Showing posts with label 1931. Show all posts
Showing posts with label 1931. Show all posts

Saturday, October 26, 2013

"Spawn of the Comet" (1931) by Harold Thompson Rich, with Notes and Comments


"Spawn of the Comet"

© 1931

by

Harold Thompson Rich  


Tokyo, June 10 (AP).—A number of the meteors that pelted Japan last night, as the earth passed through the tail of the Mystery Comet have been found and are puzzling astronomers everywhere.

About the size of baseballs, orange in color, they appear to be of some unknown metal. So far, due to their extreme hardness, all attempts to analyze them have failed.

Their uniformity of size and marking gives rise to the popular belief that they are seeds, and, fantastic though this conception  is, it finds support in certain scientific quarters here.

Jim Carter read the news dispatch thoughtfully and handed it back to his chief without comment.

“Well, what do you make of it?”

Miles Overton, city editor of The New York Press, shoved his green eye-shade far back on his bald head and glanced up irritably from his littered desk.

“I don’t know,” said Jim.

“You don’t know!” Overton snorted, biting his dead cigar impatiently. “And I suppose you don’t know they’re finding the damn things right here in New York, not to mention Chicago, London, Rio and a few other places,” he added.

“Yes, I know about New York. It’s a regular egg hunt.”

“Egg hunt is right! But why tell me all this now? I didn’t see any mention of ’em in your report of last night’s proceedings. Did you see any?”

“No, but I saw a lot of shooting stars!” said Jim, recalling that weird experience he and the rest of humanity had passed through so recently.

“Yeah, I’ll say!” Overton lit his wrecked cigar and dragged on it soothingly. “Now then, getting back to cases—what are these damn things, anyway? That’s what I’d like to know.”

“So would I,” said Jim. “Maybe they are seeds?”

Overton frowned. He was a solid man, not given to fancies. He had a paper to get out every day and that taxed his imagination to the limit. There was no gray matter left for any such idle musings as Jim suggested. What he wanted was facts, and he wanted them right away.

“Eggs will do!” he said. “Go out and get one—and find out what’s inside it.”

“Okay, Chief,” said Jim, but he knew it was a large order. “I’ll have one on your desk for breakfast!”

Then, with a grave face that denied his light words, he stepped from the city room on that fantastic assignment.

It was the television broadcast hour and crowds thronged the upper level of Radio Plaza, gazing, intently at the bulletin screen (1), as Jim Carter emerged from the Press tower.

News from the ends of the earth, in audio-picture form, flashed before their view; but only the reports on the strange meteors from the tail of 1947 (2), IV—so designated by astronomers because it was the fourth comet discovered that year—held their interest. Nothing since the great Antarctic gold rush of ’33 had so gripped the public as the dramatic arrival and startling behavior of this mysterious visitant from outer space.
Jim paused a moment, halfway across the Plaza, to take a look at the screen himself.

The substance of the Tokyo dispatch, supplemented by pictures of Japanese scientists working over the baffling orange spheres, had just gone off. Now came a flash from Berlin, in which a celebrated German chemist (3) was seen directing an effort to cut into one of them with an acid drill. It failed and the scientist turned to declare to the world that the substance seemed more like crystal than metal and was harder than diamond (4).

Jim tarried no longer. He knew where he was going. It was still early and Joan would be up—Joan Wentworth, daughter of Professor Stephen Wentworth (5), who held the chair of astro-lithology (6) at Hartford University. It was as their guest at the observatory last night that he had seen 1947, IV at close range,  as the earth passed through her golden train with that awesome, unparalleled display of fireworks.

Now he’d have the pleasure of seeing Joan again, and at the same time get the low-down from her father on those confounded seeds—or eggs, rather. If anyone could crack one of them, he’d bet Professor Wentworth could.

So, hastening toward the base of Plaza Airport, he took an elevator to ramp-level 118, where his auto-plane was parked, and five minutes later was winging his way to Hartford (7).

Throttle wide, Jim did the eighty miles to the Connecticut capital in a quarter of an hour.

Then, banking down through the warm June night onto the University landing field, he retracted the wings of his swift little bus and motored to the foot of Observatory Hill.

Parking outside the Wentworth home, he mounted the steps and rang the bell.

It was answered by a slim, appealing girl of perhaps twenty-two. Hers was a wistful, oval face, with a small, upturned nose; and her clear hazel eyes were the sort that always seem to be enjoying some amusing secret of their own. Her hair was a soft brown, worn loose to the shoulders, after the style then in vogue.

“Joan!” blurted Jim.

“What brings you here at such an hour, Jimmy Carter? (8)” she asked with mock severity.

“You!”

“I don’t believe you.”

“What then have I come for?”

“You’ve come to interview father about those meteorites.”

“Nonsense! That’s purely incidental—a mere by-product, you might say.”

“Yes, you might—but I wouldn’t advise you to say it to father.”

“All right, I won’t,” he promised, as she led him into the library.

Professor Wentworth rose as they entered and laid aside some scientific book he had been reading.

A man of medium height and build, he had the same twinkling hazel eyes as his daughter, though somewhat dimmed from peering at too many stars for too many years.

“Good evening, Jim,” he said. “I’ve rather been expecting you. What is on your mind?”

“Seeds! Eggs! Baseballs!” was the reply, “I don’t know what. You’ve seen the latest television reports, I suppose?” said Jim, noting that the panel on the receiving cabinet across the room was still lit.

“I’ve seen some of them. Joan has been keeping an eye on the screen mostly, however, while I refreshed my mind on the known chemistry of meteorites. You see, I have a few of those eggs myself, up at the observatory.”

“You have?” cried Jim.

He was certainly on the right track!

“Yes. One of my assistants brought them in this afternoon. Would you like to see them?”

“I’ll say I would!”

“I rather thought you might,” the professor smiled. “Come along, then.”

And as Jim turned, he shot a look at Joan, and added:

“You may come too, my dear, if you want.”

They went out and up the hill to where the great white dome glistened under the stars, and once inside, Jim Carter of The New York Press was privileged to see two of those strange objects that had turned the world topsy-turvy.

As the Tokyo dispatch and the Berlin television flash had indicated, they were orange in color, about the size of baseballs.

 “Weird looking eggs, all right!” said Jim. “What are they made of, anyway?”

“Some element unknown on earth,” replied Professor Wentworth.

“But I thought there were only ninety-two elements in the universe and we’d discovered them all.”

“So we have. But don’t forget this. We are still trying to split the atom, which nature has done many times and will doubtless do many times again. It is merely a matter of altering the valence of the atoms in an old element ; whereupon it shifts its position in the periodic scale and becomes a new element (9). Nature accomplishes this alchemy by means of great heat, which is certainly to be found in a meteor.” (10)

“Particularly when it hits the earth’s atmosphere!” (11)

“Yes. And now then, I’d like to have you examine more closely this pair I have here.”

Jim lifted one and noted its peculiar smoothness, its remarkable weight for its size; he noted, too, that it was veined with concentric markings, like a series of arabesques or fleurs-de-lis.

The professor lifted the other, calling attention to the fact that the size and marking of both were identical, as hitherto reported.

“Also, you’ll observe that they are slightly warm. In fact, they are appreciably warmer than when they were first brought in. Curious behavior, this, for new-laid cometary eggs! More like seeds germinating than meteorites cooling, wouldn’t you say?” (12)

“But good Lord!” Jim was somewhat taken aback to hear this celebrated scientist apparently commit himself to that wild view. “You don’t really think they’re seeds, do you?”

“Why not?”

“But surely no seeds could survive the temperature they hit getting here.”

“No seeds such as we know, true. But what, after all, do we know of the types of life to be found on other planets?” (13)

“Nothing, of course. Only these didn’t come from a planet. They came from a comet.”

“And who can say a comet is not a disintegrated planet? Or suppose we take the other theory, that it is an eruption from some sun, ours or another (14). In any event, who can say no life can survive intense heat? Certainly these seeds—or call them meteorites, if you choose—came through the ordeal curiously unscathed.”

“Yes, that’s true. Funny, too!”

“And another thing is true, Jim. If by chance they should be seeds, and should germinate, the life they would produce would be something quite alien to our experience, possibly quite inimical to—”

Professor Wentworth broke off abruptly as a startled cry came from Joan, and, turning, they saw her standing with eyes fixed in fascinated horror on the laboratory table.

Following her gaze, Jim saw something that caused his own eyes to bulge. The color of those mysterious orange spheres had suddenly, ominously heightened. They lay glowing there like balls of fire.

“Good God!” he gasped. “Look, Professor! Do you see that?”

Professor Wentworth did not answer but himself stood gazing spellbound at the astounding scene.

Even as they looked, the metal table smoldered under the fiery meteorites and melted, and in a little while the meteorites themselves sizzled from view. Flames licked up from the floor; dense, suffocating fumes rose and swirled through the laboratory (15).

 “Quick!” cried Jim, seizing Joan’s arm. “Come on, Professor! Never mind trying to save anything. Let’s get out of here!”

They staggered from the laboratory and once outside, plunged down the hill. It was none too soon.

Behind them, as they fled, came suddenly two deafening explosions. Looking back, they saw the roof of the observatory tilt crazily; saw the whole building shatter, and erupt like a volcano.

But that, startling though it was, was not all they saw. For now, as they stood there speechless, two incredible forms rose phoenix-like from the flames—two weird monsters, orange against the red, hideous, nightmarish. They saw them hover a moment above that fiery hell, then rise on batlike wings to swoop off into the night.

Nor was that all. As the awed trio stood there halfway down Observatory Hill, following the flight of that pair of demons, other explosions reached their ears, and, turning to the city below, they saw vivid jets of red leap up here and there, saw other orange wings against the night.

While off across the southeast sky, receding fast, spread the Mystery Comet whose tail had sowed the seeds of this strange life.

Still silent, the trio stood gazing upon that appalling scene for some minutes, while the ruddy shadows of the flaming observatory lit their tense faces.

“Well, the seeds have hatched,” said Professor Wentworth at length, in a strained voice. “I am afraid some of the curious who have been gathering those meteorites so eagerly have paid a dear price for them.”

“Yes, I’m afraid so,” echoed Jim. “We were lucky. If Joan hadn’t happened to spot those things just when she did—” He broke off and pressed her hand fondly. “But somehow I can’t believe it, even yet. What do you think the things are, Professor?”

“God knows! As I told you, those seeds, should they germinate, would produce something quite alien to our experience; and as I feared, it is a form of life that will not blend well with humanity.”

Jim shuddered.

“But look, father!” exclaimed Joan. “They’re flying away! They seem to be way up among the stars. Maybe they’ve left the earth altogether.”

Professor Wentworth following his daughter’s gaze, saw that many of the monsters were now mere orange pinpoints against the night.

“Let us hope so!” he said fervently.

But in his heart there was no conviction, nor in Jim’s, strangely.

On the way back to New York, Jim had plenty to heighten his uneasiness. The scene below him everywhere was red with conflagrations, the sky everywhere orange with the wings of those fiery moths.

More than one swept perilously close, as he pushed his auto-plane on at top speed; but they showed no inclination to attack, for which he was devoutly thankful.

Over the metropolitan area, the scene was one beggaring description. All the five boroughs were a blazing checker-board. New Jersey, Connecticut, Westchester—all were raging. Hundreds of those deadly bombs must have burst in Manhattan alone.

But the fire department there seemed to have the situation in hand, he noticed as he swept down onto the Plaza landing platform.

Leaving his plane with an attendant, he took the first elevator to the street level, and crossing  hastily to the Press tower, mounted to the city room.

There absolute pandemonium raged. Typewriters were sputtering, telegraph keys clicking, phones buzzing, reporters coming and going in a steady stream, mingled with the frantic orders of editors, sub-editors, copy readers, composing-room men and others.

Carter fought through the bedlam to the city editor’s desk.

“Sorry I couldn’t bring you that egg, Chief,” he said, with a grim smile. “I had one right in my hand, but it hatched out on me.”

Overton looked up wearily. He was a man who had seen a miracle, a godless miracle that restored his faith in the devil.

“Don’t talk—just write!” he growled. “I’ve seen and heard too much to-night. We’re all going to hell, I guess—unless we’re already there.”

But Jim wasn’t ready to write yet.

“What’s the dope elsewhere? The same?”

“All over the map! We’re frying, from coast to coast.”

“And abroad?”

“Cooked, everywhere!” (16) He paused, and turned an imploring face to Jim. “Tell me, Carter—what’s happening? You’ve seen Wentworth, I suppose. What’s he make of it?”

“He—doesn’t know.”

“God help us! Well, go write your story. If we’ve got a plant by press time, we’ll have something on page one to-morrow—if there’s anyone to read it.”

By morning the fires in the metropolitan area had been brought under control and it was found that neither the loss of life nor the damage was as great as had at first been feared. Mainly it was the older types of buildings that had suffered the most.

The same thing was true in other parts of the country and elsewhere in the world; and elsewhere, as in New York, people pulled themselves together, cleared up the debris, and went ahead with their occupations. Business was resumed, and rebuilding operations were begun (17).

Meanwhile, where were those fiery moths that had sprung so devastatingly from their strange cocoons?

For a while no one knew and it was believed they had indeed winged off into interstellar space, as Joan had suggested that night on Observatory Hill.

Then came rumors that damped these hopes, followed by eye-witness reports that altogether dashed them. The bat-like monsters had flown, not off into space, but to the world’s waste-lands.

Strange, it was, the instinct that had led them unerringly to the remotest point of each continent. In North America it was the great Arizona desert, in South America the pampas of Argentina, in Europe the steppes of Russia, in Asia the Desert of Gobi, in Africa the Sahara, in Australia the Victoria; while in the British Isles, Philippines, New Zealand, Madagascar, Iceland, the East Indies, West Indies, South Seas and other islands of the world, the interiors were taken over by the demons, the populace fleeing for their lives (18).

As for the oceans, no one knew exactly what had happened there, though it was obvious they, too, had received their share of the bombardment on that fateful night; but, while temperatures were found to be somewhat above normal, scientists were of the opinion that the deadly spawn that had fallen there had failed to incubate.

Immediately the presence of the monsters in the Arizona desert was verified, Overton called Jim Carter to his desk.

 “Well, I’ve got a big assignment for you, boy,” he said, rather more gently than was his fashion. “Maybe you know what, huh?”

“You want me to buzz out and interview those birds?” (19)

“You guessed it. And photograph ’em!”

“Okay, Chief,” said Carter, though he knew this would be the toughest job yet.

Overton knew it, too.

“It won’t be easy,” he said. “And it may be dangerous. You don’t have to take the assignment unless you want.”

“But I want.”

“Good! I thought you would.” He regarded the younger man admiringly, almost enviously. “Now, about those photos. The Television News people haven’t been able to get a thing, nor the War Department—not so much as a still. So those photos will be valuable.”

Overton paused, to let that sink in.

“They’ll be worth a million, in fact, in addition to what the War Department offers. And to you they’ll be worth ten thousand dollars.”

“How come?”

“Because that’s what the Old Man said.”

“Well, I can use it!” said Jim, thinking of Joan.

“All right. Then go to it!”

Leaving New York late that night, Carter timed his flight to arrive over the eastern edge of the desert just before dawn.

The trip was uneventful till he crossed the Rockies over New Mexico and eased down into Arizona. Then, flying low and fast, he suddenly caught a glow of color off ahead.

For an instant Jim thought it was the dawn, then called himself a fool. For one thing, the glow was in the west, not the east. And for another, altogether more significant, it was orange.

His quarry!

Pulling his stick back hard, he shot like a rocket to ten thousand feet, figuring that a higher altitude, besides giving him a better view of the lay of the land, would be considerably safer.

Winging on now at that height, he saw the orange tide rise higher in the west by seconds, as he rushed toward God knew what eery lair. He suddenly gasped in amazement, as he saw now something so incredible it left him numb.

Below, looming above the on-rushing horizon was a city! But such a city as the brain of man could scarcely conceive, much less execute—a city of some fluorescent orange material, rising tier on tier, level on level, spreading out over the sandy floor of the desert for miles.

And, as Jim draw nearer, he saw, too, that this weird city was teeming with life—terrible life! Thousands of those hideous monsters were working there like an army of ants in a sand-hill—a sand-hill of glistening, molten glass, it seemed from the air.

Were they building their city from the sand of the desert, these hellish glaciers?

Carter decided to find out.

“Well, here goes!” he muttered, diving straight for that dazzling citadel, one hand on the stick, the other gripping the trigger of his automatic camera. “This’ll make a picture for the Old Man, all right!”

Off to the east the dawn was breaking, and he saw, as he swept down, its pearly pastel shades blending weirdly with that blinding orange glare.

Pressing the trigger now, he drove his screaming plane on with throttle wide—and yes, it was glass!—glass of some sort, that crazy nightmare down there.

 “Whew!” gasped Carter as waves of dazing heat rose about him. “Boy, but it’s hot! I can’t stand much of this. Better get out while the getting’s good.”

But he clenched his teeth, and dove on down to see what those fiery demons looked like. Funny they didn’t make any effort to attack. Surely they must see him now.

“Take that, my beauties!—and that!” he gasped, pressing the trigger of his camera furiously.

Then, at a scant two thousand feet, he levelled off, his wings blistering with the heat, and zoomed up again—when to his horror, his engine faltered; died.

In that agonizing moment it came to Jim that this perhaps was why neither the Television News nor the War Department pilots had been able to get pictures of the hell below.

Had something about that daring heat killed their motors, too, as it had his? Had they plunged like fluttering, sizzling moths into that inferno of orange flame? (20)

“Well, I guess it’s curtains!” he muttered.

A glance at his altimeter showed a scant eighteen hundred now. Another glance showed the western boundary of the city, agonizing miles ahead. Could he make it? He’d try, anyway!

So, nursing his plane along in a shallow glide, Jim slipped down through that dazing heat.

“Got to keep her speed up!” he told himself, half deliriously, as he steadily lost altitude. “Can’t pancake here, or I’ll be a flapjack!”

At an altitude of less than a thousand he levelled off again, eased on down, fully expecting to feel his plane burst into flames. But though his eyebrows crisped and the gas must have boiled, the sturdy little plane made it.

On a long last glide, he put her wheels down on the sandy desert floor, a bare half mile beyond that searing hell.

The heat was still terrific but endurable now. He dared breathe deeper; he found his head clearing. But what was the good of it? It was only a respite. The monsters had seen him, all right—no doubt about that! Already they were swooping out of their weird citadel like a pack of furious hornets (21).

On they came, incredibly fast, moving in a wide half-circle that obviously was planned to envelop him.

Tense with horror, like a doomed man at the stake, Jim watched the flaming phalanx advance. And now he saw what they really were; saw that his first, fantastic guess had been right.

They were ants—or at least more like ants than anything on earth—great fiery termites ten feet long, hideous mandibles snapping like steel, hot from the forge, their huge compound eyes burning like greenish electric fire in their livid orange sockets (22).

And another thing Jim saw, something that explained why the fearful insects had not flown up to attack him in the air. Their wings were gone! (23)

They had molted, were earthbound now.

There was much food for thought in this, but no time to think. Already the creatures were almost on him.
Jim turned his gaze from them and bent over his dials in a last frantic effort to get his motor started. The instinct of self-preservation was dominant now—and to his joy, suddenly the powerful little engine began to hum with life.

He drew one deep breath of infinite relief, then gave her the gun and whirled off down the desert  floor, the enraged horde after him.

For agonizing instants it was a nip-and-tuck race. Then as he felt his wheels lift, he pulled hard back on his stick, and swept up and away from the deadly claws that clutched after him in vain.

Climbing swiftly, Jim banked once, swept back, put the bead full on that scattering half-circle of fiery termites, and pressed the trigger of his automatic camera.

“There, babies!” he laughed grimly. “You’re in the Rogues’ Gallery now!”

Then, swinging off to the northeast, he continued to climb, giving that weird ant-hill a wide berth.

Funny, about those things losing their wings, he was thinking now. Would they grow them again, or were they on the ground for good? And what was their game out there in the desert, anyway?

Questions Jim couldn’t answer, of course. Only time would tell. Meanwhile, he had some pictures that would make the Old Man sit up and take notice, not to mention the War Department.

“They’d better get the Army on the job before those babies get air-minded again!” he told himself, as he winged on into the rising sun. “Otherwise the show they’ve already staged may be only a little curtain-raiser.”
Jim’s arrival in the city room of The New York Press that afternoon was a triumphant one, for he had radio-phoned the story ahead and extras were out all over the metropolitan area, with relays flashing from the front pages of papers everywhere.

No sooner had he turned over his precious pictures to the photographic department for development than Overton rushed him to a microphone, and made him repeat his experience for the television screen.

But the city editor’s enthusiasm died when the negatives came out of the developer.

“There are your pictures!” he said, handing over a bunch of them.

Carter looked at them in dismay. They were all blank—just so much plain black celluloid.

“Over-exposed!” rasped Overton. “A hell of a photographer you are!”

“I sure am!” Jim agreed, still gazing ruefully at the ruined negatives. “Funny, though. The camera was checked before I started. I had the range before I pulled the trigger, every shot.” He paused, then added, as though reluctant to excuse himself: “It must have been the heat.”

“Yeah. I suppose so! Well, that was damn expensive heat for you, my lad. It cost you ten thousand bucks.”
“Yes, but—”

Jim had been going to say it had nearly cost him his life but thought better of it. Besides, an idea had come.

“Give me those negatives!” he said, “I’m going to find out what’s wrong with ’em.”

And since they were of no use to Overton, he gave them to Jim.

That night again, Jim Carter presented himself at the Wentworth home in Hartford, and again it was Joan who admitted him.

“Oh, Jimmy!” she murmured, as he took her in his arms. “We’re all so proud of you!”

“I’m glad someone is,” he said.

“But what a fearful risk you ran! If you hadn’t been able to get your motor started—”

“Why think of unpleasant things?” he said with a smile.

Then they went into the library, where Professor Wentworth added his congratulations.

“But I’m afraid I didn’t accomplish much,” said Jim, explaining about the pictures.

 “Let me see them,” said the professor.

Jim handed them over.

For a moment or two Professor Wentworth examined them intently, holding them this way and that.

“They indeed appear to be extremely over-exposed,” he admitted at length. “Your Fire Ants are doubtless radio-active to a high degree. The results could not have been much worse had you tried to photograph the sun direct.” (24)

“I thought as much,” said Carter, gloomily.

“But possibly the damage isn’t irreparable. Suppose we try re-developing a few of these negatives.”

He led the way to his study, which since the destruction of the observatory had been converted into a temporary laboratory.

Ten minutes later, Professor Wentworth had his re-developing bath ready in a porcelain basin and had plunged some of the negatives into it.

“This process is what photographers call intensification,” he explained. “It consists chemically in the oxidation of a part of the silver of which the image is composed. I have here in solution uranium nitrate, plus potassium ferricyanide acidified with acetic acid. The latter salt, in the presence of the acid, is an oxidizing agent, and, when applied to the image, produces silver oxide, which with the excess of acetic acid forms silver acetate.”

“Which is all so much Greek to me!” said Carter.

“At the same time, the ferricyanide is reduced to ferrocyanide,” the professor went on, with a smile at Joan, “whereupon insoluble red uranium ferrocyanide is produced, and, while some of the silver, in being oxidized by this process, is rendered soluble and removed from the negative into the solution, it is replaced by the highly non-actinic and insoluble uranium compound.” (26)

The process was one quite familiar to photographers experienced in astronomical work, he explained. In fifteen minutes they should know what results they were getting.

But when fifteen minutes passed and the negatives were still as black as ever, Jim’s hope waned.

Not so Professor Wentworth’s, however.

“There is a definite but slow reaction taking place,” he said after a careful examination. “Either the over-exposure is even greater than I had suspected, or the actinic rays from your interesting subjects have formed a stubborn chemical union with the silver of the image. In the latter event, which is the theory I am going to work on, we must speed up the reaction and tear some of that excess silver off, if we’re ever to see what is underneath.”

“But how are you going to speed up the reaction?” asked Jim. “I thought that uranium was pretty strong stuff by itself.”

“It is, but not as strong as this new substance we have in combination with the silver here. So I think I’ll try a little electrolysis—or, in plain English, electro-plating.”

As he spoke, the professor clipped a couple of platinum electrodes to the basin, one at each end. To the anode he attached one of the negatives, to the cathode a small piece of iron.

“Now then, we’ll soon see.”

He passed a low current into the wires, through a rheostat, with startling results. There was a sudden foaming of the solution and a weird vapor rose from it, luminous, milky, faintly orange.

For a moment, all they could do was stare.

Then Professor Wentworth switched off the current and stepped toward the tank. Waving away that  orange gas, he reached for the cathode and held it up. It was no longer iron, but silver, now.

“Plated, you see!” he exclaimed in triumph.

“Yes, but those fumes!” cried Jim. “Why, they were the same color as the—the Fire Ants, as you call them.”

“I know.” The professor was not as calm as he pretended. “We have released some of their actinic rays captured by the negative, in prying loose our excess silver (26). Later I shall repeat the process and capture some of that vapor for analysis. At present, let us have a look at the negative already treated.”

He lifted the anode from the solution now, removed the negative, and held it up. A smile of satisfaction broke over his face, followed by a shudder.

“There you are, Jim! Have a look!”

Jim looked, with Joan peering over his shoulder, and his pulses tingled. It was a clear shot of that scattering half-circle of fiery termites, taken after he got away and swept back over them.

“Say, that’s wonderful!” he exclaimed.

“Wonderful—but horrible!” echoed Joan.

“I’ll admit they’re not much on looks,” laughed Carter. “But their homely maps are worth a lot to me—ten thousand dollars, in fact!”

He told her why, and what he proposed to do with the money, and Joan thought it a very good idea.

While this was taking place, Professor Wentworth was re-developing the rest of the negatives.

At last all had been salvaged, even those taken in the terrific heat over that weird glass city out there, and Jim was preparing to bear them back to Overton in triumph.

He had thanked the kindly professor from the bottom of his heart, had even told him something of what he had been telling Joan. There remained but to put one last question, then go.

“Summing it all up, what do you make of those nightmares?” he asked. “Do you think they can be destroyed?”

Professor Wentworth did not reply at once.

“I can perhaps answer your question better when I have analyzed this specimen of gas,” he said at length, holding up a test-tube in which swirled a quantity of that luminous, milky orange vapor. “But if you wish to quote me for publication, you may say that when I have learned the nature of it, I shall devote all my energies to combating the menace it constitutes.”

And that was the message Jim took back with him, but it was the pictures that interested the practical Overton most.

Before many days, however, Overton, with the rest of the world, was turning anxiously to Professor Wentworth, watching his every move, awaiting his every word. For before many days terrible reports started coming in, not only from the Arizona desert but from the assembly grounds of the Fire Ants everywhere.

Those deadly termites were on the move! They were spreading from their central citadels in ominous, expanding circles—circles that engulfed villages, towns and cities in a swift, relentless ring of annihilation that was fairly stupefying.

In North America, the cities of Phoenix, Tucson and Prescott, with all that lay between, were already gone, their frantic populaces fleeing to the four points of the compass before that fateful orange tide. In South America, Rosario and Cordoba were within the flaming  ring and Buenos Aires was threatened. In Europe, Moscow and its vast tributary plain had fallen before the invaders. In Asia, a veritable inland empire was theirs, reaching from Urga to the Khingan Mountains. In Africa, Southern Algeria and French Sudan, with their innumerable small villages and oases, were overrun. In Australia, Coolgardie had succumbed and Perth was in a panic (27).

But fearful though the destruction was on the continents, it was the islands of the world that suffered most (28). First the smallest, those picturesque green gems of the South Seas, crisped and perished. Then came reports of the doom of the Hawaiian group, the Philippines, the East and West Indies, New Zealand, Tasmania and a score of others, their populations perishing by the thousands, as shipping proved unavailable to transport them to safety.

By far the most tragic fate, however, was that suffered by the British Isles. What happened there stunned the world, and brought realization to humanity that unless some miracle intervened, it was but a mirror of the doom that awaited all. For England, Ireland and Scotland were habitable no more. London, Dublin, Glasgow—all their proud cities, all their peaceful hamlets, centuries old, were flaming ruins.

Out of a population, of some sixty millions, it was estimated that at least eight millions must have perished. The rest, by prodigious feats of transportation, managed to reach the mainland, where they spread as refugees throughout an apprehensive, demoralized Europe.

As for the armies and navies of the world, they were powerless before this fiendish invader. Hammered with high explosives, drenched with chemicals, sprayed with machine-gun ballets, the fiery termites surged on unchecked, in ever-widening circles of death.

Lead and steel passed through them harmlessly. Gas wafted off them like air. Despite the frantic efforts of scientists and military men, nothing could be devised to stem that all-devouring orange tide.

It was quite obvious by now, even to the most conservative minds, that the end of human life on earth was not far off. It could only be a few more weeks before the last stronghold fell. Daily, hourly, those deadly Fire Ants were everywhere expanding their fields of operations. Presently all humanity would be driven to the seacoasts, there to perish by fire or water, as they chose.

There were some optimists, of course, who believed that the miracle would happen—that Professor Wentworth or some other scientist would devise some means of repelling the invader before it was too late.

Young Jim Carter of The York Press was not among them, however, though he would have gambled it would be Professor Wentworth if anyone. For what hope was there that any mere man could figure out a weapon that would be effective against such a deadly, such a superhuman foe?

Very little, it seemed, and he grew less and less sanguine, as he continued his frenzied, sleepless work of reporting the unending catastrophes for his paper.

He often thought bitterly of that ten thousand dollars. A lot of good that would do him now!

As for Joan, she faced her fate with fortitude—fortitude and a supreme faith that her father would succeed in analyzing that sinister orange vapor and find the weapon the world waited for.

But agonizing days passed and he did not find it.

 Then at last, on the night of August 14th, when Los Angeles and San Francisco were smoldering infernos, along with Reno, Denver, Omaha, El Paso and a score of other great American cities; when Buenos Aires and Santiago were gone, Berlin and Peking and Cairo; when Australia was all one fiery hell—then it was that Professor Wentworth summoned Jim Carter to Hartford.

Hoping against hope, he hurried over.

Once again, Joan ushered him into the house. She was very pale and did not speak.

At her side stood her father. It was he who spoke.

“Good evening, Jim. You have come promptly.”

His voice was strained, his face grave. He had aged greatly in the past few weeks.

“Well I’ll admit I clipped along. You’ve—found something?”

Professor Wentworth smiled wanly.

“Suppose you step into my study and see what I have found.”

He led the way toward the little makeshift laboratory that for many days and nights had been the scene of his efforts.

It was littered with strange devices now, strangest of all perhaps a huge glass tube like a cannon, mounted on some sort of swivel base.

Ignoring this for the moment, he turned to a smaller tube set upright on a table at the far end of the room. In it, glowed a sinister orange lump that made the whole tube fluorescent.

“Behold one of your monsters in captivity!” said the professor, again with a wan smile. “In miniature, of course. What I have done is to condense some of that vapor into a solid.”

The process, he explained, was similar to that employed by Madame Curie in obtaining metallic radium—electrolyzing a radium chloride solution with mercury as a cathode, then driving off the mercury by heat in a current of hydrogen—only he had used the new element instead of radium.

“Incidentally, I have learned that this new element is far more radioactive than radium and possesses many curious properties. Among them, it decomposes violently in water—particularly salt water—producing harmless hydrogen and chloride compounds. So we have nothing to fear from those seeds that fell in our oceans, lakes and rivers.” (28)

“Well, that’s something, anyway,” said Jim. “But have you found any way to combat the ones that have already hatched?”

“Before I answer that question,” Professor Wentworth replied, “I shall let you witness a little demonstration.”

He advanced to the cannon-like device at the other end of the room, swung it on its swivel till it was pointing directly at that fluorescent orange tube on the table.

“Watch closely!” he said, throwing a switch.

There was a sudden, whining hum in the air and the nib of the big tube glowed a soft, velvety green. Jim gazed at the scene with rapt attention.

“Don’t look at that one!” whispered Joan. “Look at the other!”

Jim did so, and saw that its fluorescence was waning.

A moment more the professor held the current on, while the tube grew white. Then he threw off the switch.

“Now let us have a look at our captive,” he said, striding over.

They followed, and one glance told Jim what had happened. That sinister lump of orange metal had vanished.
 
But where was it? That was what he wanted to know.

“A natural question, but not one easy to answer,” was Professor Wentworth’s reply. “I shall tell you what I have done; then you may judge for yourself.”

The cannon-like device which had accompanied the seeming miracle was an adaptation of the cathode tube, whose rays are identical with the beta rays of the atom and consist of a stream of negatively charged particles moving at the velocity of light—186,000 miles a second. These rays, in theory, have the power to combine with the positively charged alpha rays of the atom and drag them from their electrons, causing them to discharge their full quanta of energy at once, in the form of complete disintegration—and it was this theory the professor had acted on (30).

“But, good Lord—that’s splitting the atom!” exclaimed Jim. “You don’t mean to say you’ve done that?”

“I apparently have,” was the grave admission. “But do not let it seem such a miracle. Bear in mind, as I have pointed out before, that nature has accomplished this alchemy many times. All radio-active elements are evidences of it. The feat consists merely in altering the valence of the atom, changing its electric charge, in other words. What I have done in the present instance is merely to speed up a process nature already had under way, inasmuch as we are dealing with a radio-active substance.”

“But what has happened to the by-product of the reaction?”

“Your guess is as good as mine. I have not had time to study that phase of it. Heat, mainly, was produced. Possibly a few atoms of helium. But the substance is gone. That is our chief concern just now.” (31)

It was only after abandoning chemical means and turning to physics that he had met with success, he said. Cathode rays had finally proved the key to the riddle.

“But do you think this thing will work on a big scale?” asked Jim regarding that fragile tube doubtfully.

Professor Wentworth hesitated before replying.

“I do not know,” he admitted, “but I intend to find out—to-night.”

Jim looked at him in amazement. “To-night?”

“Yes. Or rather, the experiment will be at dawn. If successful, this continent at least will be rid of the menace.”

Jim’s amazement turned to incredulity and a sudden fear gripped him. Had the strain of the past few weeks unbalanced the professor’s mind?

“But surely you can’t hope to wipe them out with one tube. Why, it would take hundreds.”

“No, only one. You see, I am going to place the tube in the center of the circle and direct its rays outward toward the circumference in a swinging radius.”

Whereupon, for a moment, Jim’s fear seemed confirmed.

“But, good God!” he exclaimed. “It couldn’t possibly be that powerful, could it?”

“I think it can be made to be,” was Professor Wentworth’s grave assurance. “The greatest power we know in the universe is radiant energy, which reaches us from the sun and the stars, traveling at the speed of light.”

“Like light rays, these heat rays can be focused, directed; and the beta rays of the cathode, traveling at the same velocity, can be made to ride these rays of radiant heat much as electric power rides radio waves. The giant, in short, can be made, to carry the dwarf, with his deadly little weapon. That, at least, is the theory I am acting on.” (32)

This somewhat allayed Jim’s fears—fears  that vanished when the professor went on to explain somewhat the working of his mechanism.

“But how are you going to get the thing out there?” he asked, picturing with a shudder the center of the flaming hell.

“I imagine the War Department will provide me with a volunteer plane and pilot for the purpose,” was the calm reply.

“And you will go?”

“Yes, I will go.”

Jim debated, but not for long.

“Well, you needn’t trouble the War Department. Here’s your volunteer pilot! The plane’s outside. When do we start?”

“But, my dear young man!” objected the professor. “I cannot permit you to make this sacrifice. It is suicide, sheer suicide.” (33)

“Is my life any more precious than yours, or that of some volunteer Army pilot?” Jim asked him.

“But there is Joan. If I fail—she must depend on you.”

“If you fail, Professor, Joan won’t need me or anyone, for long. No, I go. So let’s chuck the argument and get ready.”

“Oh, Jimmy!” sobbed Joan. “Jimmy!”

But her eyes, as they met his mistily, were lit with a proud splendor.

Two hours later, Jim Carter’s little auto-plane lifted into the night, and, with that precious tube mounted above the cabin, winged swiftly westward.
As on his former foray into that fiery realm, Jimmy timed his flight to arrive over the eastern edge of the Arizona desert just before dawn. Somewhere in that great sandy waste, they felt, there would be a place to set the plane down and get the ray going.

Professor Wentworth had broadcast the particulars of his tube to his scientific colleagues wherever humanity still remained, and the eyes of the world were on this flight. If successful, swift planes would bear similar tubes to the centers of the devastated regions elsewhere, and sweep outward with their deadly rays. The earth would be rid of this fiery invader. If it were not successful….

Jim preferred not to think of that, as he drove on into the night.

Crossing the Missouri River at dark and deserted Kansas City, they soon saw the eastern arc of that deadly orange circle loom on the horizon. To get over it safely, Jim rose to twenty thousand feet, but even there the heat, as they sped across the frontier into enemy territory, was terrific.

Anxiously he watched his revs and prayed for his motor to hold up. If it stopped now, they were cooked!

The sturdy engine purred on with scarcely a flutter, however, and soon they were behind the lines, in a region pitted with the smoldering fires of towns and cities.

It made them shudder, it presented such an appalling panorama of ruin. But at the same time, it strengthened their hope. For very few flares of orange gleamed now among the red. The main forces of the invader were at the front. That meant there should be a safe place to land somewhere.

An hour later, some miles beyond that weird glass citadel that had been their objective, they found a wide stretch of empty desert, and there Jim brought the little plane down to a faultless landing, just as dawn was lightening the east.

Stepping out, he drew a deep breath of relief. For had he crashed, or smashed that fragile tube, all would have been in vain.

“Well, here we are!” he exclaimed, grimly cheerful, as Professor  Wentworth stepped out after him. “Now let’s—”

Then he broke off, horrified, as he saw another figure follow the professor from the cabin.

“Joan!” he gasped.

“Present!” she replied.

“But, my daughter!” the professor’s voice broke in. “My dear child!” A sob shook him. “Why, why, this is—”

“Please don’t let’s talk about it!” she begged, giving his arm a little pat. “I’m here and it can’t be helped now. I was only afraid you’d find me before it was too late and take me back.”

Then, edging over to Jim and slipping her arm in his, she murmured:

“Oh, my dear! Don’t you see I couldn’t stay behind? I had to be with you at the end, Jimmy, if—” (34)

“It won’t be!” he cried, pressing her cold hand. “It can’t be!”

Then he turned to give his attention to her father, who had already mounted to the cockpit and was working absorbedly over his mechanism in the pale light of the coming day.

Any moment, Jim knew, those flaming termites might discover them, and come swooping down. With keen eyes he scanned the horizon. No sign of them yet.

“How are you up there?” he called.

“About ready,” was the reply. “But I shall want more light than this for my mirrors.”

Tensely, counting the seconds, they waited for the sunrise….

And now, as they waited, suddenly a sinister tinge of orange suffused the rosy hues of the east.

“The Fire Ants!” cried Joan, shrinking. “They’ve seen us! They’re coming!”

It was true, Jim saw with a heavy heart.

Turning to Professor Wentworth, he gasped out:

“Quick! We’ve got to do something! You’ve no idea how fast they move!”

“Very well.” The professor’s voice was strangely calm. “You may start your motor. I shall do what I can. Though if we only had the sun—”

Jim leaped for the cabin.

A touch of the starter and the powerful engine came in. Braking his wheels hard, to hold the plane on the ground, he advanced the throttle as much as he dared, and sent a high-tension current surging through the wires the professor had connected with his tube above (35).

Soon came that high, whining hum they had heard in the laboratory—a thousand times magnified now—and the nib of the big tube glowed a livid, eery green in the lemon dawn.

“Joan!” called her father sharply. “Get in the cabin with Jim!”

She did so, her eyes still fixed in horrified fascination on the eastern horizon; and in that tense instant, she saw two things. First, a great orange arc of fiery termites, bearing down on them; and second, another arc, far greater—the vast saffron rim of the rising sun.

Those two things Joan saw—and so did Jim—as their eardrums almost burst with the stupendous vibration that came from the gun in the cockpit. Then they saw a third, something that left them mute with awe.

As Professor Wentworth swung his cannon ray upon that advancing horde, it melted, vanished, leaving only the clear yellow of the morning sunlight before their bewildered eyes.

But the professor did not cease. For five minutes—ten, fifteen—he swung that mighty ray around, stepping up its power, lengthening  its range, as it reached its invisible, annihilating arm farther and farther out….

Meanwhile Jim was radio-phoning frantically. The air seemed strangely full of static.

At last he got Overton of The New York Press.

“Carter speaking, out in Arizona,” he said. “Getting any reports on the ray?”

And back came the tremendous news:

“Results! Man, the world’s crazy! They’re gone—everywhere! Tell the professor to lay off, before he sends us scooting too.”

“Right!” said Jim, cutting his motor. “More later!”

And to Professor Wentworth he called:

“All right, that’s enough! That ray was stronger than you knew!”

But there came no answer, and mounting to the wing-tip, Joan following, Jim saw a sight that froze him with horror. They beheld the professor, slumped against the tube, his whole body glowing a pale, fluorescent green (36).

“Father!” screamed Joan, rushing to his side. “Oh, Father!”

The man stirred, motioned her away, gasped weakly:

“Do not touch me, child—until the luminosity goes. I am highly radio-active (37). I had no time to—insulate the tube. No time to find out how. Had to—hurry—”

His voice waned off and they knew he was dead. The two stood there stunned by the realization of his great sacrifice.

He and Joan had set forth on this venture knowing they stood at least a chance, thought Jim, but Professor Wentworth had known from the start that it was sure death for him.

The sun stood out above the eastern horizon like a huge gold coin, bright with the promise of life to spend, when Jim and Joan took off at last for the return home; but the radiance of the morning was dimmed by the knowledge of the tragic burden they bore.

For some moments, as they winged on, both were silent.

“Look!” said Jim at length. “Look ahead, Joan!”

She looked, brightened somewhat.

“Yes, I see.”

And after a moment, lifting her hazel eyes to his, she said. “Oh, Jimmy, I’m sure it means happiness for us.”

“Yes, I’m sure!”

She stirred, moved closer.

“Jimmy, you—you’re all I have now.”

He made no reply, save to press her trembling hand. But it was enough.

Silently, understandingly, they winged onward into the morning light.

END.

======
NOTES
======

(1) - In the Interwar Era, it was generally assumed that near-future television would be broadcast to central locations such as large public screens, rather than to privately-owned television sets.  This was because TV was expensive experimental technology at this time, and most writers could not predict how rapidly the price would drop.  They also tended to assume that it would broadcast mostly public-interest news programs to be delivered to public squares, rather than light entertainment intended for home viewing.  One can see an example of these assumptions in action in the "2040" segment of Things to Come (1936), in which the citizens of Everytown assemble in the main town square to listen to Theotocopulos' exhortations to destroy the Space Gun.

(2) - Sixteen years in the future from the time of publication (1931).

(3) - From the mid-19th century through the end of World War II, Germany was a world leader in the development of chemistry.  This would end, of course, with the combination of Hitler driving the Jews out of German academic life and the immense damage to men and materiel caused by World War II.  In 1931, there was no way for any writer to reasonably predict these insane acts of German self-destruction:  Hitler himself would not come to power until 1933.  Hence, the writer almost certainly assumes that Germany has not fought any European wars between 1931 and 1947, and is thus still a major scientific Power.

(4) - Diamond was the hardest substance known then and the hardest naturally-occurring substance known now (some artificially-produed nanomaterials are harder).  However it is brittle, and hence not very tough.  In normal parlance, hardness and toughness are usually-conflated, but they are actually contradictory properties (which is why composites make the best armors).  This mistake is made in much modern science fiction, let alone that of the Interwar Era.

(5) - That's right, she's the Scientist's Beautiful Daughter.  Nobody claimed this story wasn't traditional.

(6) - "Astro-lithology" is an old term for what we now call "meteorics," or the geology of meteors and meteorites.

(7) - Two quick assumptions here.  The first, that over the next sixteen years people would keep building higher and higher buildings, and the second that not only would private airplanes become common but STOL ones capable of being flown off the roofs of skyscrapers.

The first was aborted by the Great Depression, World War II and the development of suburbia.  At the start of 1931 the tallest building in both New York City and the world was the Chrysler Building (1046 feet high, 77 above-ground floors).  The Empire State Building (1454 feet high, 102 above-ground floors) was already under construction, and would be finished on the spring of that same year.  However, the poverty of the Depression followed by the need to fight World War II and then the Korean War stopped further development of very tall buildings.  After WWII and Korea the universal availability of automobiles and growth of suburbia limited the demand for central-city floorspace, slowing the construction of the tallest skyscrapers.  In any case, the Empire State Building was very near the limitations of the architecture and materials science of the mid-20th century.

The assumption that small private STOL planes, or aircars, would become widely available and operated from the roofs of downtown skyscrapers was understandable in 1931.  Considering how far airplanes had progressed in the last 16 years -- from 1915 -- to 1931, it seemed reasonable that they would progress equally-far in the next 16 years -- to 1947.

And they did.  Mostly in the directions of greater engine power, resulting in bigger and faster airplanes with longer ranges and higher ceilings.  However, the avionics of the 1930's and 1940's never got to the point where it would have been safe for most people to operate them right over urban cores.  Nor do we see anything in the design of Jim's plane to explain why this should be possible.

The limitation of avionics technologies was the main reason why private airplanes never became as widely owned as private automobiles.  We are just now developing control systems sufficiently intelligent to allow safe operation by ordinary drivers.  Underestimation of the safety hazards of mass aircraft operation was the main mistake science fiction made with regard to the spread of airplane ownership, and it is the reason why improved avionics will be key to the eventual development of aircars.

(8) - It was not until I got to this point that I realized the informal version of the hero's name.  That Jimmy Carter was around 6-7 years old in 1931, and in our time line was a junior US naval officer in 1947.

(9) - Oh, simply "a matter of altering the valence?"  Do tell.

Actually, what one has to alter is the nuclear strucutre of the atom, which  may or may not incidentally alter the valence of the atom as a side effect.  Rich is here confusing nuclear with chemical processes, which is maybe forgivable because at this point in history the nuclear atomic model was still new to physics, and not all of its implications had yet been worked out.

(10) - Nature actually "accomplishes this alchemy" by means of bombardment of the nucleus with neutrons or gamma rays.  While it is true that sufficiently "great heat" would also do the trick (because it would produce light in the form of gamma rays and shake apart atomic nuclei), the heat required would be more on the order of the heart of a good-sized star, and to do it on a really large scale would require something more like a detonating supernova.  But again, this wasn't well-understood in the early 1930's.

(11) - Nope.  That only produces heat of at most a few thousand degrees Centigrade on any large scale:  we'd need many millions (and preferably billions) of degrees Centrigrade to do what the Professor wants.  If a meteor managed to do this one would notice it not so much as a meteor but as a rather large nuclear explosion in the upper atmosphere, producing damage to the ground below which would dwarf that of the Tunguska Event of 1908.

Nice try, though.

(12) - I know what's really going on here, but the obvious hypothesis for the Professor to form, based on the evidence so far would be some sort of non-biological chemical reaction.

(13) - Actually, the interior of a meteor can be quite cool.  This is because the meteor quickly slows to a terminal velocity of a few hundred miles an hour in the Earth's atmosphere:  there isn't time for the intense heat of atmospheric friction to be conducted from the leading edge, most of which melts or vaporizes and carries away that heat as it ablates.

H. P. Lovecraft handled the science much better in his similar story, "The Colour Out of Space" (1927).  But then, Lovecraft was an amateur astronomer.

(14) - We now know that comets are leftovers from the formation of solar systems.  In 1931, however, the dominant theory of solar system formation was the tidal model of James Jeans (stars pulled matter out of each other on close approaches which cooled to become planets) rather than the nebular hypothesis.

One possibility that the Professor is missing is that life might have evolved on cometary surfaces in deep space.  But in 1931 the notion of life independent of planetary (or at least lunar) surfaces would have been a very radical idea.

(15) - Given the assumed ability to survive temperatures that would reduce matter not merely to plasma but begin inducing actual nuclear changes in that plasma, having a metabolism whose waste heat is sufficient to melt or vaporize steel  is not implausible for the Comet Spawn.  The irony is that, in fact, comets are normally among the coldest naturally occurring objects in normal space in our Universe.  But then perhaps the Comet Spawn are dormant at very low temperatures, and quickened to life by high ones?  There are things almost as strange in actual Nature, though not (as far as we know) anything living in such a fashion.

(16) - I'm assuming that the eggs were relatively few and were gathered in major cities.  If they were, instead, distributed in very large numbers over the whole Earth, we'd be looking at a Mass Extinction Event here.  As it is, what Rich is describing would cause human death tolls in the tens of millions and the near-complete destruction of many major cities.  Such (literal) Inferred Holocausts were not uncommon in Interwar Era science fiction:  strangely, the authors often missed just how widespread they would really have been.  One thing that changed after World War II was that science fiction got a lot more explicit about such devastations, in part because the writers were well aware from the war itself what happens when one sets whole cities ablaze.

(17) - Rich has no excuse for his optimism here, as 1931 was just a quarter-century after the Great San Francisco Earthquake of 1906 (over a thousand dead) and less than a decade after the Great Kanto Earthquake of 1923 (over a hundred thousand dead), so he really should have known about firestorms and what one can do to an urban area.

(18) - And yet the Comet Spawn oddly failed to spark massive grass fires in these regions.  How convenient for the Earth!

(19) - Interview the Comet Spawn?  Are both Jim and his boss utterly insane?  (Though admittedly, they'd make hot copy.  *Rimshot*).

(20) - Oh, you mean did the engines overheat?  Yes, possibly.  Though my mind boggles at the thought of a whole squadron of US Army Air Force photo-reconnaissance planes all flying too close to the Comet Spawn and crashing due to engine failure, instead of trying to close the distance gingerly, one element or flight at a time.

Then again, equally dumb things have occasionally happened in the history of human aviation, as witness the fate of Flight 19 in December 1945, who all apparently got lost and kept on flying until they ran out of fuel and crashed either out at sea or in the Everglades (depending on which bearing one assumes they were on at the time).  Not one of the proudest moments for US Naval aviation!

(21) - And then there's that.  It's quite possible that the recon planes were actively intercepted.

(22) - It would require some awesomely parallel evolution for them to look much like our social insects, given that they obviously aren't even carbon-based water-soluble life forms -- but sure, why not?  And it's a terrifying visual image!

(23) - Of course, were these Earthly ants, their molting of their wings would indicate that they had now mated.  Which would have positively horrifying implications.

(24) - If the "Fire Ants" are that radiocative, at hundreds of feet distance, then Jim would probably have absorbed a fatal dose and by now be seriously ill.  Again, the mechanics of this were not well known in the days before anyone had actually split the atom.

(25) - It surprised me to discover that something at least roughly like this technique actually works.  Apparently the uranium ferrocyanide is insufficiently radioactive to itself interfere with the development process.  Though this does not sound like a very safe developing process, considering the toxic nature of the substances in question.

(26) - No.  Just no.  That's not how photography works.  Or the physics of light, really ("actnic rays" are simply ultraviolet light).  Not unless Jim and the Professor accidentally charged and released a laser capacitor, which I do not think is what's happening here.  Rich is conflating nuclear, chemical and optical processes here in a matter smacking more of alchemy and the Laws of Similarity and Contagion than any science I ever learned

(27) - We're again talking about millions of dead here, especially given that the "Fire Ants" are advancing "rapidly" (meaning that a lot of people can't get away in time) and the difficulty of feeding tens of millions of displaced persons.  This problem was not very well understood before World War II  and the Allied liberation of Europe, which led to millions of displaced persons -- many tens of thousands of whom died soon after liberation, owing to the problems of supply.

(28) - Why?  The Comet Spawn which fell into the sea were unable to hatch, and many small islands should have received no eggs at all!  Unless there were many, many billions of eggs falling on the Earth -- in which case, humanity should be almost extinct by now and the ecosystem going through a second Permian-Triassic scale mass extinction event.

(29) - Said chemical decomposition, however, would do nothing to neutralize the intense radioactivity of the new element.  Which implies that the world's oceans would now be contaminated by radiation.  On the other hand, given the sheer volume of the oceans, and the threat to the land posed by the living Comet Spawn, this is the least of their problems.

(30) - "Beta rays" are high-speed electrons or positrons.   They do not travel at the speed of light (since they possess mass), although they can travel at very fast sublight speeds.  "Alpha rays" are helium nuclei.  You cannot drag them out of atomic nuclei by the process the professor is using:  I think Rich has confused them with gamma rays.  There is also the obvious problem that large-scale nuclear processes require far more energy than the Professor likely has with which to work.

This is probably a good thing, as if the "sinister lump of metal" massed (say) a gram, the Professor would have just done the equivalent of detonating a 20-kiloton atomic bomb right in his laboratory.  This would, among other things, probably increase his insurance rates.  The detonation of a 20-kiloton atomic bomb in our time line in the city of Hiroshima definitely caused a major clean-up problem.

(31) - Oh, who can really keep track of the "byproducts?"  The likely "byproduct" of what the Professor did, as I repeat, would have been the vaporization of the laboratory and everything else for a block or two surrounding it, the leveling of the neighborhood it had occupied, severe damage to a large part of the city, and light damage to the rest of the city.  And a really pretty mushroom cloud.

But such things never happen accidentally to the Heroic Scientist in pulp science-fiction!

(32) - The Professor is ignoring the existence of a vast spheroid of iron, nickel and silicon which would stop the beta rays save in a direct line of sight from his device.  This vast spheroid is called "Earth."  Real beta rays can be stopped by a few millimeters of aluminum or a few centimeters of rock, let alone by whole terrestrial planets.

He's also ignoring the square-cube law, which would cause his spherical particle accelerator to be wildy-ineffective beyond point-blank range.  Just what insane amount of power is he pumping into that thing anyway?

If "beta rays" make the Comet Spawn disintegrate, and they are that sensitive to the effect that a little power goes a long way, why isn't sunlight achieving this effect?  The Earth's magnetic field screens off most of the solar wind, but not all of it, and the sun certainly has plenty of power!

And if it really made the Comet Spawn atomically-disintegrate, then he would have just set off millions, maybe billions of Hiroshima-sized atomic bombs distributed randomly over the Earth's surface.  I'm guessing that this would do some pretty severe damage to our ecosphere.

(33) - Why is it "suicide?"  So far, the Professor hasn't given us any reason to assume that using the beta ray is particularly dangerous. This looks like a ritual invocation for the sake of establishing Jim's heroism and building toward a dramatic climax.

(34) - Jan gets points for spunkiness, loses points for fundamental lack of logic.  It's weird that Jim didn't notice the extra load in what is a fairly small aircraft.  I also notice that she's apparently motivated only
 by concern for her beloved, seeming fairly-indifferent to her father's fate.

(35) - Wait -- our heroes are doing this from the ground?  Why, when one would imagine the area of coverage would be higher aloft, and a flying aircraft could maneuver against the foe?

(36) - Oh.  So that's why it's "suicide."  Too bad the Professor didn't have a few millimeters of aluminum with which to make a gunshield.  You'd think the idea would have occurred to him, especially if he was planning on operating the weapon.  Again, this feels contrived.

(37) - Indeed, if he's glowing he is indeed "highly radio-active."

(38) - Why not?  "Beta rays" aren't some utterly unknown emanation, and weren't in 1931 either:  they were discovered in 1900, thirty years before the story was written.  I don't know whether or not it was fully-understood that they were high-energy electrons, but it was most definitely understood how to shield against them, and such shielding was and is part of every X-ray machine ever built (otherwise, the machine would over-expose its own film)!  This is complete technobabble, put in the story for no better reason than to kill the Professor.

Which is stupid of the Professor, since as the inventor of the Comet Spawn killing beta ray blaster, he's one of the most important people alive.  Or was, until he committed Death by Own Design Stupidity.

===========
COMMENTS:  'Spawn of the Comet' Compared With 'Spawn of the Stars'
===========

Introduction:

This is a pure alien invasion story, which invites comparison with the other pure alien invasion story, written one year earlier, which I've previously run on this site, Charles Willard Diffin's "Spawn of the Stars" (1930) which I have previously run and reviewed on Fantastic Worlds.

Comparison:

One obvious difference between the two tales is that "Spawn of the Stars" is a military story in which Mankind fights a war against sapient aliens who attack with a flight of spacecraft, while "Spawn of the Coment" is a monster story in which Mankind is threatened with extermination by apparently non-sapient alien creatures whose eggs are scattered by a passing comet.  In "Spawn of the Stars," the aliens conduct a bombardment with weapons of mass destruction to annihilate the human military and production capabilities, presumably as advance raiders for some later effort, and the humans conduct air defense operations (not entirely without success) to attrition this raiding force.  In "Spawn of the Comet," the aliens cause damage to Mankind and threaten to destroy Earth's ecosystem as a simple byproduct of a biology which seems based upon radioactive hot plasma:  they swarm like social insects, building hives and issuing forth to swarm against humanity, and Earth's military forces can do nothing to even check their advance.

There are also obvious similarities between the two tales.  Both stories feature a protagonist who owns his own airplane and uses it to scout out the invaders.  Both stories have a scientist who builds an energy weapon which exploits the weaknesses of the aliens.  And in both stories the weapon is ultimately used to defeat the enemy, at the cost of the Heroic Sacrifice of at least one major character, including the scientist who invented that weapon (in "Spawn of the Stars" the scientist and the hero's best friend both die, while in "Spawn of the Comet" the scientist dies but the hero and his beloved both survive).

One difference is that "Spawn of the Stars" is a much deeper, more mature and more realistic tale.  Cyrus Thurston and his best friend "Slim" Riley are both delineated characters, and even Dr. Mac Gregor comes off as believable; while in "Spawn of the Comet" Jim Carter, Professor Stephen Wentworth and his daughter June Wentworth are very one-dimensional.  I can believe in Thurston and Riley's strong friendship far more easily than I can Jim and June's love.  Thurston and Riley are two eccentric individuals who have come to deeply like and respect each other; Jim and June are merely ciphers playing the roles of The Hero and the Love Interest.

What's more, Thurston and his friends are not fighting the threat alone:  they are doing so in cooperation with the United States and its military; in contrast, any organized human resistance in "Spawn of the Comet" is kept very much in the background.  This greatly enhances the verisimilitude of "Spawn of the Stars," and degrades that of "Spawn of the Comet."

The solution in "Spawn of the Stars" is much less easily achieved or applied than the similar solution in "Spawn of the Comet."  Dr. Mac Gregor has to investigate a downed Spawn ship and figure out their biology and technology before he devises the actnic ray; testing the weapon costs him his life; and then the weapon has to be installed with difficulty on a fighter plane, with little weight margin for shielding the pilot, and employed against the foe in difficult aerial maneuvers which ultimately cost Riley his life.  When the story's over, Man has defeated this invasion and gained a weapon generally-useful against that alien race -- but not necessarily defeated all future threats of invasion from that source.

By contrast, Professor Wentworth merely obtains (through highly-dubious chemistry) a sample of the alien metal and then with ridiculous ease develops a whole new technology of atomic disintegration with beta rays whose power source is never explained and builds his beta gun.  He then instantly mounts it on an airplane, not taking the trouble to even try to shield it (even though if it works like real beta rays this shouldn't be too difficult) and quickly employs it to wipe out an alien hive, dying in the process because of his own insanely-reckless folly in failing to shield himself against back-scatter.  The weapon is so absurdly effective that there is now no danger of the invaders winning.

Both stories employ dubious physics.  However, Diffin picks his main speculative-science premise (the supercompressed hydrogen, which serves the aliens both as power source and main weapon both for air combat and bombardment purposes) and thoroughly-explores its implications (the Spawn skyships can remain aloft for days and devastate whole cities with single attacks, but this means their bombs can be remotely detonated by the actnic ray).   Diffin is consistent in this analysis.

In contrast, Rich doesn't play fair with his speculations.  The aliens are hot plasmoid life based off a strange radioactive element.  Wentworth invents a beta ray gun which can (purely by auctorial fiat) disintegrate this element and do so without causing massive atomic explosions (avoiding doing so also purely by auctorial fiat).  In fact the beta beam is so effective that a single airplane equipped with one such device can slaughter a whole hive of the Spawn.

This is a Deus Ex Machina solution, and it's not even a consistently-applied one.  The obvious problem with turning the "Fire Ants" to energy is that it should result in lots of damage to everything around them, but this problem neither materializes nor does Wentworth even venture a guess as to why it fails to happen.

It is the same with the heroic sacrifices.  "Slim" Riley dies from the logical limitations of the actnic ray as an anti-skyship weapon, including the massiveness of the projector; Professor Wentworth dies because he couldn't be bothered to take the time to add any shielding (he says the situation is too critical and there is no time, but it is obvious that he is the most valuable man alive at that moment for the purpose of fighting the "Fire Ants," so what he does is not so much heroic as rash).  Wentworth's death is simply the application of Diablos Ex Machina to create a Bittersweet Ending..

Both are fun to read, but "Spawn of the Stars" seems very much more to be an alien invasion the way it might have happened in the early 1930's; "Spawn of the Comet" reads very much like a "me and my friends against the monsters" adolescent fantasy.

Conclusion

"Spawn of the Comet" is an enjoyable read, which introduces a deadly peril to Mankind and has The Hero discover it, The Science Hero defeat it, and the Hero and Love Interest affirm their love in the wake of victory.  However there is no depth to the story, no examination of the scientific speculations, and nothing to say from it about human nature, the nature of warfare, or (really) Man's place in the Universe.

Nothing but light pulp science-fiction.  Which is not necessarily bad.  Just limited.

END.



Tuesday, September 3, 2013

"The Children of the Night" (1931) by Robert E. Howard, with Notes and a Commentary


"The Children of the Night"

© 1931

by

Robert E. Howard

 
There were, I remember, six of us in Conrad's bizarrely fashioned study, with its queer relics from all over the world and its long rows of books which ranged from the Mandrake Press edition of Boccaccio to a Missale Romanum, bound in clasped oak boards and printed in Venice, 1740. Clemants and Professor Kirowan had just engaged in a somewhat testy anthropological argument: Clemants upholding the theory of a separate, distinct Alpine race, while the professor maintained that this so-called race was merely a deviation from an original Aryan stock--possibly the result of an admixture between the southern or Mediterranean races and the Nordic people.

"And how," asked Clemants, "do you account for their brachycephalicism? The Mediterraneans were as long-headed as the Aryans: would admixture between these dolichocephalic peoples produce a broad-headed intermediate type?"

"Special conditions might bring about a change in an originally long-headed race," snapped Kirowan. "Boaz has demonstrated, for instance, that in the case of immigrants to America, skull formations often change in one generation. And Flinders Petrie has shown that the Lombards changed from a long-headed to a round-headed race in a few centuries."

"But what caused these changes?"

"Much is yet unknown to science," answered Kirowan, "and we need not be dogmatic. No one knows, as yet, why people of British and Irish ancestry tend to grow unusually tall in the Darling district of Australia--Cornstalks, as they are called--or why people of such descent generally have thinner jaw-structures after a few generations in New England. The universe is full of the unexplainable."

"And therefore the uninteresting, according to Machen," laughed Taverel.

Conrad shook his head. "I must disagree. To me, the unknowable is most tantalizingly fascinating."

"Which accounts, no doubt, for all the works on witchcraft and demonology I see on your shelves," said Ketrick, with a wave of his hand toward the rows of books.

And let me speak of Ketrick. Each of the six of us was of the same breed--that is to say, a Briton or an American of British descent. By British, I include all natural inhabitants of the British Isles. We represented various strains of English and Celtic blood, but basically, these strains are the same after all. But Ketrick: to me the man always seemed strangely alien. It was in his eyes that this difference showed externally. They were a sort of amber, almost yellow, and slightly oblique. At times, when one looked at his face from certain angles, they seemed to slant like a Chinaman's.

Others than I had noticed this feature, so unusual in a man of pure Anglo-Saxon descent. The usual myths ascribing his slanted eyes to some pre-natal influence had been mooted about, and I remember Professor Hendrik Brooler once remarked that Ketrick was undoubtedly an atavism, representing a reversion of type to some dim and distant ancestor of Mongolian blood--a sort of freak reversion, since none of his family showed such traces.

But Ketrick comes of the Welsh branch of the Cetrics of Sussex, and his lineage is set down in the Book of Peers. There you may read the line of his ancestry, which extends unbroken to the days of Canute. No slightest trace of Mongoloid intermixture appears in the genealogy, and how could there have been such intermixture in old Saxon England? (1) For Ketrick is the modern form of Cedric, and though that branch fled into Wales before the invasion of the Danes, its male heirs consistently married with English families on the border marches, and it remains a pure line of the powerful Sussex Cedrics--almost pure Saxon. As for the man himself, this defect of his eyes, if it can be called a defect, is his only abnormality, except for a slight and occasional lisping of speech. He is highly intellectual and a good companion except for a slight aloofness and a rather callous indifference which may serve to mask an extremely sensitive nature.

Referring to his remark, I said with a laugh: "Conrad pursues the obscure and mystic as some men pursue romance; his shelves throng with delightful nightmares of every variety."

Our host nodded. "You'll find there a number of delectable dishes--Machen, Poe, Blackwood, Maturin--look, there's a rare feast--Horrid Mysteries, by the Marquis of Grosse--the real Eighteenth Century edition."

Taverel scanned the shelves. "Weird fiction seems to vie with works on witchcraft, voodoo and dark magic."
True; historians and chronicles are often dull; tale-weavers never--the masters, I mean. A voodoo sacrifice can be described in such a dull manner as to take all the real fantasy out of it, and leave it merely a sordid murder. I will admit that few writers of fiction touch the true heights of horror -- most of their stuff is too concrete, given too much earthly shape and dimensions. But in such tales as Poe's "Fall of the House of Usher", Machen's "Black Seal" and Lovecraft's "Call of Cthulhu" -- the three master horror-tales, to my mind--the reader is borne into dark and outer realms of imagination (2).

"But look there," he continued, "there, sandwiched between that nightmare of Huysmans', and Walpole's Castle of Otranto -- Von Junzt's Nameless Cults. There's a book to keep you awake at night!"

"I've read it," said Taverel, "and I'm convinced the man is mad. His work is like the conversation of a maniac--it runs with startling clarity for awhile, then suddenly merges into vagueness and disconnected ramblings."

Conrad shook his head. "Have you ever thought that perhaps it is his very sanity that causes him to write in that fashion? What if he dares not put on paper all he knows? What if his vague suppositions are dark and mysterious hints, keys to the puzzle, to those who know?"

"Bosh!" This from Kirowan. "Are you intimating that any of the nightmare cults referred to by Von Junzt survive to this day--if they ever existed save in the hag-ridden brain of a lunatic poet and philosopher?"

"Not he alone used hidden meanings," answered Conrad. "If you will scan various works of certain great poets you may find double meanings. Men have stumbled onto cosmic secrets in the past and given a hint of them to the world in cryptic words. Do you remember Von Junzt's hints of 'a city in the waste'? What do you think of Flecker's line:"

'Pass not beneath! Men say there blows in stony deserts still a rose
But with no scarlet to her leaf--and from whose heart no perfume flows.'

"Men may stumble upon secret things, but Von Junzt dipped deep into forbidden mysteries. He was one of the few men, for instance, who could read the Necronomicon in the original Greek translation."

Taverel shrugged his shoulders, and Professor Kirowan, though he snorted and puffed viciously at his pipe, made no direct reply; for he, as well as Conrad, had delved into the Latin version of the book, and had found there things not even a cold-blooded scientist could answer or refute (3).

"Well," he said presently, "suppose we admit the former existence of cults revolving about such nameless and ghastly gods and entities as Cthulhu, Yog Sothoth, Tsathoggua, Gol-goroth, and the like, I can not find it in my mind to believe that survivals of such cults lurk in the dark corners of the world today."

To our surprise Clemants answered. He was a tall, lean man, silent almost to the point of taciturnity, and his fierce struggles with poverty in his youth had lined his face beyond his years. Like many another artist, he lived a distinctly dual literary life, his swashbuckling novels furnishing him a generous income, and his editorial position on The Cloven Hoof affording him full artistic expression. The Cloven Hoof was a poetry magazine whose bizarre contents had often aroused the shocked interest of the conservative critics (4).

"You remember Von Junzt makes mention of a so-called Bran cult," said Clemants, stuffing his pipe-bowl with a peculiarly villainous brand of shag tobacco. "I think I heard you and Taverel discussing it once."

"As I gather from his hints," snapped Kirowan, "Von Junzt includes this particular cult among those still in existence. Absurd."

Again Clemants shook his head. "When I was a boy working my way through a certain university, I had for roommate a lad as poor and ambitious as I. If I told you his name, it would startle you. Though he came of an old Scotch line of Galloway, he was obviously of a non-Aryan type (5).

"This is in strictest confidence, you understand. But my roommate talked in his sleep. I began to listen and put his disjointed mumbling together. And in his mutterings I first heard of the ancient cult hinted at by Von Junzt; of the king who rules the Dark Empire, which was a revival of an older, darker empire dating back into the Stone Age; and of the great, nameless cavern where stands the Dark Man--the image of Bran Mak Morn, carved in his likeness by a master-hand while the great king yet lived, and to which each worshipper of Bran makes a pilgrimage once in his or her lifetime (6). Yes, that cult lives today in the descendants of Bran's people--a silent, unknown current it flows on in the great ocean of life, waiting for the stone image of the great Bran to breathe and move with sudden life, and come from the great cavern to rebuild their lost empire."

"And who were the people of that empire?" asked Ketrick.

"Picts," answered Taverel, "doubtless the people known later as the wild Picts of Galloway were predominantly Celtic--a mixture of Gaelic, Cymric, aboriginal and possibly Teutonic elements. Whether they took their name from the older race or lent their own name to that race, is a matter yet to be decided. But when Von Junzt speaks of Picts, he refers specifically to the small, dark, garlic-eating peoples of Mediterranean blood who brought the Neolithic culture into Britain. The first settlers of that country, in fact, who gave rise to the tales of earth spirits and goblins."

"I can not agree to that last statement," said Conrad. "These legends ascribe a deformity and inhumanness of appearances to the characters. There was nothing about the Picts to excite such horror and repulsion in the Aryan peoples. I believe that the Mediterraneans were preceded by a Mongoloid type, very low in the scale of development, whence these tales--"

"Quite true," broke in Kirowan, "but I hardly think they preceded the Picts, as you call them, into Britain. We find troll and dwarf legends all over the Continent, and I am inclined to think that both the Mediterranean and Aryan people brought these tales with them from the Continent. They must have been of extremely inhuman aspect, those early Mongoloids." (7)

"At least," said Conrad, "here is a flint mallet a miner found in the Welsh hills and gave to me, which has never been fully explained. It is obviously of no ordinary Neolithic make. See how small it is, compared to most implements of that age; almost like a child's toy; yet it is surprisingly heavy and no doubt a deadly blow could be dealt with it. I fitted the handle to it, myself, and you would be surprized to know how difficult it was to carve it into a shape and balance corresponding with the head." (8).

We looked at the thing. It was well made, polished somewhat like the other remnants of the Neolithic I had seen, yet as Conrad said, it was strangely different. Its small size was oddly disquieting, for it had no appearance of a toy, otherwise. It was as sinister in suggestion as an Aztec sacrificial dagger. Conrad had fashioned the oaken handle with rare skill, and in carving it to fit the head, had managed to give it the same unnatural appearance as the mallet itself had. He had even copied the workmanship of primal times, fixing the head into the cleft of the haft with rawhide.

"My word!" Taverel made a clumsy pass at an imaginary antagonist and nearly shattered a costly Shang vase. "The balance of the thing is all off-center; I'd have to readjust all my mechanics of poise and equilibrium to handle it."

"Let me see it," Ketrick took the thing and fumbled with it, trying to strike the secret of its proper handling. At length, somewhat irritated, he swung it up and struck a heavy blow at a shield which hung on the wall nearby. I was standing near it; I saw the hellish mallet twist in his hand like a live serpent, and his arm wrenched out of line; I heard a shout of alarmed warning--then darkness came with the impact of the mallet against my head.
 

Slowly I drifted back to consciousness. First there was dull sensation with blindness and total lack of knowledge as to where I was or what I was; then vague realization of life and being, and a hard something pressing into my ribs. Then the mists cleared and I came to myself completely.

I lay on my back half-beneath some underbrush and my head throbbed fiercely. Also my hair was caked and clotted with blood, for the scalp had been laid open. But my eyes traveled down my body and limbs, naked but for a deerskin loincloth and sandals of the same material, and found no other wound. That which pressed so uncomfortably into my ribs was my ax, on which I had fallen.

Now an abhorrent babble reached my ears and stung me into clear consciousness. The noise was faintly like language, but not such language as men are accustomed to. It sounded much like the repeated hissing of many great snakes.

I stared. I lay in a great, gloomy forest. The glade was overshadowed, so that even in the daytime it was very dark. Aye--that forest was dark, cold, silent, gigantic and utterly grisly. And I looked into the glade.
I saw a shambles. Five men lay there--at least, what had been five men. Now as I marked the abhorrent mutilations my soul sickened. And about clustered the--Things. Humans they were, of a sort, though I did not consider them so. They were short and stocky, with broad heads too large for their scrawny bodies. Their hair was snaky and stringy, their faces broad and square, with flat noses, hideously slanted eyes, a thin gash for a mouth, and pointed ears. They wore the skins of beasts, as did I, but these hides were but crudely dressed. They bore small bows and flint-tipped arrows, flint knives and cudgels. And they conversed in a speech as hideous as themselves, a hissing, reptilian speech that filled me with dread and loathing.

Oh, I hated them as I lay there; my brain flamed with white-hot fury. And now I remembered. We had hunted, we six youths of the Sword People, and wandered far into the grim forest which our people generally shunned. Weary of the chase, we had paused to rest; to me had been given the first watch, for in those days, no sleep was safe without a sentry. Now shame and revulsion shook my whole being. I had slept--I had betrayed my comrades. And now they lay gashed and mangled--butchered while they slept, by vermin who had never dared to stand before them on equal terms. I, Aryara, had betrayed my trust (9), (10).

Aye--I remembered. I had slept and in the midst of a dream of the hunt, fire and sparks had exploded in my head and I had plunged into a deeper darkness where there were no dreams. And now the penalty. They who had stolen through the dense forest and smitten me senseless, had not paused to mutilate me. Thinking me dead they had hastened swiftly to their grisly work. Now perhaps they had forgotten me for a time. I had sat somewhat apart from the others, and when struck, had fallen half-under some bushes. But soon they would remember me. I would hunt no more, dance no more in the dances of hunt and love and war, see no more the wattle huts of the Sword People.

But I had no wish to escape back to my people. Should I slink back with my tale of infamy and disgrace? Should I hear the words of scorn my tribe would fling at me, see the girls point their contemptuous fingers at the youth who slept and betrayed his comrades to the knives of vermin?

Tears stung my eyes, and slow hate heaved up in my bosom, and my brain. I would never bear the sword that marked the warrior. I would never triumph over worthy foes and die gloriously beneath the arrows of the Picts or the axes of the Wolf People or the River People. I would go down to death beneath a nauseous rabble, whom the Picts had long ago driven into forest dens like rats.

And mad rage gripped me and dried my tears, giving in their stead a berserk blaze of wrath. If such reptiles were to bring about my downfall, I would make it a fall long remembered--if such beasts had memories.
Moving cautiously, I shifted until my hand was on the haft of my ax; then I called on Il-marinen (12) and bounded up as a tiger springs. And as a tiger springs I was among my enemies and mashed a flat skull as a man crushes the head of a snake. A sudden wild clamor of fear broke from my victims and for an instant they closed round me, hacking and stabbing. A knife gashed my chest but I gave no heed. A red mist waved before my eyes, and my body and limbs moved in perfect accord with my fighting brain. Snarling, hacking and smiting, I was a tiger among reptiles. In an instant they gave way and fled, leaving me bestriding half a dozen stunted bodies. But I was not satiated.

I was close on the heels of the tallest one, whose head would perhaps come to my shoulder, and who seemed to be their chief. He fled down a sort of runway, squealing like a monstrous lizard, and when I was close at his shoulder, he dived, snake-like, into the bushes. But I was too swift for him, and I dragged him forth and butchered him in a most gory fashion.

And through the bushes I saw the trail he was striving to reach--a path winding in and out among the trees, almost too narrow to allow the traversing of it by a man of normal size. I hacked off my victim's hideous head, and carrying it in my left hand, went up the serpent-path, with my red ax in my right.

Now as I strode swiftly along the path and blood splashed beside my feet at every step from the severed jugular of my foe, I thought of those I hunted. Aye--we held them in so little esteem, we hunted by day in the forest they haunted. What they called themselves, we never knew; for none of our tribe ever learned the accursed hissing sibilances they used as speech; but we called them Children of the Night. And night-things they were indeed, for they slunk in the depths of the dark forests, and in subterraneous dwellings, venturing forth into the hills only when their conquerors slept. It was at night that they did their foul deeds--the quick flight of a flint-tipped arrow to slay cattle, or perhaps a loitering human, the snatching of a child that had wandered from the village.

But it was for more than this we gave them their name; they were, in truth, people of night and darkness and the ancient horror-ridden shadows of bygone ages. For these creatures were very old, and they represented an outworn age. They had once overrun and possessed this land, and they had been driven into hiding and obscurity by the dark, fierce little Picts with whom we contested now, and who hated and loathed them as savagely as did we.

The Picts were different from us in general appearance, being shorter of stature and dark of hair, eyes and skin, whereas we were tall and powerful, with yellow hair and light eyes. But they were cast in the same mold, for all of that. These Children of the Night seemed not human to us, with their deformed dwarfish bodies, yellow skin and hideous faces. Aye--they were reptiles--vermin (11).

And my brain was like to burst with fury when I thought that it was these vermin on whom I was to glut my ax and perish. Bah! There is no glory slaying snakes or dying from their bites. All this rage and fierce disappointment turned on the objects of my hatred, and with the old red mist waving in front of me I swore by all the gods I knew, to wreak such red havoc before I died as to leave a dread memory in the minds of the survivors.

My people would not honor me, in such contempt they held the Children. But those Children that I left alive would remember me and shudder. So I swore, gripping savagely my ax, which was of bronze, set in a cleft of the oaken haft and fastened securely with rawhide.

Now I heard ahead a sibilant, abhorrent murmur, and a vile stench filtered to me through the trees, human, yet less than human. A few moments more and I emerged from the deep shadows into a wide open space. I had never before seen a village of the Children. There was a cluster of earthen domes, with low doorways sunk into the ground; squalid dwelling-places, half-above and half-below the earth. And I knew from the talk of the old warriors that these dwelling-places were connected by underground corridors, so the whole village was like an ant-bed, or a system of snake holes. And I wondered if other tunnels did not run off under the ground and emerge long distances from the villages (13).

Before the domes clustered a vast group of the creatures, hissing and jabbering at a great rate.

I had quickened my pace, and now as I burst from cover, I was running with the fleetness of my race. A wild clamor went up from the rabble as they saw the avenger, tall, bloodstained and blazing-eyed leap from the forest, and I cried out fiercely, flung the dripping head among them and bounded like a wounded tiger into the thick of them.

Oh, there was no escape for them now! They might have taken to their tunnels but I would have followed, even to the guts of Hell. They knew they must slay me, and they closed around, a hundred strong, to do it.

There was no wild blaze of glory in my brain as there had been against worthy foes. But the old berserk madness of my race was in my blood and the smell of blood and destruction in my nostrils (14).

I know not how many I slew. I only know that they thronged about me in a writhing, slashing mass, like serpents about a wolf, and I smote until the ax-edge turned and bent and the ax became no more than a bludgeon; and I smashed skulls, split heads, splintered bones, scattered blood and brains in one red sacrifice to Il-marinen, god of the Sword People.

Bleeding from half a hundred wounds, blinded by a slash across the eyes, I felt a flint knife sink deep into my groin and at the same instant a cudgel laid my scalp open. I went to my knees but reeled up again, and saw in a thick red fog a ring of leering, slant-eyed faces. I lashed out as a dying tiger strikes, and the faces broke in red ruin.

And as I sagged, overbalanced by the fury of my stroke, a taloned hand clutched my throat and a flint blade was driven into my ribs and twisted venomously. Beneath a shower of blows I went down again, but the man with the knife was beneath me, and with my left hand I found him and broke his neck before he could writhe away.

Life was waning swiftly; through the hissing and howling of the Children I could hear the voice of Il-marinen. Yet once again I rose stubbornly, through a very whirlwind of cudgels and spears. I could no longer see my foes, even in a red mist. But I could feel their blows and knew they surged about me. I braced my feet, gripped my slippery ax-haft with both hands, and calling once more on Il-marinen I heaved up the ax and struck one last terrific blow. And I must have died on my feet, for there was no sensation of falling; even as I knew, with a last thrill of savagery, that slew, even as I felt the splintering of skulls beneath my ax, darkness came with oblivion.


I came suddenly to myself. I was half-reclining in a big armchair and Conrad was pouring water on me. My head ached and a trickle of blood had half-dried on my face. Kirowan, Taverel and Clemants were hovering about, anxiously, while Ketrick stood just in front of me, still holding the mallet, his face schooled to a polite perturbation which his eyes did not show. And at the sight of those cursed eyes a red madness surged up in me.

"There," Conrad was saying, "I told you he'd come out of it in a moment; just a light crack. He's taken harder than that. All right now, aren't you, O'Donnel?"

At that I swept them aside, and with a single low snarl of hatred launched myself at Ketrick. Taken utterly by surprize he had no opportunity to defend himself. My hands locked on his throat and we crashed together on the ruins of a divan. The others cried out in amazement and horror and sprang to separate us--or rather, to tear me from my victim, for already Ketrick's slant eyes were beginning to start from their sockets.

"For God's sake, O'Donnel," exclaimed Conrad, seeking to break my grip, "what's come over you? Ketrick didn't mean to hit you--let go, you idiot!"

A fierce wrath almost overcame me at these men who were my friends, men of my own tribe, and I swore at them and their blindness, as they finally managed to tear my strangling fingers from Ketrick's throat. He sat up and choked and explored the blue marks my fingers had left, while I raged and cursed, nearly defeating the combined efforts of the four to hold me.

"You fools!" I screamed. "Let me go! Let me do my duty as a tribesman! You blind fools! I care nothing for the paltry blow he dealt me--he and his dealt stronger blows than that against me, in bygone ages. You fools, he is marked with the brand of the beast--the reptile--the vermin we exterminated centuries ago! I must crush him, stamp him out, rid the clean earth of his accursed pollution!"

So I raved and struggled and Conrad gasped to Ketrick over his shoulder: "Get out, quick! He's out of his head! His mind is unhinged! Get away from him."

Now I look out over the ancient dreaming downs and the hills and deep forests beyond and I ponder. Somehow, that blow from that ancient accursed mallet knocked me back into another age and another life. While I was Aryara I had no cognizance of any other life. It was no dream; it was a stray bit of reality wherein I, John O'Donnel, once lived and died, and back into which I was snatched across the voids of time and space by a chance blow. Time and times are but cogwheels, unmatched, grinding on oblivious to one another. Occasionally--oh, very rarely!--the cogs fit; the pieces of the plot snap together momentarily and give men faint glimpses beyond the veil of this everyday blindness we call reality.

I am John O'Donnel and I was Aryara, who dreamed dreams of war-glory and hunt-glory and feast-glory and who died on a red heap of his victims in some lost age. But in what age and where?

The last I can answer for you. Mountains and rivers change their contours; the landscapes alter; but the downs least of all. I look out upon them now and I remember them, not only with John O'Donnel's eyes, but with the eyes of Aryara. They are but little changed. Only the great forest has shrunk and dwindled and in many, many places vanished utterly. But here on these very downs Aryara lived and fought and loved and in yonder forest he died. Kirowan was wrong. The little, fierce, dark Picts were not the first men in the Isles. There were beings before them--aye, the Children of the Night. Legends--why, the Children were not unknown to us when we came into what is now the isle of Britain. We had encountered them before, ages before. Already we had our myths of them. But we found them in Britain. Nor had the Picts totally exterminated them.

Nor had the Picts, as so many believe, preceded us by many centuries. We drove them before us as we came, in that long drift from the East. I, Aryara, knew old men who had marched on that century-long trek; who had been borne in the arms of yellow-haired women over countless miles of forest and plain, and who as youths had walked in the vanguard of the invaders.

As to the age--that I cannot say. But I, Aryara, was surely an Aryan and my people were Aryans--members of one of the thousand unknown and unrecorded drifts that scattered yellow-haired blue-eyed tribes all over the world. The Celts were not the first to come into western Europe. I, Aryara, was of the same blood and appearance as the men who sacked Rome, but mine was a much older strain. Of the language spoke, no echo remains in the waking mind of John O'Donnel, but I knew that Aryara's tongue was to ancient Celtic what ancient Celtic is to modern Gaelic.

Il-marinen! I remember the god I called upon, the ancient, ancient god who worked in metals--in bronze then. For Il-marinen was one of the base gods of the Aryans from whom many gods grew; and he was Wieland and Vulcan in the ages of iron. But to Aryara he was Il-marinen.

And Aryara--he was one of many tribes and many drifts. Not alone did the Sword People come or dwell in Britain. The River People were before us and the Wolf People came later. But they were Aryans like us, light-eyed and tall and blond. We fought them, for the reason that the various drifts of Aryans have always fought each other, just as the Achaeans fought the Dorians, just as the Celts and Germans cut each other's throats; aye, just as the Hellenes and the Persians, who were once one people and of the same drift, split in two different ways on the long trek and centuries later met and flooded Greece and Asia Minor with blood.

Now understand, all this I did not know as Aryara. I, Aryara, knew nothing of all these world-wide drifts of my race. I knew only that my people were conquerors, that a century ago my ancestors had dwelt in the great plains far to the east, plains populous with fierce, yellow-haired, light-eyed people like myself; that my ancestors had come westward in a great drift; and that in that drift, when my tribesmen met tribes of other races, they trampled and destroyed them, and when they met other yellow-haired, light-eyed people, of older or newer drifts, they fought savagely and mercilessly, according to the old, illogical custom of the Aryan people. This Aryara knew, and I, John O'Donnel, who know much more and much less than I, Aryara, knew, have combined the knowledge of these separate selves and have come to conclusions that would startle many noted scientists and historians.

Yet this fact is well known: Aryans deteriorate swiftly in sedentary and peaceful lives. Their proper existence is a nomadic one; when they settle down to an agricultural existence, they pave the way for their downfall; and when they pen themselves with city walls, they seal their doom (15). Why, I, Aryara, remember the tales of the old men--how the Sons of the Sword, on that long drift, found villages of white-skinned yellow-haired people who had drifted into the west centuries before and had quit the wandering life to dwell among the dark, garlic-eating people and gain their sustenance from the soil. And the old men told how soft and weak they were, and how easily they fell before the bronze blades of the Sword People.

Look--is not the whole history of the Sons of Aryan laid on those lines? Look--how swiftly has Persian followed Mede; Greek, Persian; Roman, Greek; and German, Roman. Aye, and the Norseman followed the Germanic tribes when they had grown flabby from a century or so of peace and idleness, and despoiled the spoils they had taken in the southland.

But let me speak of Ketrick. Ha--the short hairs at the back of my neck bristle at the very mention of his name. A reversion to type--but not to the type of some cleanly Chinaman or Mongol of recent times. The Danes drove his ancestors into the hills of Wales; and there, in what medieval century, and in what foul way did that cursed aboriginal taint creep into the clean Saxon blood of the Celtic line, there to lie dormant so long? The Celtic Welsh never mated with the Children any more than the Picts did. But there must have been survivals--vermin lurking in those grim hills, that had outlasted their time and age. In Aryara's day they were scarcely human. What must a thousand years of retrogression have done to the breed?

What foul shape stole into the Ketrick castle on some forgotten night, or rose out of the dusk to grip some woman of the line, straying in the hills? (16)

The mind shrinks from such an image. But this I know: there must have been survivals of that foul, reptilian epoch when the Ketricks went into Wales. There still may be. But this changeling, this waif of darkness, this horror who bears the noble name of Ketrick, the brand of the serpent is upon him, and until he is destroyed there is no rest for me. Now that I know him for what he is, he pollutes the clean air and leaves the slime of the snake on the green earth. The sound of his lisping, hissing voice fills me with crawling horror and the sight of his slanted eyes inspires me with madness.

For I come of a royal race, and such as he is a continual insult and a threat, like a serpent underfoot. Mine is a regal race, though now it is become degraded and falls into decay by continual admixture with conquered races. The waves of alien blood have washed my hair black and my skin dark, but I still have the lordly stature and the blue eyes of a royal Aryan.

And as my ancestors--as I, Aryara, destroyed the scum that writhed beneath our heels, so shall I, John O'Donnel, exterminate the reptilian thing, the monster bred of the snaky taint that slumbered so long unguessed in clean Saxon veins, the vestigial serpent-things left to taunt the Sons of Aryan. They say the blow I received affected my mind; I know it but opened my eyes. Mine ancient enemy walks often on the moors alone, attracted, though he may not know it, by ancestral urgings. And on one of these lonely walks I shall meet him, and when I meet him, I will break his foul neck with my hands, as I, Aryara, broke the necks of foul night-things in the long, long ago.

Then they may take me and break my neck at the end of a rope if they will. I am not blind, if my friends are. And in the sight of the old Aryan god, if not in the blinded eyes of men, I will have kept faith with my tribe.

END.

===

NOTES:

(1) -  No slightest trace of Mongoloid intermixture appears in the genealogy, and how could there have been such intermixture in old Saxon England? 

John O'Donnel asks this question rhetorically, but in fact some people traveled widely even in the Middle Ages, and people of Central Asian and even East Asian physiogonomy drifted west from time to time.  Furthermore, he misses an even more obvious possibility, which is that at least one of the purported fathers on Ketrick's family tree was cuckolded, an event which might easily have occurred in centuries during which either the Silk Road or the transoceanic routes had been fully opened.

(2) -  But in such tales as Poe's "Fall of the House of Usher", Machen's "Black Seal" and Lovecraft's "Call of Cthulhu" -- the three master horror-tales, to my mind ...

This creates an interesting question of continuity -- in the world of this story, both Lovecraft and the Cthulhu Mythos are real.  Of course the answer would be that Lovecraft based "The Call of Cthulhu" on real events.

(3) - ... and had found there things not even a cold-blooded scientist could answer or refute.

Implying that the Necronomicon contains ideas which only make sense in the light of present-day science, with no good explanation for this save the assumption that the more advanced alien races and beings described in the text are real.  Otherwise, this would be a clear example of assuming Argument From Authority to be a valid form of reasoning.

(4) - In the Interwar Era, people still cared about written poetry.  Oh, for the days before poetry crawled up its own eliminative tract!

(5) - Though he came of an old Scotch line of Galloway, he was obviously of a non-Aryan type.

Back before the Nazis made the term unpopular, "Aryan" was used to refer not only to the proto-Hindi speakers who invaded the Indian subcontinent in the second millennium BC, but also to the whole cultural and ethnic group which spoke Indo-European languages.  The problem is that it's been used in many different ways throughout scholarship, and I'm not sure in which sense it's being used in this tale.  The term would logically exclude the original natives of Europe (surviving as the Basques), almost everyone living in Africa (white Arabs and Berbers, black Negroes, and pre-Negro Pygmies), all Asians who were neither Slavic nor Iranian-Indian, all native Australians, and all native Americans, if used to its maximum inclusiveness.  Ironically, given the later political allegiances of the Third Reich, it might include European Jews but would probably exclude most Arabs:  and of course it would definitely exclude the Japanese.

(6) - Bran Mak Morn was the hero of some of REH's semi-historical sword-and-sorceries.  He's a direct descendant of Brule the Spear-Slayer, one of the companions of King Kull of Atlantis.  This makes this story one of those directly linking the Hyborean tales to the Cthulhu Mythos.

(7) - "Extremely inhuman shape" indeed!  Heh-heh-heh ...

(8) - This represents the reverse-engineering of ancient artifacts, which is advanced archaeological technique for the Interwar Era.  In later decades such an approach would be popularized by Thor Heyerdahl, among others -- you can now see it done on many documentary TV shows.  It is of course necessary to the tale because REH was aware that the handle of the axe could not possibly have avoided rotting through the millennia.

(9) - Note the similarity of this part of the premise to that of Lovecraft's earlier "Polaris" (1920).  REH would of course have been quite familiar with Lovecraft's tale. This being a REH rather than HPL story, however, you know that there's going to be a lot more onscreen action!

(10) - I like the notion that a name-element similar to "Arya" was common among early Indo-European peoples, given that it can be found as part of divine names or a word-element meaning "noble" or "royal" throughout the mythologies and languages of the Indo-European speaking people.

(11) - They are, of course, degenerate Serpent Men (from the "King Kull" series).  Did you notice that this story also mentioned Arthur Machen?  Here is where the story draws  Machen's Mythos into the Cthulhu Mythos, by implying that Machen's degenerate Little People are directly descended from REH's Serpent Men.  The Serpent Men were to be one of REH's most influential creations, reappearing again and again in popular fiction, in various forms:  most notably, some sort of hybrid half-human, half-Serpent race are the sponsors of Cobra in the 1980's version of the G. I. Joe universe.

(12) - Ilmarinen is the blacksmith god of the Finns, who are (ironically in light of the racial themes) one of the few definitely non-Indo-European peoples native to Europe.

(13) -  I had never before seen a village of the Children. There was a cluster of earthen domes, with low doorways sunk into the ground; squalid dwelling-places, half-above and half-below the earth. And I knew from the talk of the old warriors that these dwelling-places were connected by underground corridors, so the whole village was like an ant-bed, or a system of snake holes. And I wondered if other tunnels did not run off under the ground and emerge long distances from the villages.

A dark interpretation of the "hollow hills" or "knowes" of European mythology.

(14) - This was a common fantasy linking REH and HPL -- that being theoretically of the same stock as the Germanic and Nordic barbarians, they should be capable of going into berserker rages and becoming extremely dangerous in combat for that reason.  There is no record of either man doing anything of the sort in real life. Robert Silverberg has fun with the notion when the resurrected REH and HPL, who have become traveling companions, meet an actual Bronze Age hero (Gilgamesh) in Janet Morris' Heroes in Hell series.  Ironically, Non Action Guy H. P. Lovecraft acquits himself better in the encounter better than does Robert E. Howard, who winds up greatly-annoying Gilgamesh by acting like a somewhat homo-erotic Fan Boy.  (Silverberg may have been more than a little unfair to both writers in the tale).

(15) - This concept, that Man ascends to civilization only to be destroyed by those who remain barbarians because civilization is inherently-decadent, thus weakening, thus perhaps ultimately pointless, lay behind a lot of the stories of Robert E. Howard.  It's a profoundly-pessimistic view of destiny, and one shared in modified form by H. P. Lovecraft.

(16) - As I said, and as John O'Donnel ultimately realized, one can't put too much faith in the patrilineal elements of genealogies.

===
COMMENTARY

This story is about race memories, and the linkages between known prehistory and the Hyborean Age of Robert E. Howard.  Here, the race-memories seem to have become somehow imbued in the ancient flint mallet, which somehow took over Ketrick when he tried to swing the axe and O'Donnel when he was struck by the weapon.

We know that the flint mallet somehow caused Ketrick to strike O'Donnel, which means that it at least took over Ketrick's neuromuscular system to the extent necessary to force a strike hard enough to produce unconsciousness.  We also know that in turn the memory of Aryara somehow merged with the mind of John O'Donnel, changing some of his basic attitudes:  in particular, he now regards his former friend Ketrick as an inhuman enemy who must be slain despite the likely cost to O'Donnel himself -- based solely on an element of Ketrick's racial descent.

This poses several obvious questions:

(1) - How is this race-memory transmitted?

There are problems with direct genetic transmission, since the degree of information involved even in O'Donnel's short flashback would be immense, especially when one considers all the other lives in between Aryara and John O'Donnel.  What's more, Aryara may have died a virgin:  notice that he was but a "youth" and may not yet have been allowed to have sexual relations with women, and also note that he dies at the end of the flashback, hence could not have genetically-transmitted that memory.

(There are at least two obvious ways in which Aryara could have left direct descendants, the first of which would have been romantic but risque, the second of which would have mildly disgusted REH's intended audience -- namely, a forbidden love with a maiden of his tribe, or the use of a slave-girl.  Either detail would probably have detracted from the tale).

The implication is that it was the spirit of Aryara, somehow linked to the mallet (which may have been the one which slew him) which entered into John O'Donnel (eased by some genetic similarity).  Aryara died with such hatred of the Children of the Night that this hatred now imbues John O'Donnel, giving him murderous intentions toward someone who is even slightly descended from that race.  I would view O'Donnel as now being at least slightly insane (I'm not sure how REH intends us to consider the case).

(2) - What has happened to Ketrick?


Ketrick's case is more interesting, because since the story is in the first-person limited, we have no idea of what Ketrick may have internally experienced.  There is at least one hint that, just as O'Donel has become partially-possessed by Aryara, Ketrick may have become partially-possessed by the spirit of some long-dead Serpent Man:

... Ketrick stood just in front of me, still holding the mallet, his face schooled to a polite perturbation which his eyes did not show.

Ketrick showed no sign of being evil or inhuman before handling the mallet, so we may conjecture that Ketrick has had an experience similar to O'Donnel's (without the unconsciousness).

An even more sinister possibility is that Ketrick always knew he was descended from the Serpent Men, and that the mallet has merely accentuated evil tendencies which were always within him.  If this is the case, Ketrick may have resources beyond those of the ordinary scholar with which to fight O'Donnel.

(3) - What Happens Next?

John O'Donnel now wants to kill Ketrick, and Ketrick may also want to kill O'Donnel.  I think it's safe to say that violence is now in the offing.  It's far from obvious, from the information presented, exactly what capabilities each man has to bring to bear ... and, thus, who will win.

Conclusion

This story is in part about the difference between civilization and barbarism, and the thin veneer separating scholar from savage.  O'Donnel the scholar might have been horrified to learn that Ketrick was partly of inhuman origin, but he probably would have wanted to discuss the issue with Ketrick, rather than simply assume that Ketrick was an enemy who must be destroyed.  Aryara, the barbarian, is equally horrified, but expresses his horror in immediate murderous rage.

This concept -- the contrast between civilization and barbarism, and the possible SUPERIORITY of barbarism -- was very common in stories from 1914 through 1945.  This was, after all, an era in which a proud civilization, looking back on almost a century of peace and prosperity, tore itself to bits in warfare of incredible savagery, and in which a country at the heart of European civilization fell into a night of surpassing evil.


The same racialist view of history which motivated both Robert E. Howard and Howard P. Lovecraft was, of course, part of the problem.  A World War originally-caused by rival imperial ambitions was cast on all sides as a race-war for survival, an attitude which caused the protraction of that war long past the point when its mutual futility became obvious.  And that same racialist philosophy, rising in Germany and Japan, is what directly sparked the Second World War.

Both REH and HPL in the later 1930's began to turn away from the most extreme manifestations of this racism.  We do not know what they would have thought had they lived through World War II:  neither man even lived to see it begin, as REH died in 1936 and HPL in 1937.

But the change in our philosophies toward racism, caused in part by the horrors of World War II, is one of the reasons why this story has a slightly alien feel to it in its basic assumptions.  Let's hope that these changes stick:  in just the last decade I have seen the return of respectable racism, though it's mostly being expressed from different racial groups.

Let us hope that our ancestral hatreds do not mean that, eight decades from now, some successor of mine has more World Wars in whose light to discuss the vagaries of weird fiction.

END.