney.

"You'll be careful, won't you, Rooney?" she asked in a low voice.

"Oh, yes, ma'am. I'm always careful. Nobody can get in to harm anything while Rooney's about."

"I don't mean that. I want you to be careful yourself, when you're in this room to-night."

"Why, miss, what is there to be wary of? Nothin' but some funny lookin' stones, far as I can see." (15)

The young woman was embarrassed by her own impalpable fears, and she took leave of Rooney and rejoined her father, determined to overcome them and dismiss them from her mind.

All the way home and during their evening meal and afterwards, Professor Young poked fun at Betty. She took it good-naturedly, and laughed to see her father in such fine humor. Professor Young was a widower, and Betty was housekeeper in their flat; though a maid did the cooking for them and cleaned the rooms, the young woman planned the meals and saw to it that everything was homelike for them (16).

After a pleasant evening together, reading, and discussing the new additions to the collection, they went to bed.

Betty Young slept fitfully. She was harassed by dreams, dreams of huge eyes that came closer and closer to her, that at last seemed to engulf her.


She awakened finally from a nap, and started up in her bed. The sun was up, but the clock on the bureau said it was only seven o'clock, too early to arise for the day's work. But then the sound of the telephone bell ringing in the hall caused her to get up and don her slippers and dressing gown and hurry out into the living room.

Before she reached the phone, however, she heard her father's voice answering.

"Hello.... Yes, speaking. Good morning, Smythe."

Smythe was the janitor of the museum. Betty, standing behind her father, wondered what he could want that he should phone so early in the morning. Her father's next words sent a thrill of fright through her heart.

"My God! I—I can't believe it!" cried Young. "Is he dead?"

There was a pause; Betty caught the sound of the excited Smythe's tones through the receiver.

"Who—who is it?" she whispered, clasping her parent's arm.

"I'll be right down, yes."

Young hung up, turned to his daughter. His face was sad, heavily lined with shadows of sorrow.

"Dear, there's been a tragedy at the museum during the night. Poor Rooney has been murdered—at least so they believe—and Smythe, who found him, wants me to come down and see if anything has been stolen. I must go at once. The body is in our laboratory."

"Rooney? Ah, poor fellow." (17)

The girl wept a little, but braced herself to assist her father.

"I'm going with you," she said.
"No, no. You'd better remain here: you can come along later," said Young. "I don't like to have you see such sights, dear. It wouldn't be good for you."

"I'll be all right. I promise you I will."

She insisted and he was forced to let her accompany him to the museum. They hailed a cab and were soon at the door. The elevator took them to the top floor, and swiftly they passed along the corridors and came to the portal which led into the rooms where the amber blocks were.


Smythe greeted them, a worried look on his seamed face. "I've sent for an ambulance, Professor," he said.

Young nodded, brushed past him, and entered the laboratory. In the morning light the amber blocks had taken on a reddish tinge. Now, they seemed to oppress the young woman, who had bravely remained at her father's side as he walked quickly to the base of the biggest block.

A vague shape lay in the shadows between the wall and the largest amber mass. Professor Young bent over the body of Rooney, and felt the pulse.

"He's been dead some time," he said.

She nodded, stricken to the heart by this terrible end of her old friend Rooney (18).

"There's nothing we can do for him, now," went on her father soberly. "It looks as though he had been set upon and stabbed time after time by his assailant or assailants, whoever they were."

"How—how pale he is," said Betty. "Poor Rooney was so jolly and red-faced, but his skin is like chalk."

"And he's shrunken, too. It seems there's no blood left in his veins," said her father.


Marable, who had been called also, came in then and aided in the examination. He said good morning to Betty and her father, and then went to bend over Rooney's body.

"See the look of abject terror on his face," Betty heard Marable say to her father as the two examined the corpse. "He must have been very much afraid of whoever killed him."

"They beat him up frightfully," said Young. "There must have been several of the assassins; it would take more than one man to do such damage."

"Yes. His ribs are crushed in—see, this gash, Professor, would be enough to cause death without any of the other wounds."

Betty Young could not take her eyes from the ghastly sight. She steeled herself to bear it, and prayed for strength that she should not faint and cause her father trouble. She could see the two men examining a large blistered area under the corpse's armpit, in the center of which was a sharp vertical slit which had without doubt punctured the artery near the surface of the axilla. Perhaps it had pierced even to the heart (19).

"Bloodless," exclaimed Marable, noticing the same thing as her father had spoken of. "It is as if the blood had been pumped out of his body!"

"Yes, I think it has drained out."

"There is not much of a pool here where he lies, though," said Marable, in a low voice. "See, there are only splotches about, from various cuts he received."

"Maybe he was dragged here from another room," said Young. "When the others come, we will soon know if anything is missing. It seems that men desperate enough to commit such a murder would not leave without trying to get what they came after. Unless, of course, the killing of Rooney frightened them away before they could get their booty."

Smythe approached the group, with a physician in tow. The latter confirmed the facts which Marable and Young had found: that Rooney had been killed by the deep gash near the heart and that most of the blood was drained from the body.

"They seem like the slashes from an extremely sharp and large razor," said the medical man.

Others were coming in to look at Rooney, and the museum was buzzing with activity as various curators, alarmed about the safety of their valuable collections, feverishly examined their charges.

"He punched his clock in here at two A.M.," said Smythe. "I seen that. It's the last time he'll ever do his duty, poor feller."

"Curious odor," said the doctor, sniffing. "It smells like musk, but is fetid. I suppose it's some chemical you use."

"I noticed that, too," said Professor Young. "I don't recognize it, myself."

Marable, who had been looking at the floor between the great block of amber and the body, uttered an exclamation which caused the two men to look up.

"There are wavy lines leading around back of the block," said Marable, in answer to their questions.

The young man disappeared behind the block, and then he called to them excitedly to join him. Betty Young pressed closer, and finally slipped past the corpse and stood by her father.

Before her, she saw a large pool of black liquid. It had been hidden by the corner of the block, so that they had not noticed it, so busy were they looking at Rooney.

And there was a great cavity in the heart of the amber block. Pieces of the yellow brown mass lay about, as though they had fallen off and allowed the inky substance to escape.

"It's hardened or dried out in the air," said Young.

"It looks like black lacquer," said Betty.

The musky smell was stronger here. The great amber block seemed to stifle them with its size.

"Our chipping and hammering and the heat of the radiator causing it to expand must have forced out the sepia, or whatever it is," said Young. There was a disappointed note in his voice "I had hoped that inside the liquid we would discover a fossil of value," he went on.

Marable looked at Betty Young. They stared at one another for some seconds, and both knew that the same thought had occurred to the other. The frightful eyes—had they then been but figments of the imagination?

Marable began looking around carefully, here and there. Betty realized what he was doing, and she was frightened. She went to his side. "Oh, be careful," she whispered.

"The giant block has been moved a little," he replied, looking into her pretty face. "Have you noticed that?"

Now that she was told to look, she could see the extremely heavy amber block was no longer in the position it had been in. Marks on the floor showed where it had been dragged or shifted from its original resting place.

Betty Young gasped. What force could be so powerful that it could even budge so many tons? A derrick had been used, and rollers placed under the block when men had moved it.

Reason tried to assert itself. "It—it must have exploded. That would cause it to shift," she said faintly (20).

Marable shrugged. His examination was interrupted by the arrival of the museum's chemist, sent for by Young. The chemist took a sample of the black liquid for analysis. Reports were coming in from all over the museum, different departments declaring, one after another, that nothing had been disturbed or stolen from their sections.

Betty Young went again to Marable's side. She followed the direction of his eyes, and saw long, clawlike marks on the floor, radiating from the sepia (21).

"Doctor Marable," she said, "please don't—don't look any longer. Leave this terrible place for the day, anyway, until we see what happens in the next twenty-four hours."

He smiled and shook his head. "I must make a search," he replied. "My brain calls me a fool, but just the same, I'm worried."

"Do you really think ...?"

He nodded, divining her thought. The girl shivered. She felt terror mounting to her heart, and the matter-of-fact attitudes of the others in the great laboratory did not allay her fears.

Rooney's body was removed. The place was cleaned up by workmen, and Marable's search—if that was what his constant roving about the laboratory could be called—ceased for a time. The chemist's report came in. The black liquid was some sort of animal secretion, melonotic probably (22).


In spite of the fact that they had learned so many facts about the murder, they as yet had not solved the mystery. Who had murdered Rooney, and why? And where had his blood gone to? In no other rooms could be found any traces of a struggle.

"If you won't do anything else, please carry a gun," begged Betty of Marable. "I'm going to try to take father home, right after lunch, if he'll go. He's so stubborn. I can't make him take care. I've got to watch him and stay beside him."

"Very well," replied Marable. "I'll get a revolver. Not that I think it would be of much use, if I did find—" He broke off, and shrugged his broad shoulders (23).

Leffler came storming into the room. "What's this I hear?" he cried, approaching Marable. "A watchman killed in the night? Carelessness, man, carelessness! The authorities here are absurd! They hold priceless treasures and allow thieves to enter and wreak their will. You, Marable, what's all this mean?"

Leffler was angry. Marable looked into his red face coolly. "We do the best we can, Mr. Leffler," he said. "It is unlikely that anyone would wish to steal such a thing as that block of amber."
He waved toward the giant mass (24).

Leffler made a gesture of impatience. "It cost me many thousands of dollars," he cried (25).

"It is time for lunch, Professor," said Betty.

Marable bowed to Leffler and left the millionaire sputtering away, inspecting the various specimens he had contributed.

The one o'clock gong had struck, and all the workers and investigators were leaving in paleontological laboratories for a bite to eat.


Marable, with Betty, went out last. Leffler was over in one corner of the room, hidden from their sight by a corner of an amber block. They could hear Leffler still uttering complaints about the carelessness of the men in charge of that section of the museum, and Marable smiled at Betty sadly.

"Poor Rooney," he said. "Betty, I feel more or less responsible, in a way."

"No, no," cried the girl. "How could you have foreseen such a thing?"

Marable shook his head. "Those eyes, you know. I should have taken precautions. But I had no idea it could burst from its prison so."

For the first time Marable had definitely mentioned his idea of what had occurred. The girl had understood it all along, from their broken conversation and from the look in the young scientist's eyes.

She sighed deeply. "You will get a revolver before you search further?" she said. "I'm going to. Smythe has one, and I know he'll lend it to me."

"I will," he promised. "You know, Leffler has the same idea we have, I think. That's why he keeps talking about it being our fault. I believe he has seen something, too. His talk about the devil inside the block was half in earnest. I suppose he put it down to imagination, or perhaps he did not think this fossil to be dangerous." (26)

They went out together, and walked toward the restaurant they frequented. Her father was there, lunching with one of the superintendents of the museum. He smiled and waved to Betty.
Everyone, of course, was discussing the killing of Rooney.


After an hour, during which the two young people spoke little, Marable and Betty Young left the restaurant and started back toward the museum. Her father was still at his table.

They walked up the driveway entrance, and then Marable uttered an exclamation. "Something's wrong," he said.

There was a small crowd of people collected on the steps. The outer doors, instead of being open as usual, were closed and guards stood peering out.
Marable and Betty were admitted, after they had pushed their way to the doors.

"Museum's closed to the public, sir," replied a guard to Marable's question.

"Why?" asked Marable.

"Somethin's happened up in the paleontological laboratories," answered the guard. "Dunno just what, but orders come to clear the rooms and not let anybody in but members of the staff, sir."

Marable hurried forward. Betty was at his heels. "Please get yourself a gun," she said, clutching his arm and holding him back.

"All right. I'll borrow one from a guard."

He returned to the front doors, and came back, slipping a large pistol into his side pocket.

"I want you to wait here," he said.

"No. I'm going with you."

"Please," he said. "As your superior, I order you to remain downstairs."

The girl shrugged. She allowed him to climb the stairs to the first floor, and then she hurried back in search of Smythe.

Smythe obtained a gun for her, and as she did not wish to wait for the slow elevator, she ran up the steps. Smythe could not tell her definitely what had occurred in the upper laboratory that had caused the museum to be closed for the day (27).

Her heart beating swiftly, Betty Young hurried up the second flight of stairs to the third floor. A workman, whom the girl recognized as a manual laborer in the paleontological rooms, came running down, passing her in full flight, a look of abject terror on his face.

"What is it?" she cried.

He was so frightened he could not talk logically. "There was a black fog—I saw a red snake with legs—"

She waited for no more. A pang of fear for the safety of Marable shot through her heart, and she forced herself on to the top floor.

Up there was a haze, faintly black, which filled the corridors. As Betty Young drew closer to the door of the paleontological laboratories, the mist grew more opaque. It was as though a sooty fog permeated the air, and the girl could see it was pouring from the door of the laboratory in heavy coils. And her nostrils caught the strange odor of fetid musk (28).

She was greatly frightened; but she gripped the gun and pushed on.

Then to her ears came the sound of a scream, the terrible scream of a mortally wounded man. Instinctively she knew it was not Marable, but she feared for the young professor, and with an answering cry she rushed into the smoky atmosphere of the outer laboratories.

"Walter!" she called.

But evidently he did not hear her, for no reply came. Or was it that something had happened to him?

She paused on the threshold of the big room where were the amber blocks.

About the vast floor space stood the numerous masses of stone and amber, some covered with immense canvas shrouds which made them look like ghost hillocks in the dimness. Betty Young stood, gasping in fright, clutching the pistol in her hand, trying to catch the sounds of men in that chamber of horror.

She heard, then, a faint whimpering, and then noises which she identified in her mind as something being dragged along the marble flooring. A muffled scream, weak, reached her ears, and as she took a step forward, silence came.

She listened longer, but now the sunlight coming through the window to make murky patches in the opaque black fog was her chief sensation.

"Walter!" she called.

"Go back, Betty, go back!"

The mist seemed to muffle voices as well as obscure the vision. She advanced farther into the laboratory, trying to locate Marable. Bravely the girl pushed toward the biggest amber block. It was here that she felt instinctively that she would find the source of danger.

"Leffler!" she heard Marable say, almost at her elbow, and the young man groaned. The girl came upon him, bending over something on the floor.

She knelt beside him, gripping his arm. Now she could see the outline of Leffler's body at her feet. The wealthy collector was doubled up on the ground, shrivelled as had been Rooney. His feet, moving as though by reflex action, patted the floor from time to time, making a curious clicking sound as the buttons of his gray spats struck the marble (28).

But it was obvious, even in the murky light, that Leffler was dead, that he had been sucked dry of blood.

Betty Young screamed. She could not help it. The black fog choked her and she gasped for breath. Leaving Marable, she ran toward the windows to throw them open.

The first one she tried was heavy, and she smashed the glass with the butt of the gun. She broke several panes in two of the windows, and the mist rolled out from the laboratory.

She started to return to the side of Marable. He uttered a sudden shout, and she hurried back to where she had left him, stumbling over Leffler's body, recoiling at this touch of death.

Marable was not there, but she could hear him nearby.

Cool air was rushing in from the windows, and gradually the fog was disappearing. Betty Young saw Marable now, standing nearby, staring at the bulk of an amber block which was still covered by its canvas shroud. Though not as large as the prize exhibit, this block of amber was large and filled many yards of space.

"Betty, please go outside and call some of the men," begged Marable.

But he did not look at her, and she caught his fascinated stare. Following the direction of his gaze, the girl saw that a whisp of smoky mist was curling up from under the edge of the canvas cover.

"It is there," whispered Betty.

Marable had a knife which he had picked up from a bench, and with this he began quietly to cut the canvas case of the block, keeping several feet to each side of the spot where the fog showed from beneath the shroud.

Marable cut swiftly and efficiently, though the cloth was heavy and he was forced to climb up several feet on the block to make his work effective. The girl watched, fascinated with horror and curiosity.

To their ears came a curious, sucking sound, and once a vague tentacle form showed from the bottom of the canvas.

At last Marable seized the edge of the cut he had made and, with a violent heave, sent the canvas flap flying over the big block.

Betty Young screamed. At last she had a sight of the terrible creature which her imagination had painted in loathing and horror. A flash of brilliant scarlet, dabbed with black patches, was her impression of the beast. A head flat and reptilian, long, tubular, with movable nostrils and antennae at the end, framed two eyes which were familiar enough to her, for they were the orbs which had stared from the inside of the amber block. She had dreamed of those eyes.

But the reptile moved like a flash of red light, though she knew its bulk was great; it sprayed forth black mist from the appendages at the end of its nose, and the crumpling of canvas reached her ears as the beast endeavored to conceal itself on the opposite side of the block.

Marable had run to the other side of the mass. The air, rushing in from the windows, had cleared the mist, in spite of the new clouds the creature had emitted, and Betty could see for some feet in either direction now.

She walked, with stiff, frozen muscles, around to join Marable. As she came near to him, she saw him jerking off the entire canvas cover of the block to expose the horrible reptile to the light of day.

And now the two stood staring at the awful sight. The creature had flattened itself into the crevices and irregular surfaces of the block, but it was too large to hide in anything but a huge space. They saw before them its great bulk, bright red skin blotched with black, which rose and fell with the breathing of the reptile. Its long, powerful tail, tapering off from the fat, loathsome body, was curled around the bottom of the block.

"That's where it's been hidden, under the shroud. We've been within a few feet of it every moment we've been at work," said Marable, his voice dry. "There were many hiding places for it, but it chose the best. It came out only when there was comparative quiet, to get its food...."

"We—we must kill it," stammered the girl.

But she could not move. She was looking at the immense, cruel, lidless eyes, which balefully held her as a serpent paralyzes a bird. The tubular nostrils and antennae seemed to be sniffing at them, waving to and fro.

"See the white expanse of cornea, how large it is," whispered Marable. "The pupils are nothing but black slits now." The interest excited by this living fossil was almost enough to stifle the dread of the creature in the man (30).

But the girl saw the huge flat head and the crinkled tissue of the frilled mouth with its sucker disks.

Suddenly, from the central portion of the sucker-cup mouth issued a long, straight red fang.
The two drew back as the living fossil raised a short clawed leg.

"It has the thick body of an immense python and the clawed legs of a dinosaur," said Marable, speaking as though he were delivering a lecture. The sight, without doubt, fascinated him as a scientist. He almost forgot the danger.

"Oh, it's horrible," whispered the girl.

She clung to his arm. He went on talking. "It is some sort of terrestrial octopus...." (31)

To the girl, it seemed that the living fossil was endless in length. Coil after coil showed as the ripples passed along its body and the straight fang threatened them with destruction.

"See, it is armored," said Marable.

"Betty, no one has ever had such an experience as this, seen such a sight, and lived to tell of it. It must be ravenous with hunger, shut up in its amber cell inside the black fluid. I—"

A sharp, whistling hiss interrupted his speech. The reptile was puffing and swelling, and as it grew in bulk with the intake of the air, its enamel-like scales stood out like bosses on the great body. It spat forth a cloud of black, oily mist, and Marable came to himself at last.

He raised his revolver and fired at the creature, sending shot after shot from the heavy revolver into the head (32).

Betty Young screamed as the reptile reared up and made a movement toward them. Marable and the girl retreated swiftly, as the beast thumped to the floor with a thud and started at them, advancing with a queer, crawling movement.

It was between them and the door. Betty thrust her gun into Marable's hands, for his own was empty and he had hurled it at the monster.

"Hurry! Run for your life!" ordered Marable, placing himself between Betty and the reptile.

She would not leave him till he swerved to one side, going dangerously close to the beast and firing into its head. The rush of the flowing body stopped; it turned and pursued him, leaving the girl safe for the moment, but separated from Marable.

Luckily, on the smooth marble it could not get an efficient grip with its clawlike arms. It was clumsy in its gait, and for a time the man eluded it.

Betty Young, looking about for a weapon, calling for help at the top of her lungs, caught sight of a fireman's ax in a glass case on the wall. She ran over, smashed the glass with the small hammer, and took out the heavy ax.

Shot after shot reverberated through the big laboratory as Marable tried to stop the monster. Betty, bravely closing in from the rear, saw Marable leaping from side to side as the brute struck viciously at him time and again.

The creature had been emitting cloud after cloud of black fog, and the atmosphere, in spite of the open windows, was dim in its vicinity. Vaguely Betty heard shouts from the far hall, but all she could do was to call out in return and run toward the horror.

Marable, out of breath, had climbed to the top of an amber block. Betty, close by, saw the reptile rear its bulk up into the air, until it was high enough to strike the man.

Before it could send forth its death-dealing fang to pin Marable to the block, however, Betty Young brought the ax down on its back with all her strength.

There was a sickening thud as the sharp weapon sunk deep into the fleshy back. She struck again, and the creature fell in folds, like a collapsing spring. It lashed back at her, but she leaped clear as it slashed in agony, thrashing about so that the whole room seemed to rock.

Marable came scrambling down the side of the block to help her. He was breathing hard, and she turned toward him; as Betty looked away, a portion of the scarlet tail hit her in the body and she fell, striking her head on the floor.

Marable reached down, seized the ax, and in a desperate frenzy hacked at the reptile's awful head. He leaped in and out like a terrier, sinking the ax deep into the neck and head of the beast. He gave the impression of slashing at heavy rubber, and Betty Young, trying to drag herself away from that dangerous body, heard his whistling breath.

They were almost hidden from one another now, in the mist which came from the thing's nostrils.

"Help, help!" screamed the girl, mustering her last strength in the despairing cry.

She saw Marable go down, then, as the reptile hit him a glancing blow with its body. When the powerful young fellow did not rise, the girl thought it was all over. The air really became black to her; she fainted and lay still.


When Betty Young opened her eyes, the air had cleared greatly, and she could see the familiar outlines of the paleontological laboratory and the bulks of the amber blocks. Her father was holding her head in his lap, and was bathing her temples with water.

"Darling," he said, "are you badly hurt?"

"No," she murmured faintly. "I'm—I'm all right. But—but Walter—did it—"

"He's all right," said her father. "The reptile was dying, and could do him no damage. We finished it off." (36)

Then, Marable, covered with blood, which he was trying to wipe from his hands and clothes, came and smiled down at her.

"Well," said Professor Young, "you two have mutilated a marvelous and unique specimen between you."

There were several men examining something nearby. Turning her eyes in their direction, Betty saw they were viewing the remains of the reptile.

Marable helped her to her feet, and stood with one arm about her. Professor Orling, the famous specialist on fossil reptiles, was speaking now, and the others listened.

"I think we will find it to be some sort of missing link between the dinosaurs and mososaurs (34). It is surely unbelievable that such a creature should be found alive; but perhaps it can be explained. It is related to the amphibians and was able to live in or out of the water. Now, we have many instances of reptiles such as lizards and toads penned up in solid rock but surviving for hundreds of years. Evidently this great reptile went through the same sort of experience. I would say that there has been some great upheaval of nature, that the reptile was caught in its prison of amber thousands and thousands of years ago. Through hibernation and perhaps a preservative drug it emitted in the black fluid, this creature has been able to survive its long imprisonment. Naturally, when it was released by the cutting away of part of the amber which penned it in, it burst its cell, ravenous with hunger. The fanglike tooth we see was its main weapon of attack, and it set upon the unfortunate watchman. After knocking him unconscious, its sucker-like fringe glued the mouth near the heart while the fang shot into the arteries and drew forth the body fluids. There is a great deal to be done with this valuable find, gentlemen. I would suggest that—"

Marable grunted. "Oh, hell," he murmured in Betty Young's ear. "To the devil with paleontology, Betty. You saved my life. Come out and let's get married. I love you."

The girl smiled up into his eyes. The scientists close by were listening fascinatedly to Orling's words, and had no time to watch the two young people, for they stared at the reptile's body as the great man went from section to section, lecturing upon one point after another.
"You've forgotten paleontology for a moment, thank goodness," said Betty. "I'm glad."

"Yes, Betty dear. This terrible experience has shaken me, and I realized how much I love you when I saw you in danger. What an awful few minutes! If I had to live them over again, I don't think I could face them."

"Never mind," she murmured. "We are safe, Walter. After all, it's not every woman who is helped by a living fossil to make the man she loves realize he loves her!" (37)

END.


NOTES

(1) – These are ludicrously-large masses of amber.  For some context, the biggest block of amber currently existing in Europe masses about 4 kilograms, which is to say 10 pounds.  These fictional blocks would mass tons.  Necessary for the story, but about as likely as a boulder-sized diamond.

(2) – Almost certainly the New York City Museum of Natural History.  Astounding was based out of New York, many of its writers were either New York or at least Northeast US based, and hence monsters, aliens and the like often appeared in the Big Apple.  It was like Toho Studios kaiju movies and the city of Tokyo.

(3) – This is a plausible description, especially since the methods of 1930 were a bit rougher and readier than those today when it came to extracting fossils from the surrounding rocks.  Today the lab would be less noisy, and there would be more mechanical and electronic sounds.  And much less of the fossils would get destroyed.

(4) – Spreading out the physical descriptions this way seems more technically-artistic but is in my opinion less effective, as one has to really sift through said descriptions to get a good image of the three main characters.  Here, quick concentrated descriptions would really work better for the flow of the story.

(5) – We have once again hit the common cliché in stories of this era of having the female lead be the daughter of an elder scientist character.  In this case, she is acting as an assistant to the curator, so she has some excuse to be there.  This whole trope was slightly justified, as female scientists were relatively rare in the 1930’s, but it is tiresome to see it repeated so endlessly.

(6) – To be explicit about why a piece of amber this size is very, very improbable, one should consider that amber forms from dried tree sap.  A tree gets cut, oozes sap, and amber results.  Imagine the size of the tree needed to exude a multi-ton mass of dripping sap (and note for the story’s scenario to work it has to have oozed from a cut in the tree), and one will swiftly realize how unlikely is the premise.

(7) – Interwar Era pulps, always-eager to concentrate responsibility on a single man, were very fond of the “millionaire scientist” character.  Such were much less common in reality than in science fiction:  generally speaking, rich people either focused on making or on keeping their fortunes.  This particular character, appearing in connection with prehistoric beasties trapped in amber, is obviously on the conceptual lineage leading to John Hammond, the owner of Jurassic Park in the eponymous novel.

This in turn makes me even more appreciative of H. P. Lovecraft’s Miskatonic University, which was by the standards of its day a highly-realistic creation, in that Lovecraft realized that no one man was in a position to be funding all these studies, expeditions and the like.  So he created an institution which did that sort of thing.  Well done, old gent!

(8) – Marable, as a paleontologist, has no excuse for saying “thousands of thousands of years” rather than the more-plausible “millions of millions” or even tens of millions.  This would be roughly like an astronomer saying that a given star was “billions” rather than “tens of trillions” of miles away (1 LY roughly equals 6 trillion miles).

(9) – Given what we now know of the Japanese treatment of the Chinese in this era, and that miners have a rough life even under the best of regimes, this little digression comes off as crueler and more racist than the author probably intended.  Back then, it was just taken for granted that the Japanese were bossing around the Chinese.

(10) – Of course the girl is the first one to get scared.  If it were one of the men, he might not look as manly.  Really, considering what she’s seeing, I think it would have shocked any of the characters.  Or at least startled him.

(11) – No one is allowed to get even slightly romantic save under the spur of fear.  The logic of pre-teens watching a horror movie, applied to adults.

(12) – This might sound absurd, but given a multi-ton block of amber, the core might well still be a (highly-viscous) liquid even after tens of millions of years (the very slow leakage would be impeded by the thickness of the shell and would be a surface area effect from a liquid volume).  In which case one would need more than minor “preparations” to catch the flow, as there might well be tons of liquid inside.  On the other hand, the flow would happen very slowly.  My real-world knowledge of this is limited, because – well – there are no multi-ton blocks of amber!

(13) – Stock Irish and a night watchman.  I’m not selling this man any life insurance!

(14) – (*nods approvingly*)  If you’re going to kill a Red Shirt, give the audience a reason to like him – even an informed reason to like him.  Works for Stephen King!

(15) – (*nods again*) And we get a reason to like Betty too (other than her being a smartie and a cutie), and we get Foreshadowing.  Good work, Mr. Curry!

(16) – Almost always in stories of this era, the female character who challenges traditional gender roles by being a scientist also confirms them by being nurturing to the man in her life (in this case, her father).  This was almost reflexive on the part of the author, unless she was being set up to be some sort of villain.

(17) – Ah, Rooney (*sniff*).  We scarcely knew ye.  O, the bitterness of seeing my forebodings about the author’s foreshadowing confirmed!

(18) – Tom Curry gets more points from me by showing Betty have an emotional reaction to the death of someone she’s known (even casually) for years.  Much pulp fiction, then and now, would just increment the body count and have the other characters treat it as important only from the point of view of their own danger.

(19) – And Betty actually knows the anatomical terminology (which she would, as the assistant to the curator of a Museum of Natural History).  Now I want to marry this girl!

(It’s no doubt purely coincidental that my real wife works in that field and knows the terminology). J

(20) – This is actually plausible, though of course since we know that this is a science-fiction horror story (and have seen the illustration) we all know what really happened.

(21) – And we have confirmation.  To be fair to the main characters, this scenario is more than a bit unbelievable, especially if one knows one’s taphonomy.

(22) – All “melonotic” means is “abnormally dark,” which we already know from the earlier description.

(23) – Note the relative sanity of the Interwar Era regarding guns as opposed to attitudes of the present day.  In modern New York City, Marable would need a permit, and probably wouldn’t get one in time anyway.  In 1930, all he needs to do is drop by a store and pick one up.

On the other hand, Rooney was armed.  Didn’t do him much good.

(24) – I think that Leffler is meant to look like a jerk in this exchange.  Notice that he doesn’t give a damn about the fact that a man was killed.  Also note Marable’s lack of sympathy for him.

(25) – This is as bad a failure to appreciate scale as is the earlier statement of the block being “thousands of years” old.  A block of amber that big would be worth many millions, even in the 1930’s.  In fact, the only reason it wouldn’t be worth billions is that its very discovery would have instantly collapsed the global amber market!

(26) – Good characterization.  Nobody wanted to be the first to state the wild theory that happens in this case to be true.  When someone does, it’s Marable, and he says it in private to Betty, who is at this point at least his long-time personal friend.

(27) – Classic interaction between the Protective Hero and the Spunky Heroine.  He wants her to stay out of the building with the dangerous monster.  He gives her a direct order to keep out, she nods her head, and the moment he’s gone she ignores his command, grabs a gun and runs in after him.  Did I mention I’d happily marry Betty?

(28) – Points to the author for giving the creature a color and an odor.  Not to mention the apparent special ability to exude that fog.  These sorts of details can easily be forgotten in a short story, and they make the monster both more interesting and seem more real.

(29) – How hath fallen the mighty.  Note the irony that Leffler has died of exactly the same sort of “carelessness” that killed Rooney, whose loss Leffler saw as trivial.  Also, the little detail of Leffler’s “gray spats” drumming on the floor makes this a particularly gruesome death scene.

In the original version of Jurassic Park, Hammond suffers an equally Karmic Death.

(30) – Marable’s fascination with the beast, even in this dangerous situation, is quite believable.  He’s seeing, hearing and smelling a creature from an age which normally leaves only petrified remains, and this includes all sorts of details of motion and soft tissue which one rarely is able to tell from a mere fossil.  I’d be awestruck too, in his place.

(31) – Well, no, it’s not an octopus.  No more than is an elephant.  The appearance of tentacle-like appendages in more than one vertebrate lineage is a good example of parallel evolution.  It has nothing to do with descent from cephalopods, who have taken the tentacle structure farther than has any other Earthly life form.

(32) – Shooting it is a shame from a scientific point of view, but it is trying to eat them.

(33) – Why did the axe-blows kill it, when the gunshots didn’t?  First of all, the thing is armored and we have no idea if the bullets were getting all the way through.  Secondly, we have no reason to assume that Marable or Betty are good shots, and the target is skinny, moving and exuding black fog.  Finally, note that it took a lot of axe-blows to kill it, and this after it had been repeatedly shot.  Marable would have run out of ammunition before the thing died, if he’d not had any weapon besides the gun.

(34) – As we now know, mosasaurs were marine lizards of the Late Cretaceous, which would thus have lived around 100 MYA to 65 MYA   In the 1920’s, radio-isotopic dating had not yet been invented, and the estimated times would have been more like 75 MYA to 50 MYA, or even less.  However, they did know that the timespan in question was in the tens of millions of years.

Mosasaurs, like all lizards, were lepidosauromorpha.  The lepidosauromorpha diverged from the archosauromorpha (ancestors of birds, crocodilians and dinosaurs) sometimes in the Late Permian (around 275 MYA to 250 MYA, and even in the 1920’s they would have dated the Permian back to at least 100 MYA, if not longer).  Thus, our creature is probably of Permian origin.

The Manchurian coal deposits discovered by the Japanese were indeed laid down in the Late Permian.  It’s nice that the author gets this point right, which makes me think that he may have been aware of the age of the split between lizards and dinosaurs.  This is kind of strange, given that he gets the broad chronology so very wrong (speaking of “thousands of years”).

I don’t know if early 20th century scientists realized just how distant was the connection between lizards and dinosaurs (especially Late-Cretaceous dinosaurs).  The tendency, visible even today, to call anything pre-Tertiary and vaguely reptilian (including many proto-mammals!) a “dinosaur” must have been more common then, especially among non-specialists.

More on the creature in the Commentary.

(35) – A perfect Rescue Romance proposal.  Oh, these emotionally-repressed pulp heroes, who were utterly-unaware of or unable to act upon their romantic attraction to the heroine until she was (a) endangered and (b) rescued by the hero’s own efforts! 

This is not a “Victorian” let alone “Regency” thing, by the way:  any hero from that age would have been declaring his sentiments in multi-paragraph dialogue, or at least internal monologue, long before this point.  It’s a male-oriented pulp thing:  the (female-oriented) romance pulps would have had more foreshadowing of the romantic theme.   (This story has some:  note the prior hand-holding and Marable’s obviously-protective command to Betty to stay clear of the museum).

Would this love really work out? 

Sure, why not?  They’ve known each other for years as colleagues and friends:  she probably liked him all along and was hoping he’d express interest, as Betty implies at the end.







COMMENTS

This is an exciting monster story, better than average for the period, and utterly-enjoyable when one engages in the necessary willing suspension of disbelief.

One reason I liked the story was Betty Young.  To begin with, she’s actually the point of view character – did you notice that we get to see her dreams and that the final suspense is created because she faints (probably a combination of the concussion she gets from the creature’s tail-whip and from its noxious black fog) before it’s obvious whether or not Marable will win.  This is strict third person limited narration:  we don’t get to hear anyone’s thoughts but hers and we don’t get to see any scene which she cannot personally witness.

I emphasize her excuse for fainting here because she’s not by any means a helpless heroine.   She is one of the first people to realize that there’s a monster in the amber block; she responds to the confirmation of this by (against direct orders!) grabbing a gun and rushing in after her beloved, and she takes several measures which aid the protagonists’ victory, namely:

(1) – insisting that Marable arm himself, which allows him to first wound and slow the creature.
(2) – opening the window, thus diluting the choking and obscuring black fog, and finally
(3) – finding the axe which Marable uses to finish-off the creature.

It’s safe to say that if Betty hadn’t gone in after Marable, the hero probably would have perished.  Thus Betty is not only the point-of-view character, but her actions directly achieve her goals in the story – the creature is slain, her friend Rooney avenged and the life of her beloved saved.  Oh, and she gets the guy at the end, too!

This is quite atypical in Interwar Era science-fiction.  Edgar Rice Burroughs was one of those who routinely did have strong female characters (even when the focus was on the male leads), which is why we remember Jane Porter and Dejah Thoris today.  Most writers just had cute living dolls for the bad guys to menace and give the hero a chance to be heroic.

The basic plot is fairly standard.  Sealed Evil (or at least Danger, the creature in this tale is just an animal) in a Can is found and unsealed, monster escapes, protagonists risk their lives trying to put it down.  This is also the fundamental structure of (say) John W. Campbell’s “Who Goes There?”, and many less famous works.

The premise (prehistoric beast preserved alive in amber, escapes to menace heroes) is similar to Jurassic Park (though Science Marches On, and Crichton has his scientists resurrect his beasts from preserved DNA rather than finding them alive).  The setting is similar to that of Relic (1995) by Douglas Preston and Lincoln Child, in that the creature is attacking people in a large natural history museum.

It’s kind of strange that Curry is so coy about the age of the creature.  Given the parts he gets right, it’s difficult to imagine Curry as a Creationist:  there’s a total lack of pontificating, for instance, about Antediluvian monsters which God never meant to live in the modern world.  Yet there is that recurrent “thousands of years,” which is very strange given that Tom Curry was born in 1900 and even late-19th century books would have measured the time in millions of years.  Was he convinced by Lord Kelvin’s 1863 calculation which argued that the Earth was no more than 100 million years old?  Even Kelvin, though, would have placed the Permian at more than “thousands” of years ago.

It’s possible (given that the Scopes Monkey Trial was just half a decade past) that someone (author or editor) was afraid of controversy on this issue.  But this seems odd given that this was published in a New York based science-fiction magazine – neither Curry nor Gold had to teach in the Tennessee public school system!  Writer, editor, and readers would have known better.

Curry certainly understood biochemistry well enough that he realized the need for at least some handwaving as to the creature’s survival in the amber.

Through hibernation and perhaps a preservative drug it emitted in the black fluid, this creature has been able to survive its long imprisonment.

The creature itself is quite imaginatively conceived.  It is not a typical modern reptile or even basal lizard:  in particular it exudes an obscuring and slightly-toxic gas, has a tentacular appendage and a sucker mouth with a single fang which it uses to drink blood.  The nice thing about this is that all its strangenesses are matters of biochemistry and soft tissues:  precisely the sort of things which do not well fossilize.  It’s improbable, but possible, that some Late Permian reptiles had all these characteristics.  It would have been easy for Curry to make it just a Big Dumb Lizard, and Curry is to be commended for his creativity.

All in all, a story well worth reading, and one I was happy to be able to anthologize!

END.