Thursday, October 11, 2012

Reprint - "The Pygmy Planet" (1932) by Jack Williamson

"The Pygmy Planet"

 

(c) 1932

by

Jack Williamson


Down into the infinitely small goes Larry on his mission to the Pygmy Planet.

"Nothing ever happens to me!" Larry Manahan grumbled under his breath, sitting behind his desk at the advertising agency which employed his services in return for the consideration of fifty a week. "All the adventure I know is what I see in the movies, or read about in magazines. What wouldn't I give for a slice of real life!"
Illustration
Illustration 
Unconsciously, he tensed the muscles of his six feet of lean, hard body. His crisp, flame-colored hair seemed to bristle; his blue eyes blazed. He clenched a brown hammer of a fist.

Larry felt himself an energetic, red-blooded square peg, badly afflicted with the urge for adventure, miserably wedged in a round hole. It is one of the misfortunes of our civilization that a young man who, for example, might have been an excellent pirate a couple of centuries ago, must be kept chained to a desk. And that seemed to be Larry's fate.

"Things happen to other people," he muttered. "Why couldn't an adventure come to me?"

He sat, staring wistfully at a picture of a majestic mountain landscape, soon to be used in the advertising of a railway company whose publicity was handled by his agency, when the jangle of the telephone roused him with a start.

"Oh, Larry—" came a breathless, quivering voice.

Then, with a click, the connection was broken.

The voice had been feminine and had carried a familiar ring. Larry tried to place it, as he listened at the receiver and attempted to get the broken connection restored.

"Your party hung up, and won't answer," the operator informed him.

He replaced the receiver on the hook, still seeking to follow the thin thread of memory given him by the familiar note in that eager excited voice. If only the girl had spoken a few more words!

Then it came to him.

"Agnes Sterling!" he exclaimed aloud.

Agnes Sterling was a slender, elfish, dark-haired girl—lovely, he had thought her, on the occasions of their few brief meetings. Larry knew her as the secretary and laboratory assistant of Dr. Travis Whiting, a retired college professor known for his work on the structure of the atom. Larry had called at the home-laboratory of the savant, months before, to check certain statistics to be used for advertising purposes and had met the girl there. Only a few times since had he seen her.

Now she had called him in a voice that fairly trembled with excitement—and, he thought, dread! And she had been interrupted before she had time to give him any message.

For a few seconds Larry stared at the telephone. Then he rose abruptly to his feet, crammed his hat on his head, and started for the door.

"The way to find adventure is to go after it," he murmured. "And this is the invitation!"

It was not many minutes later that he sprang out of a taxi at the front of the building in which Dr. Travis Whiting made his home and maintained a private experimental laboratory. It was a two-story stucco house, rather out of date, set well back from the sidewalk, with a scrap of lawn and a few straggling shrubs before it. The door was closed, the windows curtained blankly. The place seemed deserted and forbidding.

Larry ran up the uneven brick walk to the door and rang the bell. Impatiently, he waited a few moments. No sound came from within. He felt something ominous, fateful, about the silent mystery that seemed to shroud the old house. For the first time, it occurred to him that Agnes might be in physical danger, as a result of some incautious experiment on the part of Dr. Whiting.



Instinctively, his hand sought the door knob. To his surprise, the door was unlocked. It swung open before him. For a moment he stared, hesitating, into the dark hall revealed beyond. Then, driven by the thought that Agnes might be in danger, he advanced impulsively.

The several doors opening into the hall were closed. The one at the back, he knew, gave admittance to the laboratory. Impelled by some vague premonition, he hastened toward it down the long hall and threw it open.

As he stepped inside the room, his foot slipped on a spot of something red. Recovering his balance with difficulty, he peered about.

Bending down, Larry briefly examined the red spot on which he had slipped. It was a pool of fresh blood which had not yet darkened. Lying beside it, crimson-splashed, was a revolver. As he picked up the weapon, he cried out in astonishment.

Something had happened to the gun. The trigger guard was torn from it, and the cylinder crushed as if in some resistless grasp; the stock was twisted, and the barrel bent almost into a circle. The revolver had been crumpled by some terrific force—as a soft clay model of it might have been broken by the pressure of a man's hand.

"Crimson shades of Caesar!" he muttered, and dropped the crushed weapon to the floor again.

His eyes swept the silent laboratory.

It was a huge room, taking up all the rear part of the house, from the first floor to the roof. Gray daylight streamed through a sky-light, twenty feet overhead. The ends of the vast room were cluttered with electrical and chemical apparatus; but Larry's eye was caught at once by a strange and complex device, which loomed across from him, in the center of the floor.


Two pillars of intense light, a ray of crimson flame and another of deeply violet radiance, beat straight down from a complicated array of enormous, oddly shaped electron tubes, of mirrors and lenses and prisms, of coils and whirling disks, which reached almost to the roof. Upright, a yard in diameter and almost a yard apart, the strange columns of light were sharp-edged as two transparent cylinders filled with liquid light of ruby and of amethyst. Each ray poured down upon a circular platform of glass or polished crystal.

Hanging between those motionless cylinders of red and violet light was a strange-looking, greenish globe. A round ball, nearly a yard in diameter, hung between the rays, almost touching them. Its surface was oddly splotched with darker and lighter areas. It was spinning steadily, at a low rate of speed. Larry did not see what held it up; it seemed hanging free, several feet above the crystal platforms.

Reluctantly he withdrew his eyes from the mysterious sphere and looked about the room once more. No, the laboratory was vacant of human occupants. No one was hidden among the benches that were cluttered with beakers and test tubes and stills, or among the dynamos and transformers in the other end of the room.

A confusion of questions beat through Larry's brain.

What danger could be haunting this quiet laboratory? Was this the blood of Agnes Sterling or the scientist who employed her that was now clotting on the floor? What terrific force had crumpled up the revolver? What had become of Agnes and Dr. Whiting? And of whatever had attacked them? Had Agnes called him after the attack, or before?


Despite himself, his attention was drawn back to the little globe spinning so regularly, floating in the air between the pillars of red and violet flame. Floating alone, like a little world in space, without a visible support, it might be held up by magnetic attraction, he thought.

A tiny planet!

His mind quickened at the idea, and he half forgot the weird mystery gathering about him. He stepped nearer the sphere. It was curiously like a miniature world. The irregular bluish areas would be seas; the green and the brown spaces land. In some parts, the surface appeared mistily obscured—perhaps, by masses of cloud.

Larry saw an odd-looking lamp, set perhaps ten feet behind the slowly spinning, floating ball, throwing upon it a bright ray of vividly blue light. Half the strange sphere was brilliantly illuminated by it; the rest was in comparative darkness. That blue lamp, it came to Larry, lit the sphere as the sun lights the earth.

"Nonsense!" he muttered. "It's impossible!"

Aroused by the seeming wonder of it, he was drawn nearer the ball. It spun rather slowly, Larry noted, and each rotation consumed several seconds. He could distinguish green patches that might be forests, and thin, silvery lines that looked like rivers, and broad, red-brown areas that must be deserts, and the broad blue stretches that suggested oceans.

"A toy world!" he cried. "A laboratory planet! What an experiment—"

Then his eyes, looking up, caught the glistening, polished lens of a powerful magnifying glass which hung by a black ribbon from a hook on one of the heavy steel beams which supported the huge mass of silently whirring apparatus.


Eagerly, he unfastened the magnifier. Holding it before his eyes, he bent toward the strange sphere spinning steadily in the air.

"Suffering shades of Caesar!" he ejaculated.

Beneath the lens a world was racing. He could see masses of vividly green forest; vast expanses of bare, cracked, ocherous desert; wastes of smooth blue ocean.

Then he was gazing at—a city?

Larry could not be sure that he had seen correctly. It had slipped very swiftly beneath his lens. But he had a momentary impression of tiny, fantastic buildings, clustered in an elflike city.

A pygmy planet, spinning in the laboratory like a world in the gulf of space! What could it mean? Could it be connected with the strange call from Agnes, with the blood on the floor, with the strange and ominous silence that shrouded the deserted room?

"Oh, Larry!" a clear, familiar voice rang suddenly from the door. "You came!"

Startled, Larry leaped back from the tiny, whirling globe and turned to the door. A girl had come silently into the room. It was Agnes Sterling. Her dark hair was tangled. Her small face was flushed, and her brown eyes were wide with fear! In a white hand, which shook a little, she carried a small, gold-plated automatic pistol.

She ran nervously across the wide floor to Larry, with relief dawning in her eyes.

"I'm so glad you came!" she gasped, panting with excitement. "I started to call you on the phone, but then I was afraid it would kill you if you came! Please be careful! It may come back, any minute! You'd better go away! It just took Dr. Whiting!"

"Wait a minute," Larry put in. "Just one thing at a time. Let's get this straight. To begin with, what is it that might kill me, and that got the doctor?"

"It's terrible!" she gasped, trembling. "A monster! You must go away before it comes back!"


Larry drew a tall stool from beside one of the crowded tables and placed it beside her.

"Don't get excited," he urged. "I'm sure everything will be all right. Just sit down, and tell me about it. The whole story. Just what is going on here, and what happened to Dr. Whiting."

He helped her upon the stool. She looked up at him gratefully, and began to speak in a rapid voice.

"You see that little planet? The monster came from that and carried the doctor back there. And I know it will soon be back for another victim—for sacrifice!"

She had pointed across the great room, toward the strange little globe which hung between the pillars of red and violet light.

"Please go slow!" Larry broke in. "You're too fast for me. Are you trying to tell me that that spinning ball is really a planet?"

Agnes seemed a little more composed, though she was still flushed and breathing rapidly. Her small hand still gripped the bright automatic.

"Yes, it is a planet. The Pygmy Planet, Dr. Whiting called it. He said it was the great experiment of the century. You see, he was testing evolution. We began with the planet, young and hot, and watched it until it is now almost as old as Mars. We watched the change and development of life upon it. And the rise and decay of a strange civilization. Until now its people are strange things, with human brains in mechanical bodies, worshiping a rusty machine like a god—"

"Go slow!" Larry pleaded again. "I don't see—Did the doctor build—create—that planet himself?"

"Yes. It began with his work on atomic structure. He discovered that certain frequencies of the X-ray—so powerful that they are almost akin to the cosmic ray—have the power of altering electronic orbits. Every atom, you know, is a sort of solar system, with electrons revolving about a proton.

"And these rays would cause the electrons to fall into incredibly smaller orbits, causing vast reduction in the size of the atoms, and in the size of any object which the atoms formed. They would cause anything, living or dead, to shrink to inconceivably microscopic dimensions—or restore it to its former size, depending upon the exact wave-length used.

"And time passes far more swiftly for the tiny objects—probably because the electrons move faster in their smaller orbits. That is what suggested to Dr. Whiting that he would be able to watch the entire life of a planet, in the laboratory. And so, at first, we experimented merely with solitary specimens or colonies of animals.

"But on the Pygmy Planet, we have watched the life of a world—the whole panorama of evolution—"



"It seems too wonderful!" Larry muttered. "Could Dr. Whiting actually decrease his size and become a dwarf?"

"No trick at all," Agnes assured him. "All you have to do is stand in the violet beam, to shrink. And move over in the red one, when you want to grow. I have been several times with Dr. Whiting to the Pygmy Planet."

"Been—" Larry stopped, breathless with astonishment.

"See the little airplane," Agnes said, pointing under the table.

Larry gasped.

Beneath the table stood a toy airplane. The spread of its glistening, perfect wings was hardly three feet. A wonderful, delicate toy, accurate in every detail of propeller, motor and landing gear, of brace and rudder and aileron. Then he realized that it was no toy at all, but a faithful miniature of a commercial plane. A complete, tiny copy of one of the latest single-motor, cabin monoplane models.

"It looks like it would fly," he said "a friend of mine his a big one, just like it! Taught me to fly it, last summer vacation. This is the very image of it!"

"It will fly!" Agnes assured him, now composed enough to smile at his amazement. "I have been with the doctor to the Pygmy Planet in it.

"You stand in the violet ray until you're about three inches high," she explained, "and then get into the plane. Then you fly up and into the violet ray at the point where it touches the planet, and remain there while you grow smaller. When you are the right size, all you have to do is drop to the surface, and land. To come away, you rise into the red ray and stay in it till you grow to proper size, when you come down and land."

"You—you've actually done that?" he gasped. "It sounds like a fairy story!"



"Yes, I've done it," she assured him. Then she shuddered apprehensively. "And the things—the machine-monsters, Dr. Whiting called them—have learned to do it, too. One of them came down the red ray, and attacked him. The doctor had a gun—but what could he do against one of those?" She shivered.

"It carried him back up the violet beam. Just a few minutes ago, I started to phone you. Then I was afraid you would be hurt—"

"Me, hurt?" Larry burst out. "What about you, here alone?"

"It was my business. Dr. Whiting told me there might be danger, when he hired me."

"And now, what can we do?" Larry demanded.

"I don't know," she said slowly. "I'm afraid one of the monsters will be back after a new victim. We could smash the apparatus, but it is too wonderful to be destroyed. And besides, Dr. Whiting may have escaped. He may be alive there, in the deserts!"

"We might fly up, in the little plane," Larry proposed, doubtfully. "I think I could pilot it. If you want—"

The girl's body stiffened. Her brown eyes widened with sudden dread, and her small face went pale. She slipped quickly from the stool, drawing in her breath with a sort of gasp. The hand that gripped the automatic trembled a little.

"What's the matter?" Larry cried.

"I thought—" she gasped, "I think I see something in the ray! The machine-monster is coming back!"

Her lips tightened. She lifted the little automatic and began to shoot into the pillar of crimson fire beside the tiny, spinning globe.

Larry, watching tensely, saw a curious, bird-like something fluttering about in the red ray, swiftly growing larger!

Deliberately, and pausing to aim carefully for each shot, the girl emptied the little gun at the figure. Her body was rigid, her small face was firmly set, though she was breathing very fast.



A curious numbness had come over Larry. His only physical sensations were the quick hammering of his heart, and a parching dryness in his throat. Terror stiffened him. Though he would not have admitted it, he was paralyzed with fear.
The glittering thing that fluttered about in the crimson ray was not an easy target. When the gun was empty, it seemed still unharmed. And its wings had increased to a span of a foot.

"Too late!" Agnes gasped. "Why didn't we do something?"

Trembling, horror-stricken, she shrank toward Larry.

He was staring at the thing in the pillar of scarlet light.

It had dropped to the crystal disk upon which the red ray fell from the huge, glowing tube above. It stood there, motionless except for the swift increase of its size.

Larry gazed at it, lost in fear and wonder. It was like nothing he had ever seen. What was it that Agnes had said, of machine-monsters, of human brains in mechanical bodies? His brain reeled. He strained his eyes to distinguish the monstrosity more clearly. It was veiled in crimson flame; he could not see it distinctly.

But suddenly, when it was as tall as himself, it sprang out into the room, toward Larry and the shuddering girl. Just off the crystal disk, beyond the scarlet pillar of fire, it paused for long seconds, seeming to regard them with malevolent eyes.

For the first time, Larry could see it plainly.

Its body, or its central part, was a tube of transparent crystal; an upright cylinder, rounded at upper and lower ends. It was nearly a foot in diameter, and four feet long. It seemed filled with a luminous, purple liquid.

About the cylinder were three bands of greenish, glistening metal. Attached to the lower band were four jointed legs of the same bright green metal, upon which the strange thing stood.

Set in the middle band were two glittering, polished lenses, which seemed to serve as eyes, and Larry felt that they were gazing at him with malevolent menace. Behind the eyes, two wings sprang from the green band. Ingenious, folding wings, of thin plates and bars of green metal.

And from the upper band sprang four slender, glistening, whip-like tentacles, metallic and brilliantly green, two yards in length. They writhed with strange life!



It seemed a long time to Larry that the thing stood, motionless, seeming to stare evilly at them with eye-like lenses. Then, lurching forward a little, it moved toward them upon legs of green metal. And now Larry saw another amazing thing about it.

Floating in the brilliant violet liquid that filled the crystal tube was a gray mass, wrinkled and corrugated. This was divided by deep clefts into right and left hemispheres, which, in turn were separated into larger upper and smaller lower segments. White filaments ran through the violet liquid from its base toward the three rings or bands of green metal that encircled the cylinder.

In an instant, Larry realized that the gray mass was a human brain. The larger, upper part the cerebrum, the smaller mass at the back the cerebellum. And the white filaments were nerves, by means of which this brain controlled its astounding, mechanical body!

A brain in a machine!

The violet liquid, it came to Larry in his trance of wonder, must take the place of blood, feeding the brain-cells, absorbing waste.

An eternal mind, within a machine! Free from the ills and weaknesses of the body. And devoid, too, of any pity, of any tender feelings. A cold and selfish mind, without emotion—unless it might worship itself or its mechanical body.
It was this monster that had spilt the pool of blood drying on the floor, near the door. And it was these glistening, green, snake-like tentacles that had crumpled the revolver into a broken mass of steel!

Abruptly the machine-monster darted forward, running swiftly upon its four legs of green metal. Slender tentacles reached out toward the shuddering girl at Larry's shoulder.

"Run!" Agnes gasped to him, quickly. "It will kill you!"

The girl tried to push him back.

As she touched him, Larry recovered from his daze of wondering fear. Agnes was in frightful danger, and facing it with quiet courage. He must find a weapon!



Wildly, he looked about him. His eyes fell upon the tall, heavy wooden stool, upon which Agnes had been sitting.

"Get back!" he shouted to her.

He snatched up the stool, and, swinging it over his head, sprang toward the machine of violet-filled crystal and glittering green metal.

"Stop!" Agnes screamed, in a terrified voice. "You can't—"

She had run before him. He seized her arm and swung her back behind him. Then he advanced warily toward the machine-monster, which had paused and seemed to be regarding him with sinister intentness, through its glistening crystal eye-lenses.

With all his strength, Larry struck at the crystal cylinder, swinging the stool like an ax. A slender, metallic green tentacle whipped out, tore the stool from his hands, and sent it crashing across the room, to splinter into fragments on the opposite wall.

Larry, sent off his balance, staggered toward the glittering machine. As he stumbled against the transparent tube that contained the brain, he clenched his fist to strike futilely at it.

A snake-like metal tentacle wrapped itself about him; he was hurled to the floor, to sprawl grotesquely among broken apparatus.

His head came against the leg of a bench. For a few moments he was dazed. But it seemed only a few seconds to him before he had staggered to his feet, rubbing his bruised head. Anxiously, he peered about the room.

The machine-monster and Agnes were gone!

He stumbled back to the mass of apparatus in the center of the huge laboratory. Intently, he gazed into the upright pillar of crimson flame. Nothing was visible there.

"No, the other!" he gasped. "The violet is the way they went."



He turned to the companion ray of violet radiance that beat straight down on the opposite side of the tiny, whirling planet. And in that motionless torrent of chill violet flame he saw them.

Tiny, already, and swiftly dwindling!

With green wings outspread, the machine-monster was beating swiftly upward through the pillar of purple-blue flame. And close against the crystal tube that contained its brain, was Agnes, held fast by the whip-like tentacles of glistening green metal.

Larry moved to spring after them, into the torrent of violet light. But sudden caution restrained him.

"I'd shrink, too!" he muttered. "And then where would I be? I'd be standing on the glass platform, I guess. And the thing flying off over my head!"

He gazed at the rapidly dwindling forms of Agnes Sterling and her amazing abductor. As it grew smaller, the machine-monster flew higher in the violet beam, until it was opposite the tiny, spinning planet.

The distance between the red and the violet rays was just slightly more than the diameter of the pygmy world. The sphere hung between them, one side of it a fraction of an inch from the red, the other as near the violet.

Opposite the elfin planet, the monster ceased to climb. It hung there in the violet ray, an inch from the surface of the little world.

And still it swiftly dwindled. It was no larger than a fly, and Larry could barely distinguish the form of the girl, helpless in the green tentacles.

Soon she and the monster became a mere greenish speck.... Suddenly they were gone.



For a little time he stood watching the point where they had vanished, watching the red and the violet rays that poured straight down upon the crystal disks, watching the tiny, green-blue planet spinning so steadily between the bright rays.

Abruptly, he recovered from his fascination of wonder.

"What did she say?" he muttered. "Something about the monsters carrying off people to sacrifice to a rusty machine that they worship as a god! It took her—for that!"

He clenched his fists; his lips became a straight line of determination.

"Then I guess we try a voyage in the little plane. A slim chance, maybe. But decidedly better than none!"

He returned to the table, dropped on his knees, inspected the tiny airplane. A perfect miniature, delicately beautiful; its slim, small wings were bright as silver foil. Carefully, he opened the door and peered into the diminutive cabin. Two minute rifles, several Lilliputian pistols, and boxes of ammunition to match, lay on the rear seat of the plane.

"So we are prepared for war," he remarked, grinning in satisfaction. "And the next trick, I suppose, is to get shrunk to fit the plane. About three inches, she said. Lord, it's a queer thing to think about!"

He got to his feet, walked back to the machine in the center of the room, with its twin pillars of red and violet flame, and the tiny world floating between them. He started to step into the violet ray, then hesitated, shivering involuntarily, like a swimmer about to dive into icy cold water.

Turning back to one of the benches, he picked up a wooden funnel-rack, and tossed it to the crystal disk beneath the violet ray. Slowly it decreased in size, until it had vanished from sight.

"Safe, I suppose," he muttered. "But how do I know when I'm small enough?"



After a moment he picked up a glass bottle which measured about three inches in height, set it on the floor, beside the crystal disk.

"I dive out when I get to be the size of the bottle," he murmured.

With that, he leaped into the violet beam.

He felt no unusual sensation, except one of pleasant, tingling warmth, as if the direct rays of the sun were bearing down upon him. For a moment he feared that his size was not being affected. Then he noticed, not that he appeared to become smaller, but that the laboratory seemed to be growing immensely larger.

The walls seemed to race away from him. The green-blue sphere of the tiny planet which he proposed to visit expanded and drew away above his head.

Abruptly fearful, alarmed at the hugeness of the room, he turned to look at the bottle he had placed to serve as a standard of size. It had grown with everything else, until it seemed to be about three feet high.

And it was swiftly expanding. It reached to the level of his shoulder. And higher!

He ran to the edge of the crystal disk, which now seemed a floor many yards across, and leaped from its edge. It was a dozen steps to where he had left the bottle. And it was as tall as himself!

He started across the floor of the laboratory toward the table under which the toy plane stood. The incredible immensity of his surroundings awed him strangely. The walls of the room seemed distant, Cyclopean cliffs; the roof was like a sky. Table legs towered up like enormous columns.

It seemed a hundred yards across the strangely rough floor to the plane. As he drew near it, it gave him huge satisfaction to see that it was of normal size, correctly proportioned to his own dimensions.

"Great luck," he muttered, "that I can fly!"


He paused, as he reached the cabin's open door, to wonder at the astounding fact that a little while ago he had opened that door with a hand larger than his entire body now was.

"I guess this is my day of wonders!" he muttered. "Allah knows I had to wait long enough for it!"

First he examined the weapons in the cabin. There were two heavy sporting rifles and two .45 automatics. There were also two smaller automatics, which, he supposed, had been intended for Agnes' use. And there was abundant ammunition.

Then he inspected the plane. It looked to be in excellent condition in every way. The gasoline and oil tanks were full.

He set about starting the motor, using the plane's inertia starter, which was driven by an electric motor. Soon the engine coughed, sputtered, and gave rise to a roaring, rhythmic note that Larry found musical.

When the motor was warm, he opened the throttle and taxied out from beneath the colossal table, and across the laboratory floor toward the Titanic mechanism in the center of the room. The disk of crystal was set almost flush with the floor, its edge beveled. The plane rolled easily upon it, and out into the Cyclopean pillar of violet flame.

Once more, Larry felt the sensation that everything about him except the plane itself, was expanding inconceivably in size. Soon the laboratory's walls and roof were lost in hazy blue distance. He could distinguish only the broad, bright field formed by the surface of the crystal disk, with the floor stretching away beyond it like a vast plain. And above, the green-blue sphere of the tiny planet, bright on one side and dark on the other, so that it looked like a half-moon, immensely far-off.


As he waited, he noticed a curious little dial, in a lower corner of the instrument board, which he had not seen at first. One end of its graduated scale was marked, "Earth Normal," the other, "Pygmy Planet Normal." A tiny black needle was creeping slowly across the scale, toward "Pygmy Planet Normal."

"That's how we tell what size we are without having to look at a bottle," he muttered.

When the area of the crystal platform appeared to be about half a square mile, he decided that he would now have sufficient space to spiral up the violet ray toward the planet. If he waited too long to start, the distance would become impossibly great.

He gave the little plane the gun. The motor thundered a throbbing song; the ship rolled smoothly forward over the polished surface, gained flying speed and took the air without a shock.

"Feels good to hold the stick again!" Larry murmured.

Making small circles to keep within the upright pillar of violet radiance, he climbed steadily and as rapidly as possible, keeping his eyes upon the brilliant half-moon of the Pygmy Planet.

The strangest flight in the annals of aviation! He was flying toward a goal that, a few minutes before, he could have touched. Toward a goal that, at the beginning of his flight, was only a few lengths of his plane away. And his size dwindled so rapidly as he flew that the planet seemed to swell and draw away from him.

As Larry and the plane grew smaller, the relative size of the violet ray increased, so there was no longer much danger of flying out of it. It seemed that he flew through a world of violet flame.

He met a curious problem in time. It is evident that time passes faster for a small animal than for a large one, because nerve currents require a shorter time in transit, and all thought and action is consequently speeded up. It took a hundred-foot dinosaur nearly a second to know that his tail had been pinched. A fly can get under way in time to escape a descending swatter. The Pygmy Planet rotated in a few seconds of earth time; one of its inhabitants might have lived, aged, and died in the duration of a single day in our larger world.



So Larry found that time seemed to pass more rapidly, or rather that the time of the world he had left appeared to move more slowly, as he adventured into smallness. He had been flying, it seemed to him, nearly an hour when he reached the level of the planet's equator.

Now it seemed a vast world, filling half the visible universe. He flew toward it steadily, until he knew, by the fading before him of the violet flame which now seemed to fill all space, that he was near the edge of the ray. And as he flew, he watched the little scale, upon which the black needle was now nearing the line marked, "Pygmy Planet Normal."

Circling slowly, keeping always on the level of the planet's equator, and near the edge of the violet ray, so as to be as close as possible to his landing place when he reached the proper size, he watched the creeping black needle.

Too, he scanned with eager eyes the planet floating before him. Bare, red deserts; narrow strips of green vegetation; shrunken, blue oceans; silvery lines of rivers, passed in fascinating panorama beneath his eyes. The rate of the planet's spinning seemed continually to lessen, with the changing of his own sense of time.

Agnes! Larry thought of her with a curious, eager pain in his heart. She was somewhere on that strange, ancient world, a prisoner of weird machine-monsters! Intended victim of a grotesque sacrificial ceremony!

Could he find her, in the vastness of an unfamiliar world? And having found her, would there be a chance to rescue her from her hideous captors? The project seemed insane. But Larry felt a queer, unfamiliar urge, which, he knew, would drive him on until he had discovered and saved her—or until he was dead.



At last, when it seemed to Larry nearly three hours since he had begun this amazing flight, the crawling ebon needle reached the mark, "Pygmy Planet Normal."

He flew out of the wall of violet flame toward the planet's surface. Before, the distance between the planet and the ray's edge had seemed only the fraction of an inch. Now it appeared to be many miles.

Abruptly the Pygmy Planet, which had seemed to be beside him, appeared to swing about, so that it was beneath him. He knew that it was a change merely in his sensations. He was feeling the gravitation of the new world. It was pulling him toward it!

He cut the throttle, and settled the plane into a long glide, a glide that was to end upon the surface of a new planet!
In what seemed half an hour more, Larry had made a safe landing upon the Pygmy Planet. He had come down upon a stretch of fairly smooth, red, sandy desert, which seemed to stretch illimitably toward the rising sun, which direction Larry instinctively termed "east."

To the "west" was a line of dull green—evidently the vegetation along a stream. The ocher desert was scattered with sparse clumps of reddish, spiky scrub. Larry taxied the plane into one of those thickets. Finding canvas and rope in the cabin, he staked down the machine, and muffled the motor.

Then, selecting a rifle and a heavy automatic from the weapons in the cabin, and filling his pockets with extra ammunition, he left the plane and set out with brisk steps toward the green line of vegetation.

"I'll follow along the river," he reasoned. "It may lead me somewhere and it will show the way back to the plane. I may come across something in the way of a clue. Can't go exploring by air, or I'll burn up all the gas and be stranded here!"



To his surprise, the water course proved to be an ancient canal, walled with crumbling masonry. Its channel was choked with mud and thorny, thick-leaved desert shrubs of unfamiliar variety; but a feeble current still flowed along it.

After some reflection, Larry set out along the banks of the canal.

He followed it for two days.

Curious straight bars of light were visible across the sky—a band of violet in the morning; one of crimson at evening. Their apparent motion was in the same direction as that of the sun. The bars of light puzzled him considerably before it occurred to him that they must be the red and violet rays.

"So you wait till evening, and then fly up into the red ray, to go home," he muttered. "But I may not need that information," he added grimly. "Seems to be a pretty big job to search a planet on foot, for one person. And I'm not going back without Agnes!"

In the afternoon of the second day, he came within view of a city. He could discern vast, imposing walls and towers of dark stone. It stood in the barren red desert, far back from the green line of the old canal. Larry left the canal and started wearily across toward it. He had covered several miles of the distance before he saw that the lofty towers were falling, the magnificent walls crumbling. The city was ruined, dead, deserted!

The realization brought him a great flood of despair. He had hoped to find people—friends, from whom he might get food, and information about this unfamiliar planet. But the city was dead.

Larry was standing there, in the midst of the vast red plain between ruined city and ruined canal. Tired, hungry, lonely and hopeless. He was looking up at the white "sun," trying to comfort himself with the thought that the brilliant luminary was merely a queer blue lamp, that he was upon a tiny experimental world in a laboratory. But the thought brought him no relief; only confusion and a sense of incredulity.


Then he saw the machine-monster.

A glittering, winged thing of crystal and green metal, identical with the one he had encountered in the laboratory. It must already have seen him, for it was dropping swiftly toward him.

Larry started to run, took a few staggering steps. Then he recalled the heavy rifle slung over his shoulder. Moving with desperate haste, he got it into his hands and raised it just as the monster dropped to the red sand a dozen yards away from him.

Steadily he covered the crystal cylinder within which the thing's brain floated in luminous violet liquid. His finger tightened on the trigger, ready to send a heavy bullet crashing into it. Then he paused, swore softly, lowered the gun.

"If I kill it," he murmured, "I may never find Agnes. And if I let it carry me off, it may take me where she is."

He walked toward the monster, across the red sand.

It stood uncertainly upon green metal legs, seeming to stare at him strangely with eye-like lenses. Its wings of thin green metal plates, were folded; its four green tentacles were twitching oddly.

Abruptly, it sprang upon him.

A green tentacle seized the rifle and snatched it from his hands. He felt the automatic pistol and the ammunition being removed from his pockets.

Then, firmly held in the flexible arms of green metal, he was lifted against the cylinder of violet liquid. The monster spread its broad emerald wings, and Larry was swiftly borne into the air.

In a few moments the wide ruins of the ancient city were spread below, with the green line of the choked canal cutting the infinite red waste of the desert beyond it.

The monster flew westward.



For a considerable time, nothing save barren, ocherous desert was in view. Then Larry's weird captor flew near a strange city. A city of green metal. The buildings were most fantastic—pyramids of green, crowned with enormous, glistening spheres of emerald metal. An impassable wall surrounding the city.

Larry had expected the monster to drop into the city. But it carried him on, and finally settled to the ground several miles beyond. The green tentacles released him, as the thing landed, and he sprawled beside it, dizzy after his strange flight.

As Larry staggered uncertainly to his feet, he saw that the monster had released him in an open pen. It was a square area, nearly fifty yards on each side, and fenced with thin posts or rods of green metal, perhaps twenty feet high. Set very close together, and sharply pointed at the top, they formed a barrier apparently insurmountable.

In the center of the pen was a huge and strange machine, built of green metal. It looked very worn and ancient; it was covered with patches of bluish rust or corrosion. At first it looked quite strange to Larry; then he was struck by a vaguely familiar quality about it. Looking closer, he realized that it was a colossal steam hammer!

Its design, of course, was unfamiliar. But in the vast, corroded frame he quickly picked out a steam chest, cylinder, and the great hammer, weighing many tons.

He gasped when his eyes went to the anvil.

A man was chained across it.

A man in torn, grimy clothing, fastened with fetters of green metal upon wrists and ankles, so that his body was stretched beneath the massive hammer. He seemed to be unconscious; upon his head, which was turned toward Larry, was a red and swollen bruise.

The monster which had dropped Larry within the pen rose again into the air. And Larry started forward, trying to remember just what Agnes had told him of a machine to which the monsters sacrificed.

This must be the machine—this ancient steam hammer!

As he moved forward, Agnes came into view.



She walked around the massive base of the great machine, carrying a bowl filled with a fragrant brown liquid. She stopped at sight of Larry, and uttered a little cry. The bowl fell from her hands, and the fragrant liquid splashed out on the ground. Her brown eyes went wide with delighted surprise; then a look of pain came into them.

"Larry, Larry!" she cried. "Why did you come?"

"To get you," he answered, trying to speak as lightly as he could. "And the best way I knew to find you was to let one of the monsters bring me. Cheer up!" But even to himself, his voice had a tone of discouragement.

She smiled wanly. "I don't see anything to be cheerful about." Her small face was set and a little white. "Dr. Whiting is going to be smashed under the hammer of this dreadful machine, whenever the steam is up. Then it is my turn. And yours. That's nothing to laugh about."

"But we aren't smashed yet!" Larry insisted.

"By the way, what was that in the bowl?" he went on, glancing down. "I forgot to bring lunch." He grinned.
She looked down, startled.

"Oh. Dr. Whiting's soup. Poor fellow, I'm afraid he'll never awake to eat it. There's plenty more. Come around here."
She picked up the bowl and led him around the base of the machine; then she filled the bowl again with the fragrant, red-brown liquid, from a tall urn of green metal. Larry took the dish eagerly and gulped down the rather insipid and tasteless food.

"And the monsters worship this old steam hammer?" he inquired, when his hunger was appeased.

"Yes. I think the thing is worked by steam generated by volcanic heat. Anyhow, there isn't any boiler, and the steam pipe comes up out of the ground. You can see that. So it runs on, without any attention—though I guess the heat is dying down, since it is several days between blows of the hammer.

"And I guess the monsters have forgotten how they used to rule machines. They seem to have depended upon machines, even giving up their own bodies for mechanical ones, until the machine rules them.

"And when this old hammer kept pounding on through the ages, using volcanic steam, I guess they got to considering it alive. They began to regard it as a sort of god. And when they got the idea of giving it sacrifices, it was natural enough to place the victims under the hammer."



They went back to Dr. Whiting who was chained across the anvil. He was still breathing, but unconscious. He had been injured in a struggle with the monsters, and his body was much emaciated. Agnes explained that he had been a prisoner in the pen for many months of the time of this world, waiting his turn to die; she said that the monsters had just completed the extermination of another race upon the Pygmy Planet, and were just turning to the greater world for victims.

Larry noticed that the great hammer was slowly rising in its guides, as the pressure of the steam from the planet's interior increased. In a few hours—just at sunset—it reached the top of its stroke.

The air above the pen was suddenly filled with glittering swarms of the green-winged monsters, sweeping slowly about, in measured flight, with strange order in their masses. They had come to witness the sacrifice!

With an explosive rush of steam, the hammer came down!

The ground trembled beneath the terrific blow; the roaring of escaping steam and the crash of the impact were almost deafening. A heavy white cloud shrouded the corroded green machine.

When the hammer slowly lifted, only a red smear was left....

Agnes had shrunk, trembling, against Larry's shoulder. He had put his arms about her and was holding her almost fiercely.

"My turn next," she whispered. "And don't try to fight them. It will only make them hurt you!"

"I can't let them take you, Agnes!" Larry cried, in an agonized tone. And the words seemed to leap out, of themselves, "Because I love you!"

"You do?" Agnes cried, in a thin, choking voice, pressing herself against him. "Ever since the first time you came to the laboratory—"

A score of the monster forms of violet-filled crystal and gleaming green metal had dropped into the pen. They tore Agnes from Larry's arms, hurling him roughly to the ground, at the bottom of the green metal fence. For some time he was unconscious.



When he had staggered painfully to his feet, it was night. The monsters were gone; the starless sky was black and empty. Calling out weakly, and stumbling about the pen, he found Agnes. She was chained where Dr. Whiting had been.
She was conscious, unharmed. For a time they talked a little, exchanging broken, incoherent phrases. Then they went to sleep, lying on the anvil, beneath that mighty hammer that was slowly lifting to strike another fearful blow.

When the "sun" had risen again, Larry brought Agnes some of the brown soup from the metal urn, which had been filled again. Then, when he had satisfied himself, he started clambering up the massive frame of the hammer.
If he could put it out of commission!

It was a difficult task. He slipped back many times, and finally had to choose another place to make the ascent. Twice he slipped and almost fell from a considerable height. But finally he reached the massive wheel of the valve which seemed to control the admission of steam into the cylinder above the hammer.

If he could but close that, the steam would be confined in the chest below. And when the pressure reached a certain point, something should happen!

The valve was not easy to turn; it seemed fixed with the corrosion of ages. For hours Larry wrestled with it. Then he left it, realizing that he must find something to use for a hammer. A vigorous search of the pen's hard earth floor failed to reveal any stone that would do. He turned his attention to the machine, and presently saw a slender projecting lever, high up on the side of the vast frame, which looked as if it had been weakened by corrosion. After a perilous climb, he reached the bar of green metal and swung his weight upon it. It broke, and he plunged to the ground with the bar in his hands.



Clambering up once more to the great valve, he hammered it until the rust that stiffened it was loosened. Then he struggled with the valve until it was closed.

"We'll see what happens!" he muttered.

Returning to the ground, he set to work to break the green metal fetters upon Agnes' wrists and ankles, using the broken lever as hammer and file.

For the greater part of six days he toiled at that task, while the great hammer rose slowly. But the green metal seemed very hard. One arm was free at the end of the second day, the other on the fourth. He had one ankle loose on the morning of the sixth day. But as evening came on, and the great hammer reached the top of its stroke, the fourth chain still defied him.

Before sunset, a swarm of the monsters appeared, wheeling on green wings. He was forced to leave the work, hiding his improvised file.

Agnes still lay across the anvil, to conceal from the monsters the fact that the chains were broken. Larry sat close beside her, nursing hands that were blistered and sore from his days of filing at the chains.

A sudden clatter came from the huge mechanism above them, and a sharp hiss of steam, which became louder.

"It works!" Larry whispered to Agnes. "The old valve held, and the steam can't get into the cylinder to smash us! But Allah knows what will happen when the pressure rises in that old steam chest!"

Darkness came. Dusk swallowed the wheeling machine-monsters. All night Larry and Agnes waited silently, together on the great anvil, listening to the hissing of steam from above, which was slowly becoming a shrill monotonous scream; monotonous, always higher, shriller.

The "sun" rose again. Still the green-winged monsters wheeled about. They came in glittering swarms, thousands of them. They came nearer the machine now, and flew about more swiftly, is if excited.


Then it happened.

There was a roar like thunder, and a colossal, bellowing explosion. The air was filled suddenly with scalding steam, and with screaming fragments of the bursting steam chest. In the midst of it all, Larry felt a crushing blow upon the head. And a blanket of darkness fell upon him....

"The monsters are all gone, darling," Agnes' voice reached him. "As though they were very much frightened. And a piece of the old hammer hit the fence and knocked a hole in it. You must go. Leave me—"

"Leave you?" Larry groaned, struggling to sit up. "Not a bit of it!" He touched his head gingerly, felt a swollen bruise.
Collecting a few fragments of the wrecked machine, to serve as tools, he fell to work again upon Agnes' remaining chain. Already he had cut a deep groove in it. Two hours later, it was broken.

Carrying the metal urn of brownish liquid, they crept out through the hole in the fence, which had been torn by the flying fragment of a broken casting of green metal. They left the wreck of the machine which a strange race had worshiped as a bloody god and hurried furtively into the desert of red sand.

Making a wide circuit about the fantastic city of green metal, which Larry had seen from the air, they struck out eastward across the desolate ocherous waste. The food in the urn, eaten sparingly, lasted until the end of the eighth day.
On the morning of the ninth, they came in view of the green line of the ancient canal. It was hours later that they staggered weakly over its wall of crumbling masonry, clambered down into the muddy, weed-grown channel, and drank thirstily of green, tepid water.

Larry found his old trail, beyond the canal. They followed it back. In the middle of the afternoon they stumbled up to the thicket of spiky desert growth, in which Larry had hidden the plane.

The machine was undamaged.



Before sunset, Larry had removed the stake ropes, slipped the canvas cover from the motor, turned the plane around, inspected it, and examined the strip of smooth, hard red sand upon which he had landed.

Agnes pointed out the dim band of crimson across the sky, from north to south, slowly rising toward the zenith.

"That's the red ray," she said. "We fly into it."

"And a happy moment when we do," Larry rejoined.

He roused the motor to life.

As the bar of crimson light neared the zenith, the plane rolled forward across the sand and took off. Climbing steeply, Larry anxiously watched the approach of the red band. The gravitation of the Pygmy Planet seemed to diminish as he gained altitude, until presently he could fly vertically from it, without circling at all. He set the bow toward the scarlet bar across the sky before him.

And suddenly he was flying through ruby flame.

His eyes went to the little scale at the corner of the instrument board. He saw the little ebon needle waver, leave the mark designated "Pygmy Planet Normal" and start toward "Earth Normal."

For what seemed a long time, he was wheeling down the crimson ray. A few times he looked back at Agnes, in the rear seat. She had gone to sleep.

Then a vast, circular field was below—the crystal platform.

Larry landed the plane upon it, taxied to the center and stopped there, with the motor idling. The laboratory, taking shape in the blue abyss about him, seemed to contract swiftly.



Presently the plane covered most of the crystal disk. He taxied quickly off, stopped on the floor nearby, and cut the ignition. Agnes woke. Together they clambered from the plane's cabin and walked back into the crimson ray.

Once more the vast spaces of the room seemed to shrink, until it looked familiar once more. The Pygmy Planet, and the huge machine looming ever them, dwindled to natural size.

Agnes, watching a scale on the frame of the mechanism, which Larry had not noticed, leaped suddenly from the red ray, drawing him with her.

"We don't want to be giants!" she laughed.

Larry drew a deep breath, and looked about him. Once more he was in his own world, and surveying it in his normal size. He became aware of Agnes standing close against him. He suddenly took her in his arms and kissed her.

"Wait a minute," she objected, slipping quickly from his arms. "What are we going to do about the Pygmy Planet? Those monsters might come again, even if you did wreck their god. And Dr. Whiting, poor fellow—But we mustn't let those monsters come back!"

Larry doubled up a brown fist and drove it with all his strength against the little globe that spun so steadily between the twin, upright cylinders of crimson and of violet flame. His hand went deep into it. And it swung from its position, hung unsteadily a moment, and then crashed to the laboratory floor. It was crushed like a ball of soft brown mud. It spattered.

"Now I guess they won't come back," Agnes said. "A pity to spoil all Dr. Whiting's work, though."

Larry was standing motionless, holding up his fist and looking at it oddly. "I smashed a planet! Think of it. I smashed a planet! Just the other—why it was just this evening, at the office, I was wishing for something to happen!"

END.

Monday, October 8, 2012

Reprint - "A Matter of Fact" (1892) by Rudyard Kipling

"A Matter of Fact"

(c) 1892

by

Rudyard Kipling

And if ye doubt the tale I tell,
Steer through the South Pacific swell;
Go where the branching coral hives
Unending strife of endless lives,
Where, leagued about the 'wildered boat,
The rainbow jellies fill and float;
And, lilting where the laver lingers,
The starfish trips on all her fingers;
Where, 'neath his myriad spines ashock,
The sea-egg ripples down the rock;
An orange wonder dimly guessed,
From darkness where the cuttles rest,
Moored o'er the darker deeps that hide
The blind white Sea-snake and his bride;
Who, drowsing, nose the long-lost ships
Let down through darkness to their lips.

—The Palms.

Once a priest always a priest; once a Mason always a Mason; but once a journalist always and for ever a journalist.

There were three of us, all newspaper men, the only passengers on a little tramp-steamer that ran where her owners told her to go. She had once been in the Bilbao iron ore business, had been lent to the Spanish Government for service at Manilla; and was ending her days in the Cape Town coolie-trade, with occasional trips to Madagascar and even as far as England. We found her going to Southampton in ballast, and shipped in her because the fares were nominal. There was Keller, of an American paper, on his way back to the States from palace executions in Madagascar; there was a burly half Dutchman, called Zuyland, who owned and edited a paper up country near Johannesberg; and there was myself, who had solemnly put away all journalism, vowing to forget that I had ever known the difference between an imprint and a stereo advertisement.

Three minutes after Keller spoke to me, as the Rathmines cleared Cape Town, I had forgotten the aloofness I desired to feign, and was in heated discussion on the immorality of expanding telegrams beyond a certain fixed point. Then Zuyland came out of his state-room, and we were all at home instantly, because we were men of the same profession needing no introduction. We annexed the boat formally, broke open the passengers' bath-room door— on the Manilla lines the Dons do not wash—cleaned out the orange-peel and cigar-ends at the bottom of the bath, hired a Lascar to shave us throughout the voyage, and then asked each other's names.

Three ordinary men would have quarrelled through sheer boredom before they reached Southampton. We, by virtue of our craft, were anything but ordinary men. A large percentage of the tales of the world, the thirty-nine that cannot be told to ladies and the one that can, are common property coming of a common stock. We told them all, as a matter of form, with all their local and specific variants which are surprising. Then came, in the intervals of steady card-play, more personal histories of adventure and things seen and reported; panics among white folk, when the blind terror ran from man to man on the Brooklyn Bridge, and the people crushed each other to death they knew not why; fires, and faces that opened and shut their mouths horribly at red-hot window-frames; wrecks in frost and snow, reported from the sleet-sheathed rescue tug at the risk of frost-bite; long rides after diamond thieves; skirmishes on the veldt and in municipal committees with the Boers; glimpses of lazy, tangled Cape politics and the mule-rule in the Transvaal; card-tales, horse-tales, woman-tales by the score and the half hundred; till the first mate, who had seen more than us all put together, but lacked words to clothe his tales with, sat open-mouthed far into the dawn.

When the tales were done we picked up cards till a curious hand or a chance remark made one or other of us say, 'That reminds me of a man who— or a business which—' and the anecdotes would continue while the Rathmines kicked her way northward through the warm water.

In the morning of one specially warm night we three were sitting immediately in front of the wheel-house where an old Swedish boatswain whom we called 'Frithiof the Dane' was at the wheel pretending that he could not hear our stories. Once or twice Frithiof spun the spokes curiously, and Keller lifted his head from a long chair to ask, 'What is it? Can't you get any pull on her?'

'There is a feel in the water,' said Frithiof, 'that I cannot understand. I think that we run downhills or somethings. She steers bad this morning.'

Nobody seems to know the laws that govern the pulse of the big waters. Sometimes even a landsman can tell that the solid ocean is a-tilt, and that the ship is working herself up a long unseen slope; and sometimes the captain says, when neither full steam nor fair wind justify the length of a day's run, that the ship is sagging downhill; but how these ups and downs come about has not yet been settled authoritatively.

'No, it is a following sea,' said Frithiof, 'and with a following sea you shall not get good steerage way.'

The sea was as smooth as a duck-pond, except for a regular oily swell. As I looked over the side to see where it might be following us from, the sun rose in a perfectly clear sky and struck the water with its light so sharply that it seemed as though the sea should clang like a burnished gong. The wake of the screw and the little white streak cut by the log-line hanging over the stern were the only marks on the water as far as eye could reach.

Keller rolled out of his chair and went aft to get a pine-apple from the ripening stock that were hung inside the after awning.

'Frithiof, the log-line has got tired of swimming. It's coming home,' he drawled.

'What?' said Frithiof, his voice jumping several octaves.

'Coming home,' Keller repeated, leaning over the stern. I ran to his side and saw the log-line, which till then had been drawn tense over the stern railing, slacken' loop, and come up off the port quarter. Frithiof called up the speaking-tube to the bridge, and the bridge answered, 'Yes, nine knots.' Then Frithiof spoke again, and the answer was, 'What do you want of the skipper?' and Frithiof bellowed, 'Call him up.'

By this time Zuyland, Keller, and myself had caught something of Frithiof's excitement, for any emotion on shipboard is most contagious. The captain ran out of his cabin, spoke to Frithiof, looked at the log-line, jumped on the bridge, and in a minute we felt the steamer swing round as Frithiof turned her.

'Going back to Cape Town?' said Keller.

Frithiof did not answer, but tore away at the wheel. Then he beckoned us three to help, and we held the wheel down till the Rathmines answered it, and we found ourselves looking into the white of our own wake, with the still oily sea tearing past our bows, though we were not going more than half steam ahead.

The captain stretched out his arm from the bridge and shouted. A minute later I would have given a great deal to have shouted too, for one-half of the sea seemed to shoulder itself above the other half, and came on in the shape of a hill. There was neither crest, comb, nor curl-over to it; nothing but black water with little waves chasing each other about the flanks. I saw it stream past and on a level with the Rathmine's bow-plates before the steamer made up her mind to rise, and I argued that this would be the last of all earthly voyages for me. Then we rose for ever and ever and ever, till I heard Keller saying in my ear, 'The bowels of the deep, good Lord!' and the Rathmines stood poised, her screw racing and drumming on the slope of a hollow that stretched downwards for a good half-mile.

We went down that hollow, nose under for the most part, and the air smelt wet and muddy, like that of an emptied aquarium. There was a second hill to climb; I saw that much: but the water came aboard and carried me aft till it jammed me against the smoking-room door, and before I could catch breath or clear my eyes again we were rolling to and fro in torn water, with the scuppers pouring like eaves in a thunderstorm.

'There were three wares,' said Keller; 'and the stoke-hold's flooded.'

The firemen were on deck waiting, apparently, to be drowned. The engineer came and dragged them below, and the crew, gasping, began to work the clumsy Board of Trade pump. That showed nothing serious, and when I understood that the Rathmines was really on the water, and not beneath it, I asked what had happened.

'The captain says it was a blow-up under the sea —a volcano,' said Keller.

'It hasn't warmed anything,' I said. I was feeling bitterly cold, and cold was almost unknown in those waters. I went below to change my clothes, and when I came up everything was wiped out by clinging white fog.

'Are there going to be any more surprises?' said Keller to the captain.

'I don't know. Be thankful you're alive, gentlemen. That's a tidal wave thrown up by a volcano. Probably the bottom of the sea has been lifted a few feet somewhere or other. I can't quite understand this cold spell. Our sea-thermometer says the surface water is 44°, and it should be 68° at least.'

'It's abominable,' said Keller, shivering. 'But hadn't you better attend to the fog-horn? It seems to me that I heard something.'

'Heard! Good heavens!' said the captain from the bridge, 'I should think you did.' He pulled the string of our fog-horn, which was a weak one. It sputtered and choked, because the stoke-hold was full of water and the fires were half-drowned, and at last gave out a moan. It was answered from the fog by one of the most appalling steam-sirens I have ever heard. Keller turned as white as I did, for the fog, the cold fog, was upon us, and any man may be forgiven for fearing the death he cannot see.

'Give her steam there!' said the captain to the engine-room. 'Steam for the whistle, if we have to go dead slow.'

We bellowed again, and the damp dripped off the awnings to the deck as we listened for the reply. It seemed to be astern this time, but much nearer than before.

'The Pembroke Castle, by gum!' said Keller, and then, viciously, 'Well, thank God, we shall sink her too.'
'It's a side-wheel steamer,' I whispered. 'Can't you hear the paddles?'

This time we whistled and roared till the steam gave out, and the answer nearly deafened us. There was a sound of frantic threshing in the water, apparently about fifty yards away, and something shot past in the whiteness that looked as though it were gray and red.

'The Pembroke Castle bottom up,' said Keller, who, being a journalist, always sought for explanations. 'That's the colours of a Castle liner. We're in for a big thing.'

'The sea is bewitched,' said Frithiof from the wheel-house. 'There are two steamers.'

Another siren sounded on our bow, and the little steamer rolled in the wash of something that had passed unseen.

'We're evidently in the middle of a fleet,' said Keller quietly. 'If one doesn't run us down, the other will. Phew! What in creation is that?'

I sniffed for there was a poisonous rank smell in the cold air—a smell that I had smelt before.
'If I was on land I should say that it was an alligator. It smells like musk,' I answered.

'Not ten thousand alligators could make that smell,' said Zuyland; 'I have smelt them.'

'Bewitched! Bewitched!' said Frithiof. 'The sea she is turned upside down, and we are walking along the bottom.'

Again the Rathmines rolled in the wash of some unseen ship, and a silver-gray wave broke over the bow, leaving on the deck a sheet of sediment—the gray broth that has its place in the fathomless deeps of the sea. A sprinkling of the wave fell on my face, and it was so cold that it stung as boiling water stings. The dead and most untouched deep water of the sea had been heaved to the top by the submarine volcano—the chill, still water that kills all life and smells of desolation and emptiness. We did not need either the blinding fog or that indescribable smell of musk to make us unhappy—we were shivering with cold and wretchedness where we stood.

'The hot air on the cold water makes this fog,' said the captain. 'It ought to clear in a little time.'

'Whistle, oh! whistle, and let's get out of it,' said Keller.

The captain whistled again, and far and far astern the invisible twin steam-sirens answered us. Their blasting shriek grew louder, till at last it seemed to tear out of the fog just above our quarter, and I cowered while the Rathmines plunged bows-under on a double swell that crossed.

'No more,' said Frithiof, 'it is not good any more. Let us get away, in the name of God.'

'Now if a torpedo-boat with a City of Paris siren went mad and broke her moorings and hired a friend to help her, it's just conceivable that we might be carried as we are now. Otherwise this thing is—'

The last words died on Keller's lips, his eyes began to start from his head, and his jaw fell. Some six or seven feet above the port bulwarks, framed in fog, and as utterly unsupported as the full moon, hung a Face. It was not human, and it certainly was not animal, for it did not belong to this earth as known to man. The mouth was open, revealing a ridiculously tiny tongue— as absurd as the tongue of an elephant; there were tense wrinkles of white skin at the angles of the drawn lips; white feelers like those of a barbel sprang from the lower jaw, and there was no sign of teeth within the mouth. But the horror of the face lay in the eyes, for those were sightless—white, in sockets as white as scraped bone, and blind. Yet for all this the face, wrinkled as the mask of a lion is drawn in Assyrian sculpture, was alive with rage and terror. One long white feeler touched our bulwarks. Then the face disappeared with the swiftness of a blind worm popping into its burrow, and the next thing that I remember is my own voice in my own ears, saying gravely to the mainmast, 'But the air-bladder ought to have been forced out of its mouth, you know.'

Keller came up to me, ashy white. He put his hand into his pocket, took a cigar, bit it, dropped it, thrust his shaking thumb into his mouth and mumbled, 'The giant gooseberry and the raining frogs! Gimme a light—gimme a light! I say, gimme a light.' A little bead of blood dropped from his thumbnail.

I respected the motive, though the manifestation was absurd. 'Stop, you'll bite your thumb off,' I said, and Keller laughed brokenly as he picked up his cigar. Only Zuyland, leaning over the port bulwarks, seemed self-possessed. He declared later that he was very sick.

'We've seen it,' he said, turning round. 'That is it.'

'What?' said Keller, chewing the unlighted cigar.

As he spoke the fog was blown into shreds, and we saw the sea, gray with mud, rolling on every side of us and empty of all life. Then in one spot it bubbled and became like the pot of ointment that the Bible speaks of. From that wide-ringed trouble a Thing came up—a gray and red Thing with a neck—a Thing that bellowed and writhed in pain. Frithiof drew in his breath and held it till the red letters of the ship's name, woven across his jersey, straggled and opened out as though they had been type badly set. Then he said with a little cluck in his throat, 'Ah, me! It is blind. Hur illa! That thing is blind,' and a murmur of pity went through us all, for we could see that the thing on the water was blind and in pain. Something had gashed and cut the great sides cruelly and the blood was spurting out. The gray ooze of the undermost sea lay in the monstrous wrinkles of the back and poured away in sluices. The blind white head hung back and battered the wounds, and the body in its torment rose clear of the red and gray waves till we saw a pair of quivering shoulders streaked with weed and rough with shells, but as white in the clear spaces as the hairless, nameless, blind, toothless head. Afterwards came a dot on the horizon and the sound of a shrill scream, and it was as though a shuttle shot all across the sea in one breath, and a second head and neck tore through the levels, driving a whispering wall of water to right and left.

The two Things met—the one untouched and the other in its death throe—male and female, we said, the female coming to the male. She circled round him bellowing, and laid her neck across the curve of his great turtle-back, and he disappeared under water for an instant, but flung up again, grunting in agony while the blood ran. Once the entire head and neck shot clear of the water and stiffened, and I heard Keller saying, as though he was watching a street accident, 'Give him air. For God's sake give him air!' Then the death struggle began, with crampings and twistings and jerkings of the white bulk to and fro, till our little steamer rolled again, and each gray wave coated her plates with the gray slime. The sun was clear, there was no wind, and we watched, the whole crew, stokers and all, in wonder and pity, but chiefly pity. The Thing was so helpless, and, save for his mate, so alone. No human eye should have beheld him; it was monstrous and indecent to exhibit him there in trade waters between atlas degrees of latitude. He had been spewed up, mangled and dying from his rest on the sea-floor, where he might have lived till the Judgment Day, and we saw the tides of his life go from him as an angry tide goes out across rocks in the teeth of a landward gale. The mate lay rocking on the water a little distance off, bellowing continually, and the smell of musk came down upon the ship making us cough.

At last the battle for life ended, in a batter of coloured seas. We saw the writhing neck fall like a flail, the carcase turn sideways, showing the glint of a white belly and the inset of a gigantic hind-leg or flapper. Then all sank, and sea boiled over it, while the mate swam round and round, darting her blind head in every direction. Though we might have feared that she would attack the steamer, no power on earth could have drawn any one of us from our places that hour. We watched, holding our breaths. The mate paused in her search; we could hear the wash beating along her sides; reared her neck as high as she could reach, blind and lonely in all that loneliness of the sea, and sent one desperate bellow booming across the swells, as an oyster shell skips across a pond. Then she made off to the westward, the sun shining on the white head and the wake behind it, till nothing was left to see but a little pin point of silver on the horizon. We stood on our course again, and the Rathmines, coated with the sea-sediment, from bow to stern, looked like a ship made gray with terror.
. . . . . .
'We must pool our notes,' was the first coherent remark from Keller. 'We're three trained journalists—we hold absolutely the biggest scoop on record. Start fair.'

I objected to this. Nothing is gained by collaboration in journalism when all deal with the same facts, so we went to work each according to his own lights. Keller triple-headed his account, talked about our 'gallant captain,' and wound up with an allusion to American enterprise in that it was a citizen of Dayton, Ohio, that had seen the sea-serpent. This sort of thing would have discredited the Creation, much more a mere sea tale, but as a specimen of the picture-writing of a half-civilised people it was very interesting. Zuyland took a heavy column and a half, giving approximate lengths and breadths and the whole list of the crew whom he had sworn on oath to testify to his facts. There was nothing fantastic or flamboyant in Zuyland. I wrote three-quarters of a leaded bourgeois column, roughly speaking, and refrained from putting any journalese into it for reasons that had begun to appear to me.

Keller was insolent with joy. He was going to cable from Southampton to the New York World, mail his account to America on the same day, paralyse London with his three columns of loosely knitted headlines, and generally efface the earth. 'You'll see how I work a big scoop when I get it,' he said.

'Is this your first visit to England?' I asked.

'Yes,' said he. 'You don't seem to appreciate the beauty of our scoop. It's pyramidal—the death of the sea-serpent! Good heavens alive man, it's the biggest thing ever vouchsafed to a paper!'

'Curious to think that it will never appear in any paper, isn't it?' I said.

Zuyland was near me, and he nodded quickly.

'What do you mean?' said Keller. 'If you're enough of a Britisher to throw this thing away, I sha'n't. I thought you were a newspaper man.'

'I am. That's why I know. Don't be an ass, Keller. Remember, I'm seven hundred years your senior, and what your grandchildren may learn five hundred years hence, I learned from my grandfathers about five hundred years ago. You won't do it, because you can't.'

This conversation was held in open sea, where everything seems possible, some hundred miles from Southampton. We passed the Needles Light at dawn, and the lifting day showed the stucco villas on the green and the awful orderliness of England —line upon line, wall upon wall, solid stone dock and monolithic pier. We waited an hour in the Customs shed, and there was ample time for the effect to soak in.

'Now, Keller, you face the music. The Havel goes out to-day. Mail by her, and I'll take you to the telegraph office,' I said.

I heard Keller gasp as the influence of the land closed about him, cowing him as they say Newmarket Heath cows a young horse unused to open country.

'I want to retouch my stuff. Suppose we wait till we get to London?' he said.

Zuyland, by the way, had torn up his account and thrown it overboard that morning early. His reasons were my reasons.

In the train Keller began to revise his copy, and every time that he looked at the trim little fields, the red villas, and the embankments of the line, the blue pencil plunged remorselessly through the slips. He appeared to have dredged the dictionary for adjectives. I could think of none that he had not used. Yet he was a perfectly sound poker player and never showed more cards than were sufficient to take the pool.

'Aren't you going to leave him a single bellow?' I asked sympathetically. 'Remember, everything goes in the States, from a trouser-button to a double eagle.'

'That's just the curse of it,' said Keller below his breath. 'We've played 'em for suckers so often that when it comes to the golden truth—I'd like to try this on a London paper. You have first call there, though.'

'Not in the least. I'm not touching the thing in the papers. I shall be happy to leave 'em all to you; but surely you'll cable it home?'

'No. Not if I can make the scoop here and see the Britishers sit up.'

'You won't do it with three column of slushy headline, believe me. They don't sit up as quickly as some people.'

'I'm beginning to think that too. Does nothing make any difference in this country?' he said, looking out of the window.

'How old is that farmhouse?'

'New. It can't be more than two hundred years at the most.'

'Um. Fields, too?'

'That hedge there must have been clipped for about eighty years.'

'Labour cheap—eh?'

'Pretty much. Well, I suppose you'd like to try the Times, wouldn't you?'

'No,' said Keller, looking at Winchester Cathedral. 'Might as well try to electrify a hay-rick. And to think that the World would take three columns and ask for more—with illustrations too! It's sickening.'

'But the Times might,' I began.

Keller flung his paper across the carriage, and it opened in its austere majesty of solid type—opened with the crackle of an encyclopædia.

'Might! You might work your way through the bow-plates of a cruiser. Look at that first page!'

'It strikes you that way, does it?' I said. 'Then I'd recommend you to try a light and frivolous journal.'

'With a thing like this of mine—of ours? It's sacred history!'

I showed him a paper which I conceived would be after his own heart, in that it was modelled on American lines.

'That's homey,' he said, 'but it's not the real thing. Now, I should like one of these fat old Times' columns. Probably there'd be a bishop in the office, though.'

When we reached London Keller disappeared in the direction of the Strand. What his experiences may have been I cannot tell, but it seems that he invaded the office of an evening paper at 11.45 a.m. (I told him English editors were most idle at that hour), and mentioned my name as that of a witness to the truth of his story.

'I was nearly fired out,' he said furiously at lunch. 'As soon as I mentioned you, the old man said that I was to tell you that they didn't want any more of your practical jokes, and that you knew the hours to call if you had anything to sell, and that they'd see you condemned before they helped to puff one of your infernal yarns in advance. Say, what record do you hold for truth in this city, anyway?"

'A beauty. You ran up against it, that's all. Why don't you leave the English papers alone and cable to New York? Everything goes over there.'

'Can't you see that's just why?' he repeated.

'I saw it a long time ago. You don't intend to cable, then?'

'Yes, I do,' he answered, in the over-emphatic voice of one who does not know his own mind.

That afternoon I walked him abroad and about, over the streets that run between the pavements like channels of grooved and tongued lava, over the bridges that are made of enduring stone, through subways floored and sided with yard-thick concrete, between houses that are never rebuilt, and by river steps hewn to the eye from the living rock. A black fog chased us into Westminster Abbey, and, standing there in the darkness, I could hear the wings of the dead centuries circling round the head of Litchfield A. Keller, journalist, of Dayton, Ohio, U. S. A., whose mission it was to make the Britishers sit up.

He stumbled gasping into the thick gloom, and the roar of the traffic came to his bewildered ears.

'Let's go to the telegraph office and cable,' I said. 'Can't you hear the New York World crying for news of the great sea-serpent, blind, white, and smelling of musk, stricken to death by a submarine volcano, assisted by his loving wife to die in midocean, as visualised by an independent American citizen, a breezy, newsy, brainy newspaper man of Dayton, Ohio? 'Rah for the Buckeye State. Step lively! Both gates! Szz! Boom—ah!' Keller was a Princeton man, and he seemed to need encouragement.

'You've got me on your own ground,' said he, tugging at his overcoat pocket. He pulled out his copy, with the cable forms—for he had written out his telegram—and put them all into my hand, groaning, 'I pass. If I hadn't come to your cursed country—if I'd sent it off at Southampton—if I ever get you west of the Alleghanies, if—'

'Never mind, Keller. It isn't your fault. It's the fault of your country. If you had been seven hundred years older you'd have done what I'm going to do.'

'What are you going to do?'

'Tell it as a lie.'

'Fiction?' This with the full-blooded disgust of a journalist for the illegitimate branch of the profession.

'You can call it that if you like. I shall call it a lie.'

And a lie it has become, for Truth is a naked lady, and if by accident she is drawn up from the bottom of the sea, it behoves a gentleman either to give her a print petticoat or to turn his face to the wall, and vow that he did not see.

END.

Sunday, October 7, 2012

Reprint: "The Last Poet and the Robots" (1934) by A. A. Merritt

Note:  This was originally Part 11 of the great round robin serial Cosmos (published 1932-34), but stands on its own as a short story.  The serial is about an extradimensional invasion of the Solar System in the 30th century by the "Wrongness of Space," a very alien being.  In this future the Earth has fallen under the secret dominion of a race of Robots who are allied to the Wrongness, and hence is unable to join the struggle -- until a very unusual sort of supergenius decides that he finds the both the Wrongness and the Robots aesthetically unappealing.  Never annoy an artist ...

"The Last Poet and the Robots"

(c) 1934

by

A. A. Merritt

NARODNY, THE RUSSIAN, sat in his laboratory. Narodny's laboratory was a full mile under earth. It was one of a hundred caverns, some small and some vast, cut out of the living rock. It was a realm of which he was sole ruler. In certain caverns garlands of small suns shone; and in others little moons waxed and waned over earth; and there was a cavern in which reigned perpetual dawn, dewy, over lily beds and violets and roses; and another in which crimson sunsets baptized in the blood of slain day dimmed and died and were born again behind the sparkling curtains of the aurora. And there was one cavern ten miles from side to side in which grew flowering trees and trees which bore fruits unknown to man for many generations. Over this great orchard one yellow sun-like orb shone, and clouds trailed veils of rain upon the trees and miniature thunder drummed at Narodny's summoning.

Narodny was a poet — the last poet. He did not write his poems in words but in colors, sounds, and visions made material. Also he was a great scientist. In his peculiar field the greatest. Thirty years before, Russia's Science Council had debated whether to grant him the leave of absence he had asked, or to destroy him. They knew him to be unorthodox. How deadly so they did not know, else after much deliberation they would not have released him. It must be remembered that of all nations, Russia then was the most mechanized; most robot-ridden.

Narodny did not hate mechanization. He was indifferent to it. Being truly intelligent he hated nothing, Also he was indifferent to the whole civilization man had developed and into which he had been born. He had no feeling of kinship to humanity. Outwardly, in body, he belonged to the species. Not so in mind. Like Loeb, a thousand years before, he considered mankind a race of crazy half-monkeys, intent upon suicide. Now and then, out of the sea of lunatic mediocrity, a wave uplifted that held for a moment a light from the sun of truth — but soon it sank back and the light was gone. Quenched in the sea of stupidity. He knew that he was one of those waves.

He had gone, and he had been lost to sight by all. In a few years he was forgotten. Fifteen years ago, unknown and under another name, he had entered America and secured rights to a thousand acres in what of old had been called Westchester. He had picked this place because investigation had revealed to him that of ten localities on this planet it was most free from danger of earthquake or similar seismic disturbance. The man who owned it had been whimsical; possibly an atavist — like Narodny, although Narodny would never have thought of himself as that. At any rate, instead of an angled house of glass such as the thirtieth century built, this man had reconstructed a rambling old stone house of the nineteenth century. Few people lived upon the open land in those days; most had withdrawn into the city-states. New York, swollen by its meals of years, was a fat belly full of mankind still many miles away. The land around the house was forest covered.

A week after Narodny had taken this house, the trees in front of it had melted away leaving a three-acre, smooth field. It was not as though they had been cut, but as though they had been dissolved. Later that night a great airship had appeared upon this field — abruptly, as though it had blinked out of another dimension. It was rocket-shaped but noiseless. And immediately a fog had fallen upon airship and house, hiding them. Within this fog, if one could have seen, was a wide tunnel leading from the air-cylinder's door to the door of the house. And out of the airship came swathed figures, ten of them, who walked along that tunnel, were met by Narodny, and the door of the old house closed on them.

A little later they returned, Narodny with them, and out of an opened hatch of the airship rolled a small flat car on which was a mechanism of crystal cones rising around each other to a central cone some four feet high. The cones were upon a thick base of some glassy material in which was imprisoned a restless green radiance. Its rays did not penetrate that which held it, but it seemed constantly seeking, with suggestion of prodigious force, to escape. For hours the strange thick fog held. Twenty miles up in the far reaches of the stratosphere, a faintly sparkling cloud grew, like a condensation of cosmic dust. And just before dawn the rock of the hill behind the house melted away like a curtain that had covered a great tunnel. Five of the men came out of the house and went into the airship. It lifted silently from the ground, slipped into the aperture and vanished. There was a whispering sound, and when it had died away the breast of the hill was whole again. The rocks had been drawn together like a closing curtain and boulders studded it as before. That the breast was now slightly concave where before it had been convex, none would have noticed.

For two weeks the sparkling cloud was observed far up in the stratosphere, was commented upon idly, and then was seen no more. Narodny's caverns were finished.

Half of the rock from which they had been hollowed had gone with that sparkling cloud. The balance, reduced to its primal form of energy, was stored in blocks of the vitreous material that had supported the cones, and within them it moved as restlessly and always with that same suggestion of prodigious force. And it was force, unthinkably potent; from it came the energy that made the little suns and moons, and actuated the curious mechanisms that regulated pressure in the caverns, supplied the air, created the rain, and made of Narodny's realm a mile deep under earth the Paradise of poetry, of music, of color and of form which he had conceived in his brain and with the aid of those ten others had caused to be.

Now of the ten there is no need to speak further. Narodny was the Master. But three, like him, were Russians; two were Chinese; of the remaining five, three were women — one German in ancestry, one Basque, one an Eurasian; a Hindu who traced his descent from the line of Gautama; a Jew who traced his from Solomon.

All were one with Narodny in indifference to the world; each with him in his viewpoint on life; and each and all lived in his or her own Eden among the hundred caverns except when it interested them to work with each other. Time meant nothing to them. Their researches and discoveries were solely for their own uses and enjoyments. If they had given them to the outer world they would have only been ammunition for warfare either between men upon Earth or men against some other planet. Why hasten humanity's suicide? Not that they would have felt regret at the eclipse of humanity. But why trouble to expedite it? Time meant nothing to them because they could live as long as they desired — barring accident. And while there was rock in the world, Narodny could convert it into energy to maintain his Paradise — or to create others.

The old house began to crack and crumble. It fell — much more quickly than the elements could have brought about its destruction. Then trees grew among the ruins of its foundations; and the field that had been so strangely cleared was overgrown with trees. The land became a wood in a few short years; silent except for the roar of an occasional rocket passing over it and the songs of birds that had found there a sanctuary.

But deep down in earth, within the caverns, were music and song and mirth and beauty. Gossamer nymphs circled under the little moons. Pan piped. There was revelry of antique harvesters under the small suns. Grapes grew and ripened, were pressed, and red and purple wine was drunk by Bacchantes who fell at last asleep in the arms of fauns and satyrs. Oreads danced under the pale moon-bows and sometimes Centaurs wheeled and trod archaic measures beneath them to the drums of their hoofs upon the mossy floor. The old Earth lived again.

Narodny listened to drunken Alexander raving to Thais among the splendors of conquered Persepolis; and he heard the crackling of the flames that at the whim of the courtesan destroyed it. He watched the siege of Troy and counted with Homer the Achaean ships drawn up on the strand before Troy's walls; or saw with Herodotus the tribes that marched behind Xerxes — the Caspians in their cloaks of skin with their bows of cane; the Ethiopians in the skins of leopards with spears of antelope horns; the Libyans in their dress of leather with javelins made hard by fire; the Thracians with the heads of foxes upon their heads; the Moschians who wore helmets made of wood and the Cabalians who wore the skulls of men. For him the Eleusinian and the Osirian mysteries were re-enacted, and he watched the women of Thrace tear to fragments Orpheus, the first great musician. At his will, he could see the rise and fall of the Empire of the Aztecs, the Empire of the Incas; or beloved Caesar slain in Rome's Senate; or the archers at Agincourt; or the Americans in Belleau Wood. Whatever man had written — whether poets, historians, philosophers or scientists — his strangely shaped mechanisms could bring before him, changing the words into phantoms real as though living.

He was the last and greatest of the poets — but also he was the last and greatest of the musicians. He could bring back the songs of ancient Egypt, or the chants of more ancient Ur. The songs that came from Moussorgsky's soul of Mother-earth, the harmonies of Beethoven's deaf ear, or the chants and rhapsodies from the heart of Chopin. He could do more than restore the music of the past. He was master of sound. To him, the music of the spheres was real. He could take the rays of the stars and planets and weave them into symphonies. Or convert the sun's rays into golden tones no earthly orchestras had ever expressed. And the silver music of the moon — the sweet music of the moon of spring, the full-throated music of the harvest moon, the brittle crystalling music of the winter moon with its arpeggios of meteors — he could weave into strains such as no human ears had ever heard.

So Narodny, the last and greatest of poets, the last and greatest of musicians, the last and greatest of artists — and in his inhuman way, the greatest of scientists — lived with the ten of his choosing in his caverns. And, with them, he consigned the surface of earth and all who dwelt upon it to a negative Hell — Unless something happening there might imperil his Paradise!

Aware of the possibility of that danger, among his mechanisms were those which brought to eyes and ears news of what was happening on earth's surface. Now and then, they amused themselves with these.

It so happened that on that night when the Warper of Space had dealt his blow at the space ships and had flung a part of the great Crater of Copernicus into another dimension, Narodny had been weaving the rays of Moon, Jupiter and Saturn into Beethoven's Moonlight Sonata. The moon was a four-day crescent. Jupiter was at one cusp, and Saturn hung like a pendant below the bow. Shortly Orion would stride across the Heavens and bright Regulus and red Aldebaran, the Eye of the Bull, would furnish him with other chords of starlight remoulded into sound.

Suddenly the woven rhythms were ripped — hideously. A devastating indescribable dissonance invaded the cavern. Beneath it, the nymphs who had been dancing languorously to the strains quivered like mist wraiths in a sudden blast and were gone: the little moons flared, then ceased to glow. The tonal instruments were dead. And Narodny was felled as though by a blow.

After a time the little moons began to glow again, but dimly; and from the tonal mechanisms came broken, crippled music. Narodny stirred and sat up, his lean, high-cheeked face more Satanic than ever. Every nerve was numb; then as they revived, agony crept along them. He sat, fighting the agony, until he could summon help. He was answered by one of the Chinese, and soon Narodny was himself again.

He said: “It was a spatial disturbance, Lao. And it was like nothing I have ever known. It came in upon the rays, of that I am sure. Let us look out upon the moon.”

They passed to another cavern and stood before an immense television screen. They adjusted it, and upon it appeared the moon, rapidly growing larger as though it were hurtling toward them. Then upon the screen appeared a space ship speeding earthward. They focused upon it, and opened it to their vision; searching it until they came to the control room where were Bartholomew, James Tarvish and Martin, their gaze upon Earth rapidly and more rapidly expanding in the heavens. Narodny and the Chinese watched them, reading their lips. Tarvish said: “Where can we land, Martin? The robots will be watching for us everywhere. They will see to it that we are destroyed before we can give our message and our warning to the world. They control the governments — or at least control them sufficiently to seize us upon landing. And if we should escape and gather men around us, then it means civil war and that in turn means fatal delay in the building of the space fleet — even if we should win.”

Martin said: “We must land safely — escape the robots — find some to control or destroy them. God, Tarvish — you saw what that devil they call the Wrongness of Space can do. He threw the side of the crater out of our dimension as a boy would throw a stone into a pond!”

Bartholomew said: “He could take Earth and break it up piecemeal — ”

Narodny and Lao looked at each other. Narodny said: “That is enough. We know.” The Chinese nodded. Narodny said: “I estimated that they would reach Earth in four hours.” Again Lao nodded. Narodny said: “We will talk to them, Lao; although I had thought we were done with mankind. I do not like this which they call so quaintly the Wrongness of Space — nor the stone he threw into my music.”

They brought a smaller screen into position before the larger one. They oriented it to the speeding space ship and stepped in front of it. The small screen shimmered with whirling vortices of pallid blue luminescence; the vortices drew together and became one vast cone that reached on and on to the greater screen as though not feet but thousands of miles separated them. And as the tip of the cone touched the control room of the space ship mirrored in the screen, Tarvish, upon the actual ship, gripped Martin's arm.

“Look there!”

There was an eddying in the air, like that over roads on a hot summer day. The eddying became a shimmering curtain of pallid blue luminescence — steadied until it was an oval doorway opening into vast distances. And then abruptly, within that doorway, stood two men — one tall and lean and saturnine with the sensitive face of a dreamer and the other a Chinese, his head a great yellow dome and on his face the calm of Buddha — and it was strange indeed to see in the cavern of earth these same two men standing before the blue-coned screen and upon the greater one their images within the imaged room on which the tip of the cone rested.

Narodny spoke, and in his voice there was a human indifference and sureness that chilled them, yet gave them courage. He said: “We mean you no harm. You cannot harm us. We have long been withdrawn from men. What happens on the surface of Earth means nothing to us. What may happen beneath the surface means much. Whatever it is you have named the Wrongness of Space has already annoyed me. I perceive that he can do more than annoy. I gather that the robots in one way or another are on his side. You are against him. Therefore, our first step must be to help you against the robots. Place me in possession of all facts. Be brief, for we cannot maintain our position here for more than half an hour without discomfort.”

Martin said: “Whoever you are, wherever you are, we trust you. Here is the story — ”

For fifteen minutes Narodny and the Chinese listened to their tale of struggle against the robots, of their escape and of the blasting of Copernicus in the effort of the Wrongness of Space to prevent their return.

Narodny said: “Enough. Now I understand. How long can you remain in space? I mean — what are your margins of power and of food?”

Martin answered: “Six days.”

Narodny said: “Ample time for success — or failure. Remain aloft for that time, then descend to where you started — ”
Suddenly he smiled: “I care nothing for mankind — yet I would not harm them, willingly. And it has occurred to me that I owe them, after all, a great debt. Except for them — I would not be. Also, it occurs to me that the robots have never produced a poet, a musician, an artist — “ He laughed: “But it is in my mind that they are capable of one great art at least! We shall see.”

The oval was abruptly empty; then it too was gone. Bartholomew said: “Call the others. I am for obeying. But they must know.” And when the others had heard, they too voted to obey, and the space ship, course changed, began to circle, as slowly as it could, the earth.

Down in the chamber of the screens, Narodny laughed and laughed again. He said: “Lao, is it that we have advanced so in these few years? Or that men have retrogressed? No, it is this curse of mechanization that destroys imagination. For look you, how easy is this problem of the robots. They began as man-made machines. Mathematical, soulless, insensible to any emotion. So was primal matter of which all on earth are made, rock and water, tree and grass, metal, animal, fish, worm, and men. But somewhere, somehow, something was added to this primal matter, combined with it — used it. It was what we call life. And life is consciousness. And therefore largely emotion. Life established its rhythm — and its rhythm being different in rock and crystal, metal, fish, and so on, and man, we have these varying things.

“Well, it seems that life has begun to establish its rhythm in the robots. Consciousness has touched them. The proof? They have established the idea of common identity — group consciousness. That in itself involves emotion. But they have gone further. They have attained the instinct of self-preservation. And that, my wise friend, connotes fear — fear of extinction. And fear connotes anger, hatred, arrogance — and many other things. The robots, in short, have become emotional to a degree. And therefore vulnerable to whatever may amplify and control their emotions. They are no longer mechanisms.

“So, Lao, I have in mind an experiment that will provide me study and amusement through many years. Originally, the robots are the children of mathematics. I ask — to what is mathematics most closely related. I answer — to rhythm — to sound — to sounds which will raise to the nth degree the rhythms to which they will respond. Both mathematically and emotionally,”

Lao said: “The sonic sequences?”

Narodny answered: “Exactly. But we must have a few with which to experiment. To do that means to dissolve the upper gate. But that is nothing. Tell Maringy and Euphroysne to do it. Net a ship and bring it here. Bring it down gently. You will have to kill the men in it, of course, but do it mercifully. Then let them bring me the robots. Use the green flame on one or two — the rest will follow, I'll warrant you.”

The hill behind where the old house had stood trembled. A circle of pale green light gleamed on its breast. It dimmed, where it had been was the black mouth of a tunnel. An airship, half-rocket, half-winged, making its way to New York, abruptly dropped, circled, and streaked back. It fell gently like a moth, close to the yawning mouth of the tunnel.

Its door opened, and out came two men, pilots, cursing. There was a little sigh from the tunnel's mouth and a silvery misty cloud sped from it, over the pilots and straight through the opened door. The pilots staggered and crumpled to the ground. In the airship half a dozen other men slumped to the floor, smiled, and died.

There were a full score robots in the ship. They stood, looking at the dead men and at each other. Out of the tunnel came two figures swathed in metallic glimmering robes. They entered the ship. One said:

“Robots, assemble.”

The metal men stood, motionless. Then one sent out a shrill call. From all parts of the ship the metal men moved. They gathered behind the one who had sent the call. They stood behind him, waiting.

In the hand of one of those who had come from the tunnel was what might have been an antique flash-light. From it sped a thin green flame. It struck the foremost robot on the head, sliced down from the head to base of trunk. Another flash, and the green flame cut him from side to side. He fell, sliced by that flame into four parts. The four parts lay, inert as their metal, upon the floor of the compartment.

One of the shrouded figures said: “Do you want further demonstration — or will you follow us?”

The robots put heads together; whispered. Then one said: “We will follow.” '

They marched into the tunnel, the robots making no resistance nor effort to escape. Again there was the sighing, and the rocks closed the tunnel mouth. They game to a place whose floor sank with them until it had reached the caverns. The machine-men still went docilely. Was it because of curiosity mixed with disdain for these men whose bodies could be broken so easily by one blow of the metal appendages that served them for arms? Perhaps.

They came to the cavern where Narodny and the others awaited them. Marinoff led them in and halted them. These were the robots used in the flying ships — their heads cylindrical, four arm appendages, legs triple jointed, torsos slender. The robots, it should be understood, were differentiated in shape according to their occupations. Narodny said:

“Welcome, robots. Who is your leader?”

One answered: “We have no leaders. We act as one.”

Narodny laughed: “Yet by speaking for them you have shown yourself leader. Step closer. Do not fear — yet.”

The robot said: “We feel no fear. Why should we? Even if you should destroy us who are here, you cannot destroy the billions of us outside. Nor can you breed fast enough, become men soon enough, to cope with us who enter into life strong and complete from the beginning.”

He flecked an appendage toward Narodny and there was contempt in the gesture. But before he could draw it back a bracelet of green flame circled it at the shoulder. It had darted like a thrown loop from something in Narodny's hand. The robot's arm dropped clanging to the floor, cleanly severed. The robot stared at it unbelievingly, threw forward his other three arms to pick it up. Again the green flame encircled them, encircled also his legs above the second joints. The robot crumpled and pitched forward, crying in high-pitched shrill tones to the others.

Swiftly the green flame played among them. Legless, armless, some decapitated, all the robots fell except two.

“Two will be enough,” said Narodny. “But they will not need arms — only feet.”

The flashing green bracelets encircled the appendages and excised them. The pair were marched away. The bodies of the others were taken apart, studied and under Narodny's direction curious experiments were made. Music filled the cavern, strange chords, unfamiliar progressions, shattering arpeggios and immense vibrations of sound that could be felt but not heard by the human ear. And finally this last deep vibration burst into hearing as a vast drone, hummed up and up into swift tingling tempest of crystalline brittle notes, and still ascending passed into shrill high pipings, and continued again unheard, as had the prelude to the droning. And thence it rushed back, the piping and the crystalline storm reversed, into the drone and the silence — then back and up.

And the bodies of the broken robots began to quiver, to tremble, as though every atom within them were in ever increasing, rhythmic motion. Up rushed the music and down — again and again. If ended abruptly in midflight with one crashing note.

The broken bodies ceased their quivering. Tiny starshaped cracks appeared in their metal. Once more the note sounded and the cracks widened. The metal splintered.

Narodny said: “Well, there is the frequency for the rhythm of our robots. The destructive unison. I hope for the sake of the world outside it is not also the rhythm of many of their buildings and bridges. But after all, in any war there must be casualties on both sides.”

Lao said: “Earth will be an extraordinary spectacle for a few days.”

Narodny said: “It's going to be an extraordinarily uncomfortable Earth for a few days, and without doubt many will die and many more go mad. But is there any other way?”

There was no answer. He said; “Bring in the two robots.” They brought them in.

Narodny said: “Robots — were there ever any of you who could poetize?”

They answered: “What is poetize?” Narodny laughed: “Never mind. Have you ever sung — made music — painted? Have you ever — dreamed?”

One robot said with cold irony: “Dreamed? No — for we do not sleep. We leave all that to men. It is why we have conquered them.”

Narodny said, almost gently: “Not yet, robot. Have you ever — danced? No? It is an art you are about to learn.”

The unheard note began, droned up and through the tempest and away and back again. And up and down — and up and down, though not so loudly as before. And suddenly the feet of the robots began to move, to shuffle. Their leg-joints bent; their bodies swayed. The note seemed to move now here and now there about the chamber, they always following it, grotesquely. Like huge metal marionettes, they followed it. The music ended in the crashing note. And it was as though every vibrating atom of the robot bodies had met some resistible obstruction. Their bodies quivered and from their voice mechanisms came a shriek that was a hideous blend of machine and life. Once more the drone, and once more and once more and again the abrupt stop. There was a brittle crackling all over the conical heads, all over the bodies. The star-shaped splinterings appeared. Once again the drone — but the two robots stood, unresponding. For through the com plicated mechanisms which under their carapaces animated them were similar splinterings.

The robots were dead!

Narodny said: “By tomorrow we can amplify the sonor to make it effective in a 3000-mile circle. We will use the upper cavern, of course. Equally of course, it means we must take the ship out again. In three days, Marinoff, you should be able to cover the other continents. See to it that the ship is completely proof against the vibrations. To work. We must act quickly — before the robots can discover how to neutralize them.”

It was exactly at noon next day that over all North America a deep unexplainable droning was heard. It seemed to come not only from deep within earth, but from every side. It mounted rapidly through a tempest of tingling crystalline notes into a shrill piping and was gone . . . then back it rushed from piping to the drone . . . then up and out and down . . . again and again. And over all North America the hordes of robots stopped in whatever they were doing. Stopped . . . and then began to dance. They danced in the airships and scores of those ships crashed before the human crews could gain control. They danced by the thousands in the streets of the cities — in grotesque rigadoons, in bizarre sarabands, with shuffle and hop, and jig the robots danced while the people fled in panic and hundreds of them were crushed and died in those panics. In the great factories, and in the tunnels of the lower cities, and in the mines — everywhere the sound was heard — and it was heard everywhere — the robots danced . . . to the piping of Narodny, the last great poet . . . the last great musician.

And then came the crashing note — and over all the country the dance halted. And began again . . . and ceased . . . and began again. . . .
Until at last the streets, the lower tunnels of the lower levels, the mines, the factories, the homes, were littered with metal bodies shot through and through with star-shaped splinterings.

In the cities the people cowered, not knowing what blow was to fall upon them . . . or milled about in fearmaddened crowds, and many more died. . . .

Then suddenly the dreadful droning, the shattering tempest, the intolerable high piping ended. And everywhere the people fell, sleeping among the dead robots, as though they never had been strung to the point of breaking, sapped of strength and abruptly relaxed.

As though it had vanished, America was deaf to cables, to all communication beyond the gigantic circle of sound.

But that midnight over all Europe the drone sounded and Europe's robots began their dance of death . . . and when it had ended a strange and silent rocket ship that had hovered high above the stratosphere sped almost with the speed of light and hovered over Asia — and next day Africa heard the drone while the natives answered it with their tom-toms — then South America heard it and last of all far-off Australia . . . and everywhere terror trapped the peoples and panic and madness took their toll.. ..

Until of all that animate metal horde that had tethered Earth and humanity there were a few scant hundreds left — escaped from the death dance through some variant in their constitution. And, awakening from that swift sleep, all over Earth those who had feared and hated the robots and their slavery rose against those who had fostered the metal domination, and blasted the robot factories to dust.

Again the hill above the caverns opened, the strange torpedo ship blinked into sight like a ghost, as silently as a ghost floated into the hill and the rocks closed behind it.

Narodny and the others stood before the gigantic television screen, shifting upon it images of city after city, country after country, over all Earth's surface. Lao, the Chinese, said: “Many men died, but many are left. They may not understand — but to them it was worth it.”

Narodny mused: “It drives home the lesson, what man does not pay for, he values little. Our friends aloft will have little opposition now I think.”

He shook his head, doubtfully, “But I still do not like that Wrongness of Space. I do not want my music spoiled again by him, Lao. Shall we hurl the Moon out of the universe, Lao?”

Lao laughed: “And what then would you do for moon-music?”

Narodny said: “True. Well, let us see what men can do. There is always time — perhaps.”

The difficulties which beset humanity did not interest the poet Narodny. While the world governments were reorganized — factories turned out space ships for Earth's fleet — men were trained in handling these ships — supplies were gathered — weapons were perfected — and when the message from Luna, outlining the course to be followed and setting the starting date, arrived, the space fleet of Earth was ready to leave.

Narodny watched the ships take off. He shook his head, doubtfully. But soon harmonies were swelling through the great cavern of the orchards and nymphs and fauns dancing under the fragrant blossoming trees — and the world again forgotten by Narodny.

END.

Friday, October 5, 2012

Retro Review: "The Island of Unreason" (1933) by Edmond Hamilton

"Retro Review of
'The Island of Unreason'
(c) 1933
by
Edmond Hamilton"

(c) 2012

by

Jordan S. Bassior

Synopsis:  This is the tale of Allan Mann (serial number 2473R6), a young man who is a bit too passionate to fell well into the rigidly-Technocratic society of the early 4th Millennium A.D.  When he refuses to let the atomic-motor project he's been working on for the past two years be simply turned over to another engineer, he is arrested for a "breach of reason."  The penalty is exile, for an indefinite term, to the Island of Unreason, a small body of land located in the ocean some 300 miles from City 72 (which the ancients knew as New York City).  There, people must live with neither the protection of law nor the support of the paternalistic society of this future time.

Allan is dismayed by this sentence, because his lapse from Reasonableness was unusual.  Though he has suffered from some dissatisfaction, he really believes in the ideals of his age, and yearns to return home.

On the island, the first person he meets is Lita, a young woman who was exiled to the island six months ago, in her case for life, for refusing the mate assigned to her by the Eugenic Board because she "didn't like the way he looked at" her (which Allan thinks is very Unreasonable).  She is fleeing Hara, who was exiled there a few weeks ago, and who has become the boss of the island by beating "all the strongest men" in personal combat, which is how things are normally done on the Island of Unreason.

Allan at first refuses to fight Hara, then simply clubs him from behind when he turns his back, knocking Hara unconscious.  This shocks Lita, because it wasn't a fair fight; and worries her, because she knows that when Hara wakes up he'll be after them both with a vengeance (killing Hara when he's down occurs to neither of the pair, which is plausible given that they both orginate from a rather peaceful civilization).

So they run off together.  Lita shows Allan how to survive, and Allan discovers to his surprise that he actually likes the taste of meat (the main society of the 4th Millenium is strictly vegetarian).

Unfortuantely, Hara does wake up, and he calls out the inhabitants of the Island to hunt the pair down.  Hara and Lita manage to defeat one hunting party, but the others corner them on a peninsula, and then Hara himself attacks them.  Allan fights Hara in a one-on-one bare-fisted brawl.  Surprisingly, Allan manages to knock out Hara, but then himself collapses from the strain.

He wakes up in a flier headed back to City 72.  His sentence has expired and he may re-enter civilized society.  But now Allan loves Lita and wants to return to the Island.  When he meets the Director of City 72 he knocks down that high officials, and is of course exiled to the Island of Unreason.

There, he once again meets Lita.  They fall into one another's arms.  He also meets Hara -- who shakes Allan's hand.  Hara has found his own girlfriend.  The Unreasonables have decided to reinstitute the custom of marriage, with the help of an Unreasonable preacher, and Lita will marry Allen, and Hara his own girlfriend.

That evening, after the double marriage had been performed and those in the village were engaged in noisy and completely irrational merrymaking, Allan and Lita met with Hara and his bride on a bluff at the island's western end, looking toward the last glow of sunset's red embers in the darkening sky.

"Some day," said Hara, "when there's a lot more of us unreasonables we'll go back there and take the world and make it all unreasonable and inefficient and human again."

"Some day --" Allan murmured.

Analysis

Down With Technocracy!

The first thing to understand about this story is that it was almost certainly written as a reply in the science-fictional conversation of the day to the philosophy of Technocracy, which was touted in much of the science fiction of the Interwar era as the solution for social problems most in tune with the future development of technological civilization.  The original concept, created by William Henry Smyth in 1919, envisioned "the rule of the people made effective through the agency of their servants, the scientists and engineers", but in the 1930's came to mean government by technical decision-making.  It is notable that the closer technocracy came to implementation, the more it resembled an engineering-oriented form of fascism or socialism.

In "The Island of Unreason," humanity is ruled by a mature Technocratic (though it never uses that specific term in-story) regime.  Everyone is assigned to whatever job the technocrats believe best for their skills and talents, and may be reassigned at the decision of those Technocrats (it is for resistance to such a reassignment that Allan Mann is originally exiled).  Even worse than that, people are assigned mates by the Eugenic Board (it for resistance to such assignment that Lita is exiled).  Provided that people obey the rules without resistance, they have their every physical need provided for by society -- and it is evidently a rather luxurious society by Interwar standards, with all the basic techno-wonders forecast by Gernsback and his disciples.

What Edmond Hamilton shows rather neatly is how utterly crushing such a society would be to the human spirit, if it did not respect basic human liberties.  (There is, after all, nothing about having shining cities or abundant material goods which requires bureaucratic socialism or the assignment of mating partners by a Eugenic Board, and Edmond Hamilton in many other stories depicted technologically-advanced civilizations without such unpleasant features).  The original of this type was of course Aldous Huxley's Brave New World (1932) which came out just a year before Hamilton's story and probably influenced it to some degree (especially in the assumption of the existence of primitives outside the society, though in "The Island of Unreason" the technocrats are exiling misfits to dwell in a more primitive manner).

It's possible that Robert A. Heinlein's famous short story "Coventry" (1940) was in turn a response to "The Island of Unreason."  In "Coventry," David MacKinnon actually wants to be exiled to the anarchy-zone called Coventry, he gets sent there much the same way that Allan Mann gets life, and he finds it to be an utterly-hellish place.  Ultimately, he winds up fighting to defend civilization from precisely the sort of invasion which Hara and Allan are contemplating at TIoU's end.  It is perhaps relevant here that Heinlein was, in the Interwar Era, an at least moderate Technocrat.

Heinlein may have had some of the same problems with the story as I did, to wit:

Unreasonable "Reason," Reasonable "Unreason" and Downright Horrible "Humanity"

The government of Hamilton's technocratic future claims that even its most personal and trivial decisions constitute "reason" and that any dissent from them is a "breach of reason," punishable by exile.  None of Hamilton's characters challenge this premise:  even Allan Mann, clearly an intelligent and reasonable (in the normal sense of the word) fellow, accepts the governmental definitions and decides in the end that he is simply unreasonable.  Hara specifically says that his goal will be to one day lead an invasion of the mainland from the Island and restore "unreasonable and inefficient" humanity.

I have problems with all of these assumptions.  To begin with, there is absolutely no reason to assume that the government is perfectly honest:  how do we know that its high officials don't simply allocate the best goods and services to themselves, declaring this to be merely "reasonable?"  Since any dissent is punishable at law, and all trials seem to be merely administrative ones conducted by the elites themselves, there is absolutely no check against corruption save for mutual checks on the elites by each other.

Even if the government is perfectly honest, is it competent to make all these decisions?  Von Mises, who would come to America the year after this story was published, argued that information costs made it impossible for even the most genuinely and sincerely honest and competent socialist regime to make personal decisions more wisely than the individuals who would normally make them; his disciple Hayek would add that all the incentives in a socialist system would make such a regime tend toward tyranny even if such was not its original goal.  In fact, both these reasons have doomed Technocracy to failure every time that anyone has attempted to implement it even in part:  the technocrats can't make very good decisions, and they have no incentive to even want to make good decisions.

I might add that the specific stories of the two main characters support these argument. 

Allan was taken off a project that he had almost completed; the project was simply to be given to someone else for no discernable good reason.  It is generally not efficient to switch project leaders before a project is complete, and since no reason was ever given for the decision, my default assumption would be that Michael Russ (the man who replaced Allen on the job) simply enjoyed better connections. 

Lita was going to be forced to mate with someone against her consent:  the polite term for that in our society would be "forced marriage," and the more honest term "rape."  Now, we don't know for how long these mating arrangements last in Lita's society, but on that issues merely lies the question of for how long a period of time she would be raped.  It's also notable that her objection "I didn't like the way he looked at me," is actually a perfectly reasonable one:  a lot of character can be inferred by the sort of gaze that a potential sexual partner gives one, and it's unreasonable that the authorities didn't listen to her in this matter.

The fact that she had no right of refusal of the Eugenic Board's assignment implies some fairly disgusting and terrible things about her society.  In our society, forcing people into this sort of relationship would almost-inevitably result in either severe physical harm to one or both parties, or severe psychological damage to one or both of them.  The reason why is that we see sexuality as a very personal thing and the violation of our body space against our wills is emotionally-devastating.  If Lita's society is one in which people would generally not experience this as devastating, this means that they are either so submissive as to be utterly-spineless, or so promiscious that sex is considered no more personal than a handshake.

However, note that the Island of Unreason isn't actually any better.  Hara takes over the Island by beating up the other strong men, which is held to confer authority upon him.  Why is agonarchy better than bureaucracy?  No reason is ever given.  Hara decides that he will make Lita his woman against her will, which is the exact same threat she faced BEFORE her exile.  This is made light of in-story because in fact Allen was able to defeat Hara, and Hara then promptly and conveniently found a new girlfriend (so promptly and conveniently that Hamilton doesn't even bother to name her), but if either of these two events hadn't happened, Lita would have indeed been raped.

It is indeed possible that Edmond Hamilton was not only aware of this irony but structured the story that way to make it obvious.  But there's no clear evidence that this was the case.  When Heinlein wrote "Coventry," his main character makes many of the same romantic assumptions about anarchy that Allen, Lita and Hara are all making by story's end -- and has each of these assumptions painfully disproven to him and rubbed in his face.

Indeed, the main characters in "Island" are all damned lucky that things turned out in exactly the way they did.  Had Allan lost to Hara in either fight, Lita would have been abducted and raped, Hara would have wound up with a captive bride (who might or might not have put up with her new role), and Allen never would have found True Love.  All this makes the Eugenic Board of their old society -- which probably did in most cases try to make compatible matches -- look better and better by comparison with a fairly terrible alternative.

Of course, a free society of rational men and women ruling themselves through democratic representation, keeping or trading the fruits of their labor at their own decision, and mutually choosing with whom and when to mate or marry, would be far better.  But then, neither side is advocating any such society.  That disappeared a long time ago.

This bothers me because I think the dichotomy shown in the story between "reasonable" (safe and scientific and rational but boring, regimented and inhuman) and "unreasonable" (dangerous and irrational but fun, spontaneous and human) modes of conduct is a false one, and a false one which has done very great damage to the sanity of our society in the real world.  Turning against reason does not make us free, it merely subjects our behavior to the most basic sorts of whims.  And it does not make us happy.

A Happy Ending?

In-story, all the major characters agree that they have won a happy ending.  Allen and Lita are married, and so are Hara and Miss Anonymous Pert Blonde Chick.  And surely the people of the Island of Unreason can look forward to a future of retaking the world and making it safe for normal Unreasonable Humanity, right?

First of all, I don't see exactly why we should assume that Allen and Lita have actually found True Love.  Even by the somewhat relaxed Love-at-First-Sight standards of Interwar pulp fiction, their whole interaction has been limited to about a day's running and fighting together, at the end of which they were separated by Allen's pardon; and another day of celebrating their marriage.  They're both smart and strong-willed people (by the standards of their rather stupid and weak-willed age) and can be said to like each other, and there's obviously a mutual infatuation here, but that's about it.

Secondly, everyone on the Island has been raised in a high-tech society in which medicine probably at least as advanced as that which we really have today in 2012 is taken for granted; and they are now living under Neolithic, or even Paleolithic conditions, on a tiny island.  They are living rough and will die young and in agony by the standards of their own civilization.  Oh -- and if their marriages are fruitful, Lita and Miss Pert Blonde Chick will both enjoy the pleasures of technologically-unasssisted childbirth.  Lotsa fun for all.

Thirdly, the Island of Unreason has absolutely no sane social institutions, not even by the standards of (say) an Early Iron Age Celtic barbarian village.  Leadership is literally decided by personal combat and as far as I know nobody has repealed the idea of marriage being decided by successful rape.  I'm not even sure if anyone is farming -- what will they do when the game starts to run out?  They may just discover another wonderful primitive social institution called "starving to death," which they may stave off by rediscovering cannibalism.  Mmm, nice yummy meat.

Fourthly, and related to this, how exactly is Hara planning to support the "more people" he expects to show up?

Fifthly, even if the island's population somehow swells to hundreds or thousands without a requirement to physically-consume the weaker or uglier exiles, how does Hara intend to successfully invade the mainland?  Even if we assume that North America is independent and so he must only conquer that land, I would assume from the description of a heavily-urbanized society that there must be hundreds of millions of people on that land mass.   If we assume, say, 500 million, and Hara has a population of 500, then he and his followers are outnumbered literally a million to one.

Oh, and the mainlanders have a higher level of technology.  These are odds worse than those faced by Cortez, and with the technological gradient running in the opposite direction.

I'm guessing that Hara's (and maybe Hamilton's) theory is that the Reasonables are all wussies, but even if they are wussies who have given up war as primitive centureis ago, there's still hundreds of millions of them with a massive industrial base.  Their police or even sanitation establishments could probably repel Hara's planned invasion.  And they must have some means of physically-subduing the recalcitrant -- how else did they successfully exile Hara in the first place?

What this amounts to is that Hara is a violent fanatic -- what we'd call a "psychopath" -- attempting to organize a gigantic terrorist raid on an essentially peaceful society whose peacefulness would mean that Hara and his followers would get to cruelly-abuse hundreds, thousands, maybe tens of thousands of weak and naive people, before falling in a hail of Stun Bolts and a haze of The Gas of Peace.  And if he somehow, against the odds, manages to win, the numbers of his victims may mount into the millions or even billions -- and he has no better plan for society to take the place of what he will be tearing down.

And Allen and Lita are going to get to help him live his dream.  Yay for them.

Conclusion

"The Island of Unreason" is a superficially-fun adventure story about rebels against an oppressive future society which on closer analysis is a terribly no-win situation.  Edmond Hamilton ran with what looked cool, and ignored the many horrible implications of the scenario.  I know that Hamilton liked to write tragedy (see "A Conquest of Two Worlds") but in this case, I really think he didn't realize that what he was writing was tragedy -- by implication.